Three years ago French metallers Order of 315 awoke ears and attention with their debut album Near-Birth Experience, a fierce and tenacious offering which only grew in persuasion and stature over time. Now the Paris quartet have returned with its successor Antipi, raising the heat of the qualities and potential found in the first album whilst creating an even more compelling and varied confrontation. Antipi is a rousing incitement and cantankerous roar bred across eleven individual stirring aggravations of sound and imagination. Fair to say the band’s music still wears open inspirations at times but is now really showing its own character whilst unleashing tapestries of varied and aggressively delivered flavours.
Formed in 2010, Order of 315 draw on a host of styles from metalcore and hard-rock to progressive, djent, and alternative-metal; flavours bred in the experiences and tastes of its members with bands such as Black Label Society, Pantera, Machine Head, Slipknot, Stone Sour, Five Finger Death Punch, and Korn amongst individual sparks to their sound and imagination. The 2012 released Near-Birth Experience earned strong attention and acclaim from certainly the metal underground and media with its striking tempest, its seeds now blossoming into the creative voracity that is Antipi. The new album is more brutal yet equally richer in melodic tempting and certainly a more atmospherically volatile confrontation around a heart feverish in its resourcefulness.
Antipi opens with A Slap On The Wrist and an initial sample stroked by an innocence drenched, single strand melody. It caresses the imagination, awakening ears ready for the swift assault on the senses of jagged riffs, beefy rhythms, and the instantly recognisable and welcome grizzly tones of Edgar Jabberwocky. His voice and delivery is a mighty lure alone easily igniting a pleased reaction in ears to match that being sparked by the growing rabid swing and antagonistic rumble of the sounds around him. The song is bullish rock ‘n’ roll, an easy anthem to get eager teeth into and a hungry appetite from, both fed with every passing swell of bruising enticement.
It is an outstanding start to the album quickly continued by Telescope. From its first groaning breath the track is a more imposing and intrusive proposition with the rhythms of drummer Pablo Civil unruly in their skilled design. Aligned to the predacious air of Grm Lecouflet’s bass, they make for a hostile yet gripping frame entwined by the thick winy grooves of Klaus Kersey, his guitar just as magnetic in primal riffery and sonic enterprise too. As with its predecessor, the track has hips violently gripped with its swinging challenge and ears hooked by its rapacious sound, Jabberwocky leading the incitement as masterfully as ever before The Feather Factor takes over with its industrial metal breeding and groove meets heavy/alternative metal tempestuousness. Subsequent switches into melodic flames bring a relatively undefined familiarity to things but only adds to the thick and captivating drama unfolding within ears.
Without quite finding the same dynamic impact as the first tracks, Abelian still keeps satisfaction fully whetted with its spidery melodic enterprise around a fierce tempest of a heart whilst the following Meiosis almost beats pleasure from the senses with the brutal rapier swings of Civil, though the atmospheric melodies, scything sonic trespasses, and unpredictable landscape of the assault are just as thickly tempting and alluring. Once more there is something recognisable in the spicing of the song but warped perfectly by its great bedlamic nature.
A creative composure lines Rumble Fish, the bass of Lecouflet a prowling protagonist leading the listener into the awaiting animus of the song. It never breaks its pleasing chains though, hinting and provoking with subtlety and atmospheric imagination whilst showing more of the growth in songwriting and maturity of the Order Of 315 sound, something clear across the whole of the album and indeed next up Data Warfare with its Korn meets Bloodsimple like turbulence with just a touch of Fear Factory adventure to it all.
Both the magnetically wiry Greyscale and the senses enveloping Densen keep things mean and keen; the first an inflamed mix of heavy metal and alternative rock as flirtatious as it is menacing whilst its successor crawls through ears with a slight but definite salacious sway to its evocative and intensive rock ‘n’ roll design. Both carry an attitude and hearty intimidation which, with the sonic imagination, sparks a want for more, a success just as easily drawn by the spiralling textures of Unperfect Circles. The track perpetually winds around the senses, the guitars especially influential in tempting out lusty enjoyment.
Drone brings Antipi to an end, the track a tangle of sonic craft and expression ridden by the brawly tones of Jabberwocky amidst a rhythmic tempest. Though in some ways the song takes longer to get to grips with, it is a fine end to another thrilling offering from Order Of 315. To be picky, there is a slight diminishing of unpredictability towards the rear of the release, until the final encounter anyway, but each track only ignites body and imagination to declare Order Of 315 one of the potent fresh roars within the metal scene.
Antipi is available now through numerous online stores.
Pete RingMaster 21/12/2015
Copyright RingMaster: MyFreeCopyright
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