Modern Language is the name of the new single and album from UK artist Postcards from Jeff, and both propositions which capture the imagination in a mix of dusty Americana, alternative rock intimacy, and dreamily emotive atmospheres with cinematic landscapes. Killing two birds with one stone, we are taking a look at the ten-track full-length, a serenade of reflective charm and melancholic isolation which takes the listener into the heart of relatively undisturbed scenery as calm and rich in beauty as it is loneliness.
Postcards From Jeff is rural Yorkshire hailing, Manchester based Joss Worthington, the band a project living and breathing between the artist’s work in the studio producing for other artists. Last year Worthington released Postcards From Jeff’s self-titled debut EP, it and the pair of award winning filmmaker Steve Glashier directed videos it spawned, sparking potent attention towards the band. With the single Suburban Girl already successfully making its mark on 2015, and another trio of videos, again with Glashier at the helm, to accompany the album, Modern Language brings a fresh and alluring escapism for ears, imagination, and most likely the artist himself from the mundane of every day.
That previous single opens up the album, Suburban Girl quickly engaging ears and appetite with its caress of eighties bred melodies and keys honed tempting. Soon joined by the plainer but no less persuasive vocal tones of Worthington, the song wraps around and tenderly engulfs ears and attention with its warm catchiness and emotive substance. Guest drums appear courtesy of Chris Smith, his rapier like beats an organic prompt within the flowing charm of the song where not for the last time on the album, musically the song invites thoughts of bands like China Crisis and The Bluebells whilst the songwriting and rich layer of hooks and melodies within the track have an Ian Broudie like feel, essences which only add to the captivation of song and release.
The following Japanese Man O’ War is similarly infectious and gently energetic, additional vocals from Clare Stagg adding to the provocative warmth soaking the rhythmic drama crafted by Smith. Worthington’s keys provide an emotive narrative which is a worldly as it is personal within a song simultaneously projecting out of the way life and cosmopolitan business in the imagination before making way for the fuzz dreamscape of A House. With electronic beats almost primal in their organic presence, the track is a sonic soundtrack to a sepia clad outlook with tantalising glides through shimmering radiance triggered by provocative keys. More of a smoulder initially compared to its predecessors, ears and thoughts are nevertheless firmly and eagerly involved.
The country scent of Tired Wings brings a clearer, less fuzzy ambience with it which accentuates the tang of the guitar and the inviting rumbles of rhythms. Stagg also returns to kiss the senses with her reserved yet siren-esque harmonies, the combination a glow within the romancing, very slightly Smiths like, body of the song. It is a masterful tempting swiftly backed by the same potency of Goddess Of The Sun, its enterprise as resourceful and adventurous as its voice is sublimely persuasive.
New single Modern Language comes next spreading an oriental/worldly flirtation from its first touch on ears. Keys again conjure a hug of multi-cultural reflection whilst the Mike Doughty like texture of Worthington’s vocals provide a great grounding to the melodic flight leading the imagination and emotions into bold and insular adventures. The song is spellbinding, simply a fascinating and infectious doorway into the craft and world of Postcards From Jeff.
Both Samaritans and Wide Eyed Wonder keep satisfaction rich, the first with its enthralling Lightning Seeds like melody fuelled ambience around punchy rhythms and spicy hooks and its successor through a more of a low key but no less hook stocked tempting. The second of the two misses the spark of the first but is still only pleasing and the same can be said of Lay Low, a croon which gets under the skin emotionally and atmospherically but fails to whip up personal tastes in the same way as those before it.
Modern Language comes to a close with Awake, a pulsating dance of crystalline keys and shadowy rhythms infesting feet and ears with relaxed zeal against the contrast of the plainer dustier delivery of Worthington’s vocals. There is also an undefined familiarity to the track which adds to the pleasure and brings the album to a potent conclusion.
Postcards From Jeff creates songs which manage to be as visual for the imagination as they are vibrant for the ears, the band name itself the perfect representative to the emotional travelogue of the songwriting and indeed Modern Language.
Modern Language is released on October 23rd.
Pete Ringmaster 21/0/2015
Copyright RingMaster: MyFreeCopyright
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