The Twin Dracula – Hell Hath All Fury

 

Hell Hath All Fury_RingMaster ReviewAs they started the year, UK rockers The Twin Dracula end it with a ferocious slab of noise bred, punk fuelled rock ‘n’ roll. This time it is courtesy of new EP Hell Hath All Fury, four tracks which tenaciously roar and aggressively tempt as they remind all what an exciting and sadly still majorly unrecognised band they are.

Formed in 2012, the quartet took little time in arousing attention and eager appetites for their raw rock incitement through a fierce live presence and debut EP Introducing. Its success and potential was equalled and built upon by its successor TTD​/​GFY, and both in turn surpassed in sound and invention by the Death Is Our Client EP which was unleashed at the beginning of 2015. With bands such as Kid Dynamite, Wipers, Rocket From The Crypt, Propagandhi, and The Bronx potent inspirations, the encounter showed a new adventure and mature imagination brewing within The Twin Dracula songwriting and sound, one in full cry now through Hell Hath All Fury.

The EP opens up with Catholic Discipline, a seriously swift incitement which more is an introduction to the release than an individual statement, though to be fair its predatory stalking of the senses and vocal ire more than wakes an ever ready appetite for The Twin Dracula fury. The sonic wind buffets ears for a breeze over a minute before flowing straight into the quickly thrilling tempest of Liars. The track begins offloading jabbing beats from its first breath as a storm of dirty riffs blows, that the vehicle for seriously tantalising grooves and a volatile rhythmic incitement. In turn this draws in a great the blend of enraged punk vocals and a gripping web of hooks and grooves to get greedy over. The band’s sound has never seen a lacking of such attributes but here the tapestry is more creatively involved and imaginative than ever as the band entwines a broad array of noise and rock ‘n’ roll bred flavours.

From one impressive track to another as the metallic hues closing off the second track is superbly contrasted by the more punk pop/alternative rock welcome of Alura. Without defusing that potent tempting, band and track soon weave in fiercer and more aggressively tenacious elements into the infection; their punk ‘n’ roll again taking on an almost kaleidoscopic quality in its impassioned and compelling storm.

   You’ll Never Defeat The Cobras arrives to complete the EP; it another track which evolves and dances around with persistently rapid infusions of new ideation and flavours ranging from metal and melodic rock to hardcore, noise, and punk rock. The track is irresistible, its sinews veering on the barbarous at times and melodic adventure perpetually seductive as it caresses and sears ears, whilst rhythms and vocals, in their own individual ways, entrance with anthemic prowess. It is a mighty end to Hell Hath All Fury, a dramatic and thrilling finish to an equally scintillating incitement.

The Twin Dracula just gets better and better, release by release. Time for all to get bitten we suggest.

The Hell Hath All Fury EP is available now @ http://www.thetwindracula.com/

https://www.facebook.com/TheTwinDracula   https://twitter.com/thetwindracula

Pete RingMaster 22/11/2015

Copyright RingMaster: MyFreeCopyright

For more exploration of the independent and promotional services check out http://www.zykotika.com/

This Year’s Ghost – Yesterday Becomes Tomorrow Today

Band_RingMaster Review

This Year’s Ghost might not be a particularly familiar name for many right now but with more releases like Yesterday Becomes Tomorrow Today, it is hard to imagine that remaining the case. The five-track EP is a rousing blaze of anthemic melodic rock woven from the varied strains of alternative rock, grunge, and melodic metal, and though in some ways it is not particularly unique there is no escaping the fresh and arousing character to the roar of sound and release.

Formed in 2012, London hailing This Year’s Ghost consists of vocalist/guitarist Paul McKenzie, bassist/backing vocalist Joe Kusionowicz, and drummer Jake Tellinghusen. Last year saw the release of the Winter Earth EP, a release recorded with producer Meyrick de la Fuente. It was the start of a year which sparked good interest the way of the band, a UK tour and numerous other shows adding to the growing awareness of their emergence. Yesterday Becomes Tomorrow Today is the next step, a release sure to increase the swell of attention crowding around the band and alone reason why those in the know keenly shout about the trio’s compelling exploits.

THIS YEAR'S GHOST - COVER _RingMaster ReviewART     Recorded with producer Matt Hyde (Slipknot/Machine Head/Funeral For A Friend/Gallows), Yesterday Becomes Tomorrow quickly stirs up ears and an eager appetite with Death Of A Gift, its entrance of fuzzy guitar and brewing intensity a potent coaxing. In no time it is into a reserved but fiery stroll with the superb tones of McKenzie strongly impressing, as too the web of grooves and sonic endeavour escaping his guitar strings. Band inspirations include the likes of Biffy Clyro, Pearl Jam, and Alter Bridge, and fair to say in the opener alone you can feel those essences colouring the song’s inviting roar, but equally This Year’s Ghost casts its own identity in the rich melodies and vocal harmonies shaping the excellent drama of the song.

The stirring start continues with December Sun, a track featuring guest vocals from Stitch D of The Defiled. Straight away as melodic persuasion gallops in on hefty beats and grouchy bass, ears and appetite are gripped, even more so as the vocals croon with expression and quality. Though not as energetic as its predecessor, dynamically the song is a rampant stallion of sound and invention, its metallic side the flaring nostrils and melodic invention the heart of one impassioned and arousing encounter.

Carry Us In Blue similarly aligns a carnivorous rhythmic enticement, especially from the bass, with harmonic and melodic flames; the union breeding the emotive intensity escaping through the pores of the track’s tempestuous but controlled bellow. Whereas the first two songs immediately stir the senses and emotions, the third is more of a smouldering persuasion but one subsequently leaving ripe pleasure and a captivation of the over time. Though Silver Tongue hits with a swifter temptation it too blossoms more over numerous plays, its inflamed seduction a success unwilling to rush things but increasingly successful whilst adding to the rich enjoyment arising from Yesterday Becomes Tomorrow.

The EP is completed by the provocative infectiousness of Black Dogs, another where bass and drums are predatory, vocals and guitar sonically radiant, and all unite to craft a fire of imaginative sonic expression and intensive lyrical reflection, something which applies to the whole of the increasingly impressing release.

Bolder originality is the only thing you could offer up as something missing within Yesterday Becomes Tomorrow Today, an essence though easy to assume will emerge as the band evolves and grows. Other than that the EP borders on the majestic; a thickly pleasing proposition which might not change your musical life but easily doffer up This Year’s Ghost as a new long term friend.

The Yesterday Becomes Tomorrow Today EP is available now via iTunes.

https://www.facebook.com/ThisYearsGhost   http://www.thisyearsghost.com  https://twitter.com/thisyearsghost

Pete RingMaster 22/11/2015

Copyright RingMaster: MyFreeCopyright

For more exploration of the independent and promotional services check out http://www.zykotika.com/

Royal Oi! – Bootboys and Hooligans

v600_RoyalOi_Cover_RingMaster Review

Getting fed up of a punk roar is never a possibility, especially when it comes in the oi fuelled shape of the debut album from Scottish incitement Royal Oi!, a quartet creating street punk anthem after anthem. The release is a passion driven riot of sound and intent, uncaged by a band which, in their own words, just write and sing “songs about their passions and everyday struggles.” There is no agenda to their music, just the want to create a rebellious revelry for all to get personally engaged in; that an undoubted success found by their first full-length.

Hailing from Glasgow and drawing on inspirations from the likes of Bonecrusher, Perkele, and Cock Sparrer, the foursome of vocalist/guitarists Dave and Ana, bassist James, and drummer Jim first gave attention a healthy nudge with a four track demo in the December of 2014, its presence backing up a live presence already causing stir. Now it is Bootboys and Hooligans doing the contagious badgering and raucous persuading, a thick persuasion set to put Royal Oi! firmly on the punk map.

The album erupts with its title track, the opener a virulent stomp of punk riffs and spicy hooks driven by cantankerous rhythms. It is instantly a marker of things to come within Bootboys and Hooligans, an anthem setting the scene and the first great taster of the twin attack vocals from Dave and Ana. The former leads the track here with the pair alternating to some extent across the release, but always it is a dual incitement that hits the spot as resourcefully and potently as the grooves and hooks igniting ears.

Skinhead Warrior keeps the impressive start going, Ana’s snarling tones, backed by scything beats and grouchy riffs, alone an inciting call. Great backing shouts only add to the drama and catchiness of the track too, with the bass and its throaty bait another heftily compelling element before Docs and Tattoos takes over, sauntering in on a tasty groove spearing a charge of insatiable energy. Like a mix of 4 Past Midnight and Angelic Upstarts with a scent of dragSTER to it too, the song further whips up energies and an already awoken appetite with its punk ‘n’ roll devilry.

Both In My Heart, with its antagonistic passion and enterprise, and the fist in the air call of Punx and Skins ‘Football, Oi! and Rock n Roll’ keep body and emotions energised and greedily content; the first as a sing-a-long anthem no one could refuse. Its successor is more of a bruising confrontation but no less infectious as it draws the listener into full involvement of its rowdy adventure. The same can be said of all tracks within the album, Skinhead Loyalty swift proof with its inviting canter of sound and voice. Though the song is a less intensive proposal and without the extra spark of other songs around it, it still leaves ears, feet, and contentment enjoyably busy.

Musica Oi! enters ears on a great shadow lit predation, guitar and bass a prowling temptation leading to an eyeballing charge led by the thumping rhythms of Jim. Ana vocally growls and entices with typical prowess and energy as the track proceeds to twist and evolve through a varied landscape of imagination, intimidation, and enthralling enterprise. It is a mighty slab of punk matched in success by the old school bred Survive, a track rocking and rolling with prickly hooks and rapacious rhythms as vocals brawl with ears. It is another gem amongst only treats within Bootboys and Hooligans, a lingering protagonist keeping a firm hold on memory and provoking a hunger for more just like the outstanding Together. A chest beating call to arms, the song is glorious, a punk rock infestation stirring up the passions with an honest and open heart.

Bootboys and Hooligans ends on the raw onslaught of Violence, a challenging and tenacious roar on the state of the world today, and a highly pleasing and formidable way to end one thoroughly thrilling release. We cannot tell you how long Royal Oi! has been around but to our, and we suspect a great many others, their album is an introduction and wake up call to their rousing bellow. So for us there is a new and fresh oi incitement in town which excites and incites in impressive manner.

Bootboys and Hooligans is out now as a co-release between LastPunkRocker Records (150x Scottish Flag Blue), Crowd Control Media (150x White /w Blue Splatter), and Rebel Sound (150x Scottish Flag White) with an additional albums pressed in 50x Classic Black.

https://www.facebook.com/royaloiskins  https://twitter.com/royaloiskins

Pete RingMaster 22/11/2015

Copyright RingMaster: MyFreeCopyright

For more exploration of the independent and promotional services check out http://www.zykotika.com/