Follow The Lion – The Candy and Gravity Motel

Follow The lion_RingMaster Review

UK alternative rock band Follow the Lion has a sound which immediately feels so right on ears whilst offering something seemingly already familiar. The latter aspect though is deceptive and arises primarily from the fact that once infected by the band’s new EP, there is very little likely you will be putting it aside just as a passing fascination. Our experience is that the band and release becomes a heavily devoured incitement from first contact, becoming an old friend in no time at all and casting that suggestion of being something recognisable simply from constant play. Bottom-line though is that consisting of three provocatively bewitching tracks, the EP is a compelling and highly seductive slice of emotionally and skilfully tenacious rock ‘n’ roll from a band surely destined for big things.

Follow The Lion began in 2013 taking diverse influences from the likes of Pixies, Massive Attack, The Beatles, Nirvana, Tricky, and King Crimson into their emerging invention and sound. The Leeds band was soon lighting up the local live scene, subsequently venues across the north west of England, and this summer festivals like Live at Leeds and Long Division. Now the Steve Whitfield (The Cure, Bill Bruford) produced and Celt Islam mastered The Candy and Gravity Motel EP is poised to work on ears and appetites nationwide and from our findings there is little chance of escaping its or band’s lure.

cover_RingMaster Review   The release opens with its title track, making a gentle entrance through a sparkling weave of guitar and keys within which a firm rhythmic coaxing from bassist Mase and drummer Danny Jay Barnett steps forward. It does not take long for a whisper of Black to nudge thoughts whilst the sonic shimmer of the track carries hints of bands like Bernaccia and Soundgarden. They are mere essences though, the song as it further opens up its contagious theatre of melodies and smouldering sonic temptation, evolving into a unique and sultry serenade but one with a snarl to its emotions and unstoppable virulence to its character. As rhythms get bolder and the sonic enterprise spicier, the glorious roar is a blaze of temptation and enthralment merging various strains of rock and creative expression.

Down By The River comes next and within its first breath offers a catchy welcoming of riffs with a low key jangle. It is swiftly in control of ears and attention, especially once the initially reserved beats link up with a brooding bassline. They spark a fiery embrace of guitar which in turn elevates the energy and vivacity of those rhythms. It is a captivating start given fresh energy and magnetism by the distinct tones of Daniel Francis, his voice expressive and evocative with potent variety to his delivery. His own guitar prowess provides a firm and enticing canvas for the rich and colourful enterprise of lead guitarist Richard Swann to further spark an already gripped imagination, his spicy tendrils captivating within the flowing caresses of Paul Smith’s keys and the darker rhythmic frame. The song is irresistible, feisty and infectious but with a thick weave of emotive drama to leave no stone unturned in thrilling the listener.

The voice of Francis, superbly backed by Smith, is like the music around it, a perpetual source of riveting incitement. He never bellows and forces the strong lyrical side of the songs upon the senses, yet seduces and provocatively roars with undiluted persuasion across every song, as shown by Low. Carrying a definite eighties air to its melodic and catchy stroll, like Colin Vearncombe meets Spandau Ballet in many ways, the closing song washes over the senses with poetic radiance though again there is a raw and dark edge to it which adds to the fullness and weight of the enthralling encounter.

There have already been many good things said about Follow The Lion and their debut EP, from Tom Robinson for one, and now lost in the arms of the spellbinding release it is easy to see why and say you too should make a reservation with The Candy and Gravity Motel.

The Candy and Gravity Motel is available from June 29th @ http://followthelion.bandcamp.com/album/the-candy-gravity-motel-ep

https://www.facebook.com/followthelionmusic   https://twitter.com/followthelion

RingMaster 29/06/2015

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard on Reputation Radio @ http://www.reputationradio.net

 

Faces Of Eve – The Story So Far

Faces Of Eve Promo Shot_RingMaster Review

It may intensely fascinate more than it explosively thrills but The Story So Far, the debut EP from UK metallers Faces Of Eve, is a thoroughly enjoyable introduction to a potential drenched band. Across six compelling tracks, they create a tapestry of diverse sounds which at any given moment can be as progressive metal as they are alternative rock, as tech metal as they are experimental. It makes for a seriously enticing proposal keeping ears and imagination rigorously keen and though many songs just lack the final essence to ignite the biggest reactions, an ingrained appetite for more is a swiftly done deal.

The Hertfordshire quartet emerged towards the end of 2013, Faces Of Eve emerging from the ashes of Brave The Moment, Shields, Trophies Of Dahmer, and Olympus Must Fall. A potent following to their impressive live presence quickly grew and now fresh off a UK tour with Oaths, the band is turning up the heat on a national recognition with The Story So Far.

It all starts with For My Fallen Heroes and an enticing coaxing from guitars and a harmonic ambience. The strings of Dan Sloane gently dance with ears as the melodic tones of vocalist Benjamin Fordham Black add their caresses to the magnetic persuasion. The air of the song has an increasingly imposing texture, not intimidating but carrying open shadows enhanced by the heavily wiry tones of bass. It does all unite in a richer and thicker tempting, though that is for mere moments as the song suddenly stops. It is a strong opening but the abruptness of the track without being instantly replaced by its successor, or bleeding straight into it, feels slightly odd. It is a minor thing though and soon forgotten as Feed emerges from the distance with a tangy groove around punchy rhythms. Full in the face, the track is soon a thrilling web of spidery grooves and sonic tendrils wrapped in more strong vocals and contagious hooks. An increasing unpredictability almost as quickly erupts too, a weapon the band use to great effect over the release and here emerges in jagged riffs and barbarous snarls from the bass of Alistair Hines which strikingly flirt with the superbly crafted mesh of flavours and technical imagination. It is like a festival of sound, a collusion of textures hinting at bands like Circles, Muse, Alexisonfire, and Shattered Skies, and at its heart just an irresistible rocker.

Faces Of Eve Cover Art_RingMaster Review   The following Crime Of Passion opens with a sombre atmosphere, vocally and musically, as scythes of guitar court the imagination with the vocals in a melancholic yet charming invitation. The steely funk bait of Hine’s bass stirs the song’s air soon after as the blend of falsetto and emotive vocals entangle, the track eventually shrugging off its reserve as the potent beats of Oliver Jones incite a voracious and snarling tango of metal bred sound. As its predecessor, the song is soon evolving and weaving in various styles with every passing grouping of seconds and similarly gripping ears and thoughts through its bold adventure.

Temporal Rotunda also has a morose toned start, voices and sounds cloaked in a cloudy ambience which eventually sparks into a composed but fiery stroll littered with jabbing beats and gnarly riffs bound in spicy grooves and melodic incitement. The track prowls at certain points, imposing its weight and alluring intensity whilst veining its trespass with attention pulling slithers and twists of melodic and off kilter imagination. By its end the dark side of the track is a riveting enticement, leaving a lingering pleasure which One Man Show runs with through its own vivacious and agitated qualities. The technical growl and nagging of song and sound is a persistent beckoning but the band inventively send it spinning with swift flashes of avant-garde and progressive ingenuity, matched by resourceful vocals. It is an outstanding track which epitomises everything good about The Story So Far and how it just misses the mark. It is inventive and fiercely imaginative but never pushes its promise to the limits hoped, never quite finding the spark which tips a great song into a show stopper.

It is nevertheless inescapable evidence of the songwriting and technical qualities of Faces Of Eve and their infectious sound which is confirmed on final time by Dwellers. The closing song is another which is a born rocker at heart, its aggressive alternative rock core encased in a spiral of tenacious grooves, their union twisting into an increasingly dramatic and ferocious blaze. Things continue to move into new textures and scenery as the track increasingly lure ears and enjoyment, always returning to its creative spine but always providing new highly satisfying endeavours off of it.

Faces Of Eve is a name to make a note of and The Story So Far a release to seriously think about checking out. Both are destined to promote thoughts that here is a band with a very successful future before them if they want it.

The Story So Far EP is available from Monday 29th June through all digital platforms and as a name your price download @ http://facesofeveuk.bandcamp.com/album/the-story-so-far

https://www.facebook.com/facesofeveuk     https://twitter.com/F_O_E_UK

RingMaster 29/06/2015

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard on Reputation Radio @ http://www.reputationradio.net

 

Spears – Little White Lights

SPEARS_RingMaster Review

Barely out of their creative wombs, UK alternative rock band Spears has been sparking some keen attention for themselves in the few months of their existence, and are bound to stir things up again with the release of their new single Little White Lights. The song reveals plenty as to the fuss emerging over the band and alone makes a very potent base for the Sheffield quartet to build upon.

With their ages ranging from 16, through frontman Rowan Scott, to eighteen, Spears is young and fresh in every aspect, and as their first single shows, also very accomplished. The video for Little White Lights caught the eye and enthusiasm of BBC Introducing, which seemingly as much as anything led to its single release, and with a successful appearance at Brighton’s The Great Escape Festival it looks like 2015 is brewing up to be a major year for the band.

Little White Lights opens with thrusts of spicy guitar, further sonic hues adding their bait within a few already flavoursome seconds before it all settles into a vibrant and mischievous stroll. Rhythms bring appealing bulk to the song from this point whilst the vocals add expressive and energetic captivation, their presence sparking perfectly off the evolving adventure in the music around them. A mellower caress cups ears before things get tangy again, a new wave like spicing enriching the inventive and off beat twists and turns of the song throughout. With a more straightforward heavier rock foraging of ears also contagiously breaking out, the track is an eventful and resourceful introduction to the band and their highly enjoyable sound.

Obviously it is only one song heard but if Spears continue in this vein, they will be gaining and exciting a great many more eager appetites before this year alone is out.

Little White Lights is released on 31st Aug via End of The Trail Records.

Check out its video below…

https://www.facebook.com/SpearsOfficial

RingMaster 29/06/2015

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard on Reputation Radio @ http://www.reputationradio.net

The Retrospectives – Confusion

The Retrospectives_RingMaster Review

If you needed any evidence that UK rock duo The Retrospectives were raised on 60’s and 70’s rock, punk, and wave, then you only have to check out the pair’s new single Confusion. Like a mix of Tom Petty and Ryan Adams with a spicier feel of Television to it, the song is a sultry flight of guitar pop ‘n’ roll which without quite setting the passions ablaze provides ears and pleasure a very flavoursome four minutes.

Hailing from Sheffield, The Retrospectives consists of guitarist Tom Galton and bassist Will Stocks. Emerging in 2004 with an infectious vintage guitar sound inspired by artists such as Elvis Costello, The Rolling Stones, and indeed Tom Petty and Ryan Adams, the band quickly courted a strong and loyal fan base through their hunger to play live and their subsequent singles. 2014 saw the pair play over 60 UK gigs just between March and July whilst over time they have shared stages with the likes of The Boomtown Rats, The Buzzcocks, Bruce Foxton’s From The Jam, Paper Aeroplanes, and My First Tooth, as well as sell out Liverpool’s famed Cavern Club themselves. Fresh from Brighton’s The Great Escape and with a headlining tour this summer in its support, the band’s new single is ready to add its charm to upcoming hot days and sultry nights.

Confusion instantly cups ears in a caress of guitar jangle and expressive vocals, crisp beats kissing their introduction at the same time. A spicy guitar groove adds its brief lure as the song slowly spreads its charm, eventually offering a rich and lively sigh of rawer rock ‘n roll before relaxing back into its initial hot smoulder. Familiar and wantonly catchy at times, the song blends nostalgia with a fresh imagination to entice from start to finish with resourceful enterprise.

Confusion is not a song to incite swinging from the rooftops in lust but it will keep luring anyone with an appetite for vintage and modern rock with a swig of Americana back for more and more; a strong success in anyone’s book.

Confusion is available June 29th through https://itunes.apple.com/gb/album/confusion-single/id1013127552

https://www.facebook.com/TheRetrospectives

RingMaster 29/06/2015

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard on Reputation Radio @ http://www.reputationradio.net