Feral Kizzy – Slick Little Girl

Phote by Luke Fisher

Phote by Luke Fisher

The debut album from Californian dark poppers Feral Kizzy is simply an aural playground, a landscape of musical roundabouts spinning through modern tenacity and invention and creative swings whooshing across eighties new wave and jangle pop. Slick Little Girl is soaked in originality and nostalgia, a mix providing a riveting and thrilling treat ultimately cast as something unique to the Long Beach quintet; and something very easy to get addicted to.

Formed in 2010, Feral Kizzy consists of five musicians uniting a rich variety of inspirations in the band’s sound. References have been made to Patti Smith, Concrete Blonde, the Yeah Yeah Yeahs, and The Cure, though the one band which comes to the fore more than most, whether an influence or not, is eighties US band Pylon, especially their first album Gyrate. As suggested all spices and essences are evolved into something new but there is certainly a potent and enjoyable similarity in textures, sound, and unpredictable invention. With some guest contributions from bassist Hannah Smith Keller and Hannah Blumenfeld (Jail Weddings, White Murder) on violin and cello, the five piece of vocalist Kizzy Kirk, keyboardist/vocalist Brenda Carsey, guitarist Johnny Lim, drummer Mike Meza, and bassist Kevin Gonzalez perpetually explore their and the listener’s imaginations within Slick Little Girl, and fair to say they leave major pleasure in their wake.

Opener Lapdog Apparition needs little time to lure ears and appetite with its potent charms, a thumping initial beat casting the first hook swiftly assisted by a jangle of guitar and the saucy shimmer of keys. Quickly into a magnetic stride the song swings along with sharp twists, subsequently slipping into a more fluid and mellower enticement then just as easily coming out of it and starting the cycle again. A tinge of the Au Pairs flirts with thoughts as it continues to dangle bait and enterprise through ears, though it is the delicious B-52s like detour which seals a lustful deal with emotions through its Rock Lobster like tease.

Feral-Kizzy-Slick-Little-Girl-Cover__RingMasterReview   The track is creatively irresistible, a major flirtation matched by the band’s new video/single Community Service. A throbbing Cure like bassline sets things in motions, whispers of guitar lining the entrance of vocals with Kirk alone an enthralling invitation and in union with Carsey, inescapable tempting. The song proceeds to spin a web of tantalising vocals and hooks as its rhythms offer a shadowed prowl against the more celestial flight of the keys. It is captivating stuff, an inventive weave of textures and melodic infection, with the description of Xmal Deutschland meets Throwing Muses and indeed Pylon a canny hint.

The Way We Are has a fine line in guitar jangle and spicy melodic imagination backed by another addictive dark rhythmic baiting from Meza and Gonzalez, whilst vocally a Debbie Harry like whisper clings to the expressive roar of Kirk. Matching the invention and lures, Carsey breeds a pungent waltz of persuasion with fingers on keys too, it all colluding in a busy and thick dance of jangle pop before making way for the melodic caress of Sally and the Emcee. A gentle saunter equipped with rawer, incisive edges, the song is a provocative croon which thickens with every passing chord and beat until filling air and ear like dense melodic smoke. It persistently smothers the senses and seeps into the psyche, seducing with increasing effect over every play.

With a similarly sculpted canvas Lament comes next quickly breeding its own distinct character with a bluesy tang and citric adventure of spatial keys. The track is mesmeric but with a fire in its belly leading to a feisty rock tenacity driven by masterful riffs and hooks from Lim. Again sounds from earlier decades entwine with a modern invention and freshness, culturing something as much psyche pop as it is punk rock. From one album pinnacle to another with the scuzzier Life Associates which straight away is a more forceful and rugged proposition through the snarl of bass and guitar alone. Again there is a punkish element to the song’s roar and a sultry kiss to the melodic endeavour on offer, something like Siouxsie and the Banshees merged with Martha and The Muffins a strong reference, though as across the release, songs come with Feral Kizzy originality which argues against any comparisons as much as it sparks them.

More blues bred twangs grip the guitar enterprise in Not My Mind, the spicy coaxing quickly engulfed in the melodic poetry of keys and attention grabbing vocals. Though it does not quite light the same rich fire in ears and thoughts as its predecessors, the track reveals yet another side and depth to the songwriting and invention of the band, its body a volcanic fusion of sounds and textures which never erupts but is a constantly imposing and gripping incitement unafraid to unleash the heat of its heart.

The Dinosaur flirts and sways with sixties garage pop captivation and indie rock mischief next, flirting with body and thoughts from start to finish and never relinquishing its tight vivacious hold until passing the listener over to the just as ingeniously compelling tempting of The Skin Is Thick. A darker but no less boldly imaginative encounter, the song winds around ears like a lithe temptress, constantly stirring up shadows and deep rooted instincts through heavy seductive tones of bass and enchanted keys spilled drama. With vocals also on a resourceful intent to enthral and enslave, the song makes an impressive and exciting warm-up act for the closing show stopper What Are You Doing? All the lures and creative theatre of its predecessor is taken to a new level, every second of the song a controlled but rich blaze of skilled and impassioned endeavour. It is an epic bellow from the imagination and creative depths of the band only enhanced further by the sensational presence of Kirk and the intense incitement of the orchestral coloured strings, their spicy lure bringing echoes of Sex Gang Children back in the day.

Feral Kizzy is superb at uniting slim and often repetitive textures with thick tapestries of ingeniously woven enterprise, the last song epitomising that craft and success which flows across the whole of Slick Little Girl. The album is a thrilling adventure; one bred across the years in many ways but solely of the now, and Feral Kizzy a band surely looking at big things ahead.

Slick Little Girl is available from June 26th on LP/CD/Tape/Digital via eliterecords @ http://www.eliterecords.de/#!webshop/cst1

http://www.facebook.com/feralkizzy   http://www.feralkizzy.com

RingMaster 25/06/2015

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard on Reputation Radio @ http://www.reputationradio.net

 

Isvind – Gud

Isvind_bandpic_RingMasterReview

Formed in 1992, Norwegian black metallers Isvind quickly made a potent impression on the underground scene, forcibly nudging acclaim along the way with their opening releases. It is fair to say though that it is from their return in 2011, that the band has really reaped the rewards for their creatively imposing and inventive sound and releases. New album Gud continues that progression with a mighty and impressive presence equipped with a blistering tempest of sound fuelling atmospherically charged songs. It is a dramatic and ravenous encounter full of surprises and uncompromising textures, and a release to push Isvind towards the strongest spotlight within the black metal scene.

As its potent predecessor Daumyra, the new album comes through Folter Records and features Isvind as a quartet for the first time. Alongside band founders, vocalists/guitarists Arak Draconiiz and Goblin, the Oslo band is completed by bassist Skævvtroll and drummer Slää, though Gud features Antichristian of Tsjuder who replaced Slää after he broke his arm just before the recording of the album. The encounter itself is a cold and harsh landscape of provocative sound and expression, and as mentioned a great unpredictability which turns strong tracks into fearsomely compelling encounters.

Gud instantly ignites the imagination with opener Flommen and indeed the song’s very first touch. Angelic harmonies fill and seduce the air, their beauty mesmeric yet with a tinge of the siren about them which is realised once guitars and rhythms erupt in controlled but fiery style. There is instantly more of a ravenous maverick tone to the bass which quickly catches the ear and gives heavier darker depth to the increasingly sonically descriptive track. Eventually it pulls up, gathers its intent and surges with a torrent of magnetic riffs and hostile rhythms bound in magnetic guitar enterprise. The raw vocal squalls breathe discontent and venom but are superbly tempered by the returning angels across the increasingly rabid of the song. It is a masterful start to the album, a proposal seeded in the cold wastelands of old school black metal yet blowing with fresh creative winds.

Isvind - Gud - Artwork_RingMasterReview   The rich beginning continues with Ordet, grooves and hooks as ready to engage the senses as the barbarous onslaught of riffs and rhythms. It is a contagious mix, bursts of hostility taking seconds of captivating breath throughout as the guitars continue to relentlessly spin their more refined bait across the sonic and emotional ravishment. The track perpetually keeps attention gripped with every pestilential surge which in turn is disrupted by expectation defeating invention, a trait repeated across Gud and indeed following track Himmelen. Its air, as those before it, might suggest uncomfortable and stark landscapes but its uncompromising presence is a full on charge of musical and emotional rabidity, one uncaging brutality rather than ambient suggestiveness and just as riveting.

Dåren leaps in next with an irresistible rock ‘n’ roll swagger and an addictive grooming to its contagious presence, grooves and rhythms a tenacious temptation and violent shuffle respectively never missing a beat in stirring up body and passions of those it simultaneously and venomously violates. The track is outstanding, and only increases its persuasion when sonic and vocal strains of acidity and imagination spill their taunting bait across its insatiable trespass of the senses.

Both Tronen and Boken create their own striking and pleasure inflaming proposals, the first a malevolent fury which veins its caustic ravaging with melodic intrigue and tempting whilst the second is a bellow of raw musical antagonism also eager to share sharp and invention driven exploits. The guitar craft and imagination across both songs is almost bewitching, their ferocity a tasty and bracing abuse but certainly the sonic endeavour that springs often from nowhere, is the richest key to the track’s triumphs, as shown again within Giften. As the previous track, it too is rampant rancor in tone and presence launched from the darkest ruinous intent. The almost nagging unruly persistence which Isvind installs in a majority of their encounters through riffs and rhythms again just bullies and overwhelms welcoming ears here, their submission rewarded with a smug stroll of flirtatious grooves and swaggering beats.

The album is completed by firstly the mercilessly disorientating Hyrden with its bestial rhythms and cosmic ‘hallucinations’ within savagely oppressing sonic scenery, and lastly Spiret. The final song is as cold and unforgiving in sound and atmosphere as it is virulent in grooves and sparkling imagination, a union of extremes providing another mouth-watering peak within Gud.

Though not newcomers by a long way, Isvind probably has not quite breached the frontline of black metal’s attention. That should change once Gud is set free and brings the genre something rather exciting to chew on.

Gud is available from June 26th via Folter Records @ http://www.folter666shop.de/de/CD/CD-4/isvind—black-metal.html?XTCsid=6nikf1dgnjb2bd4u0e8a90uca1

https://www.facebook.com/Isvindband

RingMaster 25/06/2015

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard on Reputation Radio @ http://www.reputationradio.net

 

Hagl – Lenket til Livet

Hagl_band_picture_RingMasterReview

There is something bewitching about stark and expressionless landscapes, a chilling seduction which embraces the senses and enthrals the imagination. This also applies to cold and desolate aural terrains, especially those conjured by Norwegian black metallers Hagl on debut album Lenket til Livet. With masterful creative hues throughout, it is a ten track ravenous exploration of uncomfortable emotional and physical terrains, a captivation of ears and thoughts providing an hour of thickly satisfying provocation.

Featuring members of other Norwegian black metal exports in Beastcraft, Endezzma, and Vulture, Hagl’s sound basks in the seeds and original depths of their region’s black metal, infusing it with strains of modern resourcefulness and ideation. As shown by Lenket til Livet, the trio of Malphas (guitars, bass and mellotron), Sorath (vocals), and Gheist (drums) also delve into the darkest pestilential climates and ruthless depths of ruin, decay, and sound, dragging the listener with them. The album is a long term investment of time and attention it is fair to say, but with increasing rewards repaying the demanding effort.

The album opens with Askefast, its initial web of guitar and sonic tempting a cold, ruthless wind alone setting the terms and conditions of the impending crawl through ears and psyche. The raw monotone shaded tones of Sorath equally set the scene for his delivery and also the insidious nature of song and release. As harsh and abrasive as it all is, there is also a magnetic swim of melodic suggestiveness lurking in the ambience of the track, the guitars almost flirting with the imagination until stepping into clarity further into the song to expel fresh evocative expression.

Hagl - Lenket til Livet - Artwork_RingMasterReviewIt is a transfixing start matched by the more rigorous and savage Den Sorte Porten where rhythms and riffs immediately show more aggressive urgency and volatility. A lumbering stalking of the senses emerges eventually though, scythes of guitar and brutal rhythmic stabs lining the incitement before busying themselves again beneath the singularly gaited stroll of the vocals. The song continues to flit between both assaults, smothering all before with its ruinous touch before making way for the predatory and glacial trespass of Ulvehyrde which in turn gives the listener to Fra Kulden Til Flammene to consume. The first of the two reveals a great trail of sonic colouring, grooves which could just as much be bred in the barren realms of post punk as metal, whilst its successor from an enthralling and delicious acoustic serenade of guitar, spreads a melodically toxic tapestry courted by heavier and less dramatic but just as potent bass predation. The track is a gripping affair, the guitar of Malphas absolutely stealing the show but sizeably backed by the individual intimidations and threats of Sorath and Gheist for one of the major moments of the album.

   Helvete Ligger Så I Lende is a little less striking yet the melodic shimmers from the guitar within the relentless encroachment by its bitter and rancorous presence is almost sorcerous in its tempting, whilst Ondskapt brings its own blend of aural savagery and melodic beauty right after. There is a running similarity of sorts in the templates and sculpting of many tracks within Lenket til Livet, as shown again by this pair, but it matters little such the radiant lure and exploits shaping each track’s individual cancers. There is an additional undefined spark to the second of the two allowing it to shine out over others and the fruitless scenery cast by Liksøk right after it, another offering with plenty to entangle ears and appetite in such as the slow rabidity of the vocals and rhythms as well as almost intoxicating melodies.

Sjelefiende almost bounds along compared to the previous songs, its keen stroll an infectious enticement draped in tendrils of sonic suggestion and hate infested vocals, whilst Vardøgn drifts solemnly through its own emotional desolation littered with crystaline temptation. As all tracks there is much more going on within the intrusion, plenty to be discovered over time which ultimately only increases the success and impressiveness of Lenket til Livet too.

Closing with the corrosive weight and ferocity of Endelikt, a track in a constant evolution as bracing as it is inhospitable and as creative as it is overwhelmingly tempestuous, Lenket til Livet is an enthralling and punishingly enjoyable encounter. Though overall it did not ignite ears as to the same consistency as it might and as one of two other recent genre releases every listen brings something new and more persuasive, its stature only growing. Well worth a hearty checking out is the suggestion.

Lenket til Livet is available now via Folter Records @ http://folter666shop.de/

https://www.facebook.com/haglbyge

RingMaster 25/06/2015

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard on Reputation Radio @ http://www.reputationradio.net