Bad Solution – Self Destruct EP

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A juggernaut is the best way to describe the Self Destruct EP from UK band Bad Solution, a juggernaut of energy, passion, and anthemic potency, not forgetting scything rhythms and crushing riffs. Its quartet of songs also come equipped with a sonic and melodic enterprise bridging the voracious metal and inflamed heavy rock instincts which openly fuel songs and sound. The EP is a beast, a rousing introduction to a band many others have long been crowing over; a proposition easy to see forging an even more explosive and acclaimed presence within British rock ‘n’ roll ahead.

London based Bad Solution began in 2010 formed by guitarists Trix and Mariusz Chojnowski. With initially an all Polish line-up, the band recruited British vocalist Alex Willox late 2011 which was soon followed by the band making their live debut to rich acclaim a couple of months after. The current line-up, completed by bassist Wojtek Suberlak and drummer Joe Patterson, was in place by the December of 2013 and the band simply has gone from strength to strength with a live reputation to match their sound. They have shared stages with the likes of Gallows, The Blackout, Soulfly and many more along the way and released the well-received three track single Echoes of the Cry. Now the quintet is beginning to stir broader attention with Self Destruct and it is easy to see and hear why from its first roar.

cover_RingMaster Review   The EP opens with its title track and a melancholic tempting of piano amidst more sorrowfully ethereal keys. As the strong vocals of Willox join the embrace, so does a bass snarl and a spicy croon of guitar with more rigorous rhythms aligning themselves to the start soon after. It is a potent entrance becoming increasingly inflamed with every second, its volatile ambience eventually erupting into an energetic tempest of intensity and emotion. There is a definite Papa Roach air to the song, when that band was in its early prime, and equally a touch of Spineshank and fellow Brits The Self Titled to the evolving blaze of creative and impassioned ferocity. It is an immense start to the release, the band’s melodic and aggressive side resourcefully and strikingly merging in an impressive union.

To be honest, as mighty as it is, the following Nothing (You don’t know me) just outshines it with its Five Finger Death Punch/ Bloodsimple like riot. Willox quickly shows great versatility to his delivery, matching the furnace of enterprise and sound around him. Riffs chew on ears and rhythms swing lead like bait whilst the guitars stir up a maelstrom of ravenous and melodically seductive magnetism. Neck muscles are soon in allegiance to the brawling intensity, as too are ears and imagination to the heavier rock and melody hued exploits within the thick persuasion. It all results in another hellacious and compelling proposal easy to jump on board with and well before it’s reached its fiery climax.

Dear Sarah steps up next and similarly has attention and appetite eating out of its inventive hands. Though stalking the senses with their jagged tempting, riffs and rhythms carry an inviting swing to which tangy sonic tendrils wind their richly alluring endeavour. Again whispers of Spineshank and also this time 36 Crazyfists nudge thoughts but with every passing half minute, the song fluidly moves into new scenery drawn from varied metal flavours across a tenacious and imaginative landscape.

Fair to say Self Destruct just gets better and better with each proceeding track, ending on its pinnacle, the brilliant Desert Rock. A Middle Eastern spicing immediately coats the emergence of the song, traditional instrumentation colluding with predatory rhythms and antagonistic riffery before the latter takes over and sculpts a ferocious stomp of energy and sound. To this those ethnic hues add their thrilling hues from time to time, lurking and shining from within the groove stoked, rapacity lined furnace of anthemic sound and volcanic intensity. The track is glorious, an aural call to arms which no metal loving body and heart can resist, and surely the single to light the touch paper to national success and more.

Bad Solution is a band which guarantees a good, exhausting time with their music but as shown by the Self Destruct EP, they also bring inspiring energy, instinctive passion, and invigorating invention to the table. It might not be the most original EP you will come across this year, but without any doubts it will be amongst the most memorable and thrilling.

The Self Destruct EP is available now through most online stores.

http://www.facebook.com/badsolution

RingMaster 18/07/2015

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard on Reputation Radio @ http://www.reputationradio.net

 

Cerebellion – Regeneration

Promo_Orange-Sky_RingMaster Review

It has been five years since US metallers Cerebellion gripped our attention with their excellent debut album Inalienable; a stretch of time which has not felt as long through many of the album’s tracks and subsequent 2013 single A Better Version, never being too far from our listening for pleasure playlists. Fair to say though and like for so many, there was healthy excitement when being sent their new EP Regeneration. It has proven to be an encounter rekindling an already rich appetite for the Californian quartet, and their compelling sound which has through the new offering shown itself to have grown and matured without losing the distinctive Cerebellion breath.

Formed in 2009, the Long Beach hailing foursome of vocalist Joe Arnold, guitarist John Arnold, bassist Marc Battung, and drummer Jimmy Schultz quickly earned a strong reputation for their inventive fusion of metal and heavy rock, a blend again fuelling the impressive Regeneration. It is an incitement which, as we suggested, has further blossomed, the songs within the EP more diverse within their provocative walls and embracing a sharper and fuller design of textures and flavours. The band has not lost or defused their aggressive snarl either, though it has been honed into a more skilfully provocative and rousing essence which only helps the band’s new release powerfully spark ears and imagination.

All Came to Light starts things off, an initially sultry and melancholic melody slipping from the strings of the guitar. Its potent coaxing is soon joined by a rawer but no less evocative lure of bass and darker guitar shadows, harmonies soon after also adding to the intrigue and emerging drama. With rhythms warming up until things are stirring nicely, they and every corner of song and band explode into a roar of heavy beats and rugged riffs around the dusty tones of Joe Arnold. As existing fans would expect, a spicy groove is soon in the midst of the engaging tempest too, the song a rigorous charge unafraid to slip into gentle melodic caresses with matching vocal persuasion. With a touch of Metallica to it alongside whispers of Alice in Chains, the song ebbs and flows in intensity, bellows and croons in aggression and attitude uniting to draw only a hungry attention for it and the whole release.

ReGen_Front_Cover_Final_RingMaster Review     The following Cold similarly makes a gentle entrance, though this time there is a definite intimidating shadow behind the emerging sound and vocal tempting. Soon the track is into a muscular but reflective stroll, rhythms a dark texture against the lighter but no less sorrow laced enterprise of guitar and voice. Across it the rolling and imaginative beats of Schultz are pure magnetism, their anthemic lures matched by the throaty emotion cast by Battung’s bass and the gnawing riffs of John Arnold, the latter also casting some delicious acidic enticing within his solo and imagination. Arguably the track lacks the richer originality of others, at times providing something for expectations but every time thoughts like that do arise it is fair to say that something twists and turns in the songwriting and song to argue the point.

The variety within the release continues more strongly with both Savior and Nothing Left. The first of the two explores a heavier rock spiced canvas upon which the guitar spins a melodic and groove metal seeded web. As the voice of Joe spreads the narrative with emotive expression and energy, there is an air of bands like In Flames and Avenged Sevenfold to the track, but only spices honed into something, certainly taking longer to persuade than its predecessors, but brewing up an individual and long-term captivation. Its successor is similar in that it slowly burns into the passions and also leaves one of the deepest enjoyments. The song opens with a mesmeric kiss of Spanish guitar, their flamenco spawned melodies like kisses on the senses and a tonic for the imagination. The song is an acoustic seduction, its beauty tempering and complementing the melancholy oozing from every syllable and harmony, not forgetting the bewitching strings which emerge later in the song. Eventually though, the drama has to explode and the thrilling encounter erupts into a rousing intensive finale though with one last acoustic stroke for its last touch.

Cerebellion are back in voracious swing with Thin Ice next, the track from its first breath almost predatory with its scythes of sound and beats, all colluding to forge a prowling enticing and subsequently an adrenaline driven, thrash bred onslaught. Of course the band is never one to settle into one wind of persuasion and they seamlessly and skilfully infuse melodic and calmer swerves into that the at times almost rabid intensity. The track is as anthemic as it is creatively riveting, a song which alone tells you all you need to know about band and sound, and definitely the perfect gateway for new fans into Cerebellion.

Regeneration ends with Forsaken, a fascinating and creatively tempestuous encounter again revealing everything impressive about the band and music. From individual prowess to group imagination, songwriting maturity to lyrical and melodic incitement, song and release only and increasingly impress.

The hefty time between releases has only seen Cerebellion grow into a masterful metal/rock proposition, but you know whilst listening to Regeneration, you still get the feeling there is plenty more untapped inside the band’s creativity. Hopefully we will discover that a little more swiftly ahead.

The Regeneration EP is available now through most online stores and digitally and on CD @ https://cerebellion.bandcamp.com/album/regeneration

http://www.cerebellion1.com/ http://www.facebook.com/cerebellion1

RingMaster 18/07/2015

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard on Reputation Radio @ http://www.reputationradio.net

 

Closet Disco Queen – Self Titled

photograph by Monni

photograph by Monni

There must be very few musicians who have bewitched and ignited our ears and senses more than Jona Nido and Luc Hess, and across as many projects. Seeing their names with a band or release stirs up an instant appetite to learn more, all thanks to previous triumphs and dramatic incitements from the likes of Coilguns, KUNZ, The Ocean, The Fawn, Schwarz and…well the list gets longer by the month it seems. Now the Swiss pair has unveiled another fascinating and virulent tempting under the guise of Closet Disco Queen and with a self-titled debut album. Consisting of seven instrumental progressive/psych explorations bred from a fusion of seventies blues rock, stoner and psychedelic rock, kraut and groove rock, to suggest some of the rich hues woven together, the album is an adventure which at times plays like a bedlamic dance party and in others a journey into the darkest, most haunted corners of the soul. Predominantly though it is rock ‘n’ roll to lose yourself within and another inspiring proposal from the sonic and rhythmic imagination of Nido and Hess.

The La Chaux-de-Fonds based pair open up their album with Hey Sunshine! and immediately have ears entangled in a web of melodic and sonic enterprise pierced by sinew swung rhythms. Grooves just spring from the fingers of Nido, instantly pushing away any inhibitions in the listener’s body left from trying to resist the anthemic and intensive shuffle cast by Hess. The music’s unbridled contagion is matched in impact by its smouldering seduction, both ignited further by the spatial warmth and mystery soaking the enthralling start.

The piece flows straight into the dark, haunted embrace of What’s Your 20? next, where compelling yet intimidating shadows ride a raw sonic mist. It immerses ears in a stark yet strangely alluring ambience for a flight into the hidden; a spellbinding slip into the darkest corners of the imagination preying on emotions and the psyche with every provocative breath. It is also the gateway into the instantly dramatic and rousing Caposhi, another heavy duty incitement to send the body squirming and writhing to its virulent drone and hypnotic tapestry of sultrily persuasive noise. The track is pure addiction, a consummate violation and puppeteer of flesh and greed through searing temptations around a robust spine.

    A brief sigh of frustration in its leaving escapes as the track twists into the warped rock ‘n’ roll feast Catch You On The Flip Sid, but that is soon forgotten as the new proposition reveals its own rhythmic jungle and sonic trespass sculpted by the psychotic invention of either geniuses or mad men; you will surely choose as the song creates its own asylum of sound and creative mayhem. It is jazzy and funky, avant-garde and psychedelic, all on another seriously enslaving rhythmic tango from Hess, and at nine minutes there is no complaint it has not given the fullest thrilling work-out for ears and soul.

Closet Queen Disco_RingMaster Review     The Shag Wag is soon brewing up its rich and ravenous blues rock blaze, from gentle flames bursting into a furnace of old school and modern rock ‘n’ roll. It is just as potent when slipping into gentler sighs of sound and energy too but at its best when sizzling on the senses and sparking the listener to get fully involved physically and emotionally. Rock music does not get much more incendiary and gripping than this, or frenzies as mouth-watering.

The duo stay with a blues bloomed tone and texture with next up IYD (In Your Dreams), the melancholic caress of the track spun on a sonic breeze of blistering sound and emotive theatre. Though the piece does not ignite the same intensive reactions and endeavour as other encounters within the release, it is an absorbing sea of invention to wallow in and set up the similarly but more imposing soundscape of Black Saber. The closing song expands and blossoms to greater intensity and emotion the essence of its predecessor, and fair to say that blues kiss is another highly emotive shimmer on the surf and psychedelic coloured investigation employed by the track. Across over eleven minutes, the constantly hinting and generally restrained volatile heart of the track does eventually erupt and steer the track into fresh and exhilarating tempests. Every moment sparks a new hunger in ears and appetite, and making its long length a swift passing of dramatic time.

It is probably fair to say that the first half of the Closet Disco Queen album had the biggest and fiercely lasting impact but even its latter trio of creative alchemy and dark fiery emotion alone only ensures the parting thought with every listen is give me more please. Together all tracks just confirm Nido and Hess an adventure which never stops evolving or getting bolder and more impressive.

Closet Disco Queen is available now on ltd 12” clear orange vinyl through This Charming Man Records, Division Records, and Hummus Records and as a name your price download @ https://hummusrecords.bandcamp.com/album/s-t-5

https://www.facebook.com/closetdiscoqueen

RingMaster 18/07/2015

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard on Reputation Radio @ http://www.reputationradio.net