UMA COMPILATION 2015

PICReputation Radio/RingMaster Review

It is time for the Underground Metal Alliance (UMA) compilation of some of the best underground metal bands in Italian, and once again UMA Compilation 2015 awakens ears and attention to a host of highly accomplished and thrilling encounters. With a line-up selected by fans and the UMA jury, which included members of Exilia, Sadist, Nanowar as well as managers of studios and festivals, plus other bands already part of the selected UMA roster, the album is an eclectic treat which is all the more sweeter through its availability as a free download for all.

It kicks off with Milan symphonic folk metallers Atlas Pain and their track Each Uisge, a rampant canter of rolling feisty rhythms and raw folk tenacity. It roars and bristles with magnetic persuasion lifting its potency further when allowing a Celtic influence to flirt with the aggressive heart of the excellent starter. It is a fine opening continued by Avoral, epic metallers from the same city, and the dramatic War Is Not Over. With nagging riffs, enjoyably theatrical vocals, and muscle-bound rhythms, the track is an attention grabbing bellow which even ears not quite enamoured with their seed genre can find plenty of resourceful and imaginative textures to enjoy and be involved in. In any large compilation you will always find some songs not quite fitting personal tastes but from start to finish it is fair to say that the compilation has little difficulty sparking a healthy appetite for the strengths and unique characters of all those involved.

Caelestis and Calico Jack are another example of the diversity across the release, the first a Naples duo creating provocative blends of post/progressive rock and shoegaze which immerse ears in captivating landscapes and the second pirate folk metallers from Milan who stomp over the senses and into the imagination with their busy and fiery adventures. The band’s songs are poles apart yet alongside each other, Ode Al Mare and House Of Jewelry make a highly satisfying union backed by the following punk folk metal of Evendim, their raucous temptation Whiskey On Fire an instinctive whipping up of energy and participation from those taking a swig of its rousing persuasion.

A web of nu and progressive metal cast by Pescara quintet Fake Heroes is next and quickly emerges as another keen favourite. The strong vocals in On The Hill are a mellow lure within skilfully conjured tempestuous sounds which busily twist and entice around them. Featuring Giacomo Castellano, the song is a compelling embrace of emotive and technical tempting, almost volatile at times though it is soon clear that GorganerA have that area cornered with their malevolent fusion of death and black metal. As shown by Veleno, The band embraces familiar inspirations yet though only one song, as it stalks and barbarously seduces ears there is an open variety of flavours and ideation ensuring the track stands out.

Away From My Fears from Edolo trio Hell’s Guardian is one of the songs which on first listen seem to lack the spark of others but with persistent listens begins revealing its eventful and increasingly enjoyable attributes, the vocals especially growing in stature and raw charm. It is a slow burn of persuasion, just like the following Falling Snow from avant-garde metallers Ideogram, but an increasingly impressing one. The latter’s offering from its first breath casts elegant melodies and evocative sounds in a masterful invitation, the track subsequently growing into an unpredictable and again persuasive offering as operatic and guttural growls bring their striking mix to an unrelenting maelstrom of musical enticement.

Como quartet Ignotum offer a slice of their enjoyable debut album Larvas Mortal God next, the atmospherically fiery and raucously trespassing Hecatomb Memories an intrusive and compelling insurgence of the band’s black/death enterprise. Its mighty incitement is matched by Kanseil and the excellent roar and devilment of their track Panevin, a song which leaps upon ears from its first breath inciting pleasure physical and emotional enjoyment from thereon in with its anthemic and melodic folk metal revelry.

Novara avant-garde metallers Locus Animæ is another band taking longer to get into, their startling sounds and minimalistic ambiences a pleasingly testing adventure with constant rewards ensuring their song, which also carries the band name, grows to be another welcome proposal over time. Similarly Insane Asylum from heavy rockers Mary Brain is a y less immediate tempting compared to other tracks but soon turns into a raucous highlight with its jagged riffs and predacious personality.

For personal appetite and ears, the album hits the sweet spot over the next handful of songs, starting with the excellent Mechanical God Creation and their slab of technical death metal brilliance, Shadow’s Falling. The song is a brutal beast of intensity and craft, a track making you stand up and pay attention with consummate ease. To be fair every song on the album does do that, though maybe few as commandingly as Milan quintet’s offering. It is followed by Lady Loneliness from Misteyes, the song a bewitching serenade of gothic metal led by a beauty clad caress of female vocals and keys. It gets darker and nastier over time but never loses its elegance and grace.

The outstanding rapper/masked guitarist Red Sky is next, his percussively lively and rhythmically compelling track I 7 Vizi Capitali, an undiluted temptation. The track is a quickstep of animated ideas and atmospheric shadows, a riveting jungle of stirring textures and shamanic tones kissed by the pipe seduction offered by guests Kanseil. Its enslaving persuasion makes way for Scum and their ferocious assault on the senses, Becoming Heavier. Thrash bred, punk infested, and woven with a host of metal essences, the song is a delicious and bracing onslaught, rich in craft and unbridled in fury, and quite thrilling.

Gallipoli heavy metallers Serial Vice provide a heftily flavoursome roar next with You Are Heroin, the song another inescapable anthem bellowing from within the album, whilst the blackened death metal fuelled Il Culto Della Pietra reveals its creators Veratrum to be a gripping and quickly intriguing prospect from Bergamo. Both songs are ripe with enterprise and craft, the latter of the two a broad expanse of textures within a mix of blistering hostility and alluring melodies.

The collection is brought to a close by a trio of tremendous creative outbursts, starting with Roma heavy metallers Whisperz and the rabid tempest of metal bait called Malicious Intent. Taken from their self-titled album, the track is a rugged and flirtatious lure of old school and modern metal, a rousing of attention and energy which the following Winterage takes on its own bold journey with The Harmonic Passage, a symphonic power metal recruitment of body and emotions, and yet another inescapable anthem bursting out. If there is still anyone yet to find their feet listening to the release, there is no chance of remaining uninvolved as Wolfang brings it all to a storming end with their fiery riot of Wild Forest. It is symphonic folk metal let loose to ravish air and ears with unbridled passion and energy.

It is a fine end to an invigorating and exciting release. Italian metal is blooming right now and the UMA Compilation provides all the evidence whilst shaping up to be one of the best collections of artists to thrill ears in recent times.

You can get your copy of UMA COMPILATION 2015 as a free download HERE.

http://www.undergroundmetalalliance.com/
RingMaster 24/06/2015

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard on Reputation Radio @ http://www.reputationradio.net

Hellrad – Things Never Change

FRONT COVER_Reputation Radio/RingMaster Review

The sound of US sludge metallers Hellrad is like toxic lava. It crawls over and consumes ears, blisters the senses, and devours all before it in an atmosphere of unbridled hostility. It also, with weighty persuasion and hellacious intensity, leaves the listener basking in a network of scorching, seductive grooves and intimidating rhythmic slavery, it all colluding for one fierce volcanic treat.

Hellrad began in the August of 2014; the Philadelphia quartet formed by guitarist Mike Hook (Eat The Turnbuckle, Bad Luck 13) and drummer Robert Lepor (Brian Candle). The pair swiftly enlisted bassist Herb Jowett (Javelina, Lick Golden Sky), and with an album’s worth of tracks emerging from their songwriting, completed the line-up with vocalist Dirty Dave Repenning (Off Duty Death, Warsaw). Their sound is as dirty as it is ugly, as angry as it is uncompromising, but aspects aligned to a violent creativity which emerges as wholly contagious. Recording Things Never Change at Permanent Hearing Damage Studios with Steve Roche, Hellrad have unleashed a proposal which is not quite a game changer but it is certainly an uncomfortable and uncompromising fresh breath to the sludge/stoner scene.

From the uncaging of its opener Street Zombies, the album reveals depths of sound and a cast of textures which are as much ravenously doomy as they are voraciously noise rock inspired, a blend perpetually brewing in a cauldron of sludge predation. The first track comes in as a warning siren, its portentous air sparking ears and imagination though their expectancy is soon engulfed in a lumbering and slowly brewing tempest of binding grooves and scything rhythms. It is a stalking rather than an onslaught, yet it has the intensity of a sonic tsunami smothering and stirring up everything in its path. The vocals of Repenning are just as rapaciously delivered, a squall of ire and emotion and as addictive as the roar growing around him. Lyrically little is given away by his raw delivery across the release but his psyche ripping presence is all about texture and emotion, and in that he, as the webbing of enterprise around him, is primal magnetism.

The following My Jihad’s Against My Mind keeps the impressive and intrusive start going, its rage and intent a much more urgent and volatile persecution of body and thoughts. Riffs and rhythms again create an unforgivingly caustic canvas for grooves and vocals to spread their almost rancorous bait, and once more the victim is blissfully immersed in echoes of a cancerous world and destruction. The closing tonic of stoner bred lures of guitar, rather than a respite to the torturous adventure seeding them, is the flowing link into another merciless ravaging. Dope Fiend Jesus manages to be even more raw and filth clad than its predecessor but also more seductive with its flirtatious melodic enticing and passages of mellow aggression. It is deliciously fearsome stuff carrying the whiffs of classic stoner and sludge bands but quickly corrupting and twisting them into something rabidly distinct to Hellrad.

Homegrown Terrorist is one of those sonic and social statements you do not ignore. Everything from its opening sample to the insidious sprawl of Repenning’s tones and the barbarous presence of the bass to the violent swings of Lepor, create an unshakeable trespass physically and emotionally. Its brutish incitement is only enhanced by the venomous sonic vines unleashed by Hook, their virulent enticement, rather than a temper to the existing savagery, an incitement to more threat. It is a template just as addictive in the hard-line predatory saunter of Fucked Up, another unrushed violation which waits until it is ready before unleashing a scourge of sizzling sonic enterprise and poisonous intent bred in an exacting embrace of intense rock ‘n’ roll.

The rhythmic nature of 15 Years and Counting is at times almost meditative, certainly hypnotic though there is no peace or calm to be found in the ruinous landscape of the song. The infectious and anthemic bait of Lepor is only reinforced by the carnivorous tones of Jowett’s strings, both forging the irresistible dark spine within the tightly entwined mix of melodic enticing and inhospitable noise pollution. The track enthrals and thrills before making way for the groove fest of Smoke More Crack. The salacious slab of rabid, dirt spawned rock ‘n’ roll is the final confirmation of the immense and addiction forging properties of band, album, and their severe concoction of sound.

Things Never Change is a punishing treat and Hellrad the nastiest, most vicious exponents of aural castigation, and we for one cannot get enough.

Things Never Change is available now digitally and on CD @ http://hellrad1.bandcamp.com/releases

https://www.facebook.com/Hellradphiladelphia666 

RingMaster 24/06/2015

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard on Reputation Radio @ http://www.reputationradio.net

 

Silent Jack invite fans to ‘Play The Game’!

SJ PTG PR Photo

Silent Jack To Release  ‘Play The Game’

 

 Birmingham based hard rockers Silent Jack are ready to unleash a hail of hard rock with debut album ‘Play The Game’! The follow up to 2012’s ‘Snakebite’ EP is thirteen tracks of pure, unfiltered rock straight from the home of heavy metal. Under the expert guidance of veteran producer Alex Cooper at Arkham Studios, the band has spent the best part of a year distilling the power of their live shows into a single full-length release.

 Playing balls-out hard rock in the vein of classic acts such as Guns N’ Roses, Mötley Crüe, Whitesnake and Led Zeppelin, Silent Jack bring it all to the table. ‘Play The Game’ features the crushing riffs and clean vocals that have wowed audiences around the country, with fan favourite tracks like ‘Too Many Women’ and ‘Whisky And Me’ joining newer cuts such as ‘I Am The Law’ and ‘Make It Right’. Rockers around the world will definitely find something they like on the album and Silent Jack can’t wait to unleash it.

 The band have been firing on all cylinders this year, reaching the finals of both the Bloodstock Metal 2 The Masses competition (Birmingham, July 12th) and the Hard Rock Hell Highway To Hell competition (Sheffield, September 5th-6th), and have recently been announced for the Saturday of this year’s Degeneration Fest (Nottingham, August 28th-30th).

‘Play the Game’ is set for release in September this year, and the band will be hosting a launch party at The Roadhouse in Birmingham on September 13th.

 

http://www.Silent-Jack.com     http://www.facebook.com/silentjackband    http://www.twitter.com/silentjackband