Nekrogoblikon – Heavy Meta

 

Nekrogoblikon

For all those acquainted with and new to Nekrogoblikon and their self-tagged “goblin metal” sound, time to embrace one of the most enjoyable and impressive metal albums of the year so far. You might initially snigger at the band’s goblin themed presence and invention, and you will giggle with the band’s lyrical rascality and self-referential mischief, but ultimately you will come away from one exhaustingly inventive and exhilarating new album basking in metal at its stirring best; you might also just want to be a goblin yourself.

Hailing from Los Angeles, Nekrogoblikon formed in 2006 releasing debut album Goblin Island the following year. At this point the band was just the founding duo of Nicholas Von Doom and Tim Lyakhovetskiy. The line-up subsequently expanded as their sound began evolving as shown by second full-length Stench in 2011; becoming even more openly diverse and exploratory in third album Power two years later. The raw black and death seeded sounds which primarily fuelled their first release, were soon part of a maelstrom of rabid flavours and styles from electronic to folk, symphonic to experimental metal, all colluding to seduce ears and imaginations. The evolution has continued and is now in full blaze with Heavy Meta, the band’s new savaging of the senses. It is a fascinating and irresistible tempest; simply a devouring proposition of flirtatious menace and bewitching voracity.

From opener The End of Infinity, band and album has attention gripped and appetite licking its greedy lips. The song’s initial stride through ears has an electro air to its contagious swing and as it expels further ingenuity and imagination, thoughts of bands like 6:33 and Destrage give a nudge. Keys and hooks only add to the virulent web being cast, the great weaselly vocals of Scorpion almost dancing on the strands of their tempting. A brilliant start only explodes into a greater escapade as guitars cast a melodic weave with tangy hooks and grooves whilst rhythms stalk that enticing with lustful intent. The devilish nature of melodies and enterprise has an additional feel of French band Pryapisme to it, and quite simply everything combined creates aural addiction, an intimidating and fanatically unpredictable shuffle impossible for feet, neck muscles, and the imagination to resist.

Nekrogoblikon-HeavyMeta-AlbumArt_Reputation Radio/RingMaster ReviewThe passions are ignited just as potently too, finding further lust as the following We’ve Had Enough with its opening saunter of evocative keys swings in with drama and rampant devilment. Riffs and grooves are soon driving infectiously through ears, vocals spilling the narrative with salacious intent as clean harmonies court ears in the background. The diversity of emerging sound is matched by the great variety of vocals, every second and twist of the song as unpredictable as they are a fluid persuasion. Like a temptress ruffling the love sacks whilst stealing the gold, the track is a salacious temptation leaving ears and emotions on a high ready for the quick step and tenacious revelry of Bring Us More. Jazzy keys, pop bred harmonies, and funk kissed energy are all sucked into the fiery climate of the song’s rabid creativity, once more the likes of 6:33 coming to mind alongside hints of Trepalium and Mr Bungle whilst devouring the unique goblin sound.

Snax & Violence is a more predatory proposal, its blackened heart and melodic death metal voracity a ravishing of the senses. The song though is unafraid to infuse guitar and keys bred beauty into its climatic tempest, adding folkish hues to its grooving simultaneously. It is an enthralling stalking of ears soon outshone by the outstanding Atlantis. The band’s latest single exposes its rhythmic muscle and tenacity straight away, lacing it with scythes of sonic bait as vocal squalls and synth spawned teasing bring their individual persuasions to the rebellious landscape of the song. Like a death infused version of Hardcore Anal Hydrogen, the track is a puppeteer to body and soul, pulling the strings of pleasure before making way for the equally thrilling We Need A Gimmick. Think of a style of music and it is most likely infused into the bedlamic but flowing emprise of a song with something for everyone within and outside metal.

Full Body Xplosion is as grouchy as a ravenous bear and as rhythmically skittish as a dog in heat. Riffs and vocals are similarly fuelled across the volatile storm of invention whilst hooks and grooves offer magnetic toxicity and the keys intrusive seduction. The growl of the bass we will leave for your discovery and nightmares as another pinnacle in the lofty plateau of the album moves over for the raucous anthem that is Let’s Get Fucked. Featuring Andrew WK, it is as riotous as you might suspect and more merciful than you might imagine, with its guest the welcome and Scorpion the venom. Without rivalling its predecessors, the track still has the real world a distant memory in its company and energies ready to take on the caustic and sultry saunter of Mood Swings. Musically the track lives up to its title, each twist bringing a fierce fondling or flirty soliciting of the imagination, everything fully agitated and hungrily unpredictable.

The song Nekrogoblikon brings Heavy Meta to a glorious end; its cantankerous stomp an alchemy of relentlessly catchy rock pop exploits aligned to ferocious hostility. It is a torrent of vivacious turmoil and creative diablerie, just as the album itself. Heavy Meta is easily one of our favourite offerings this year so far and a major incitement for the metal scene, demanding and deserving the fullest attention in return. Now where do you get goblin masks…

Heavy Meta is available via Mystery Box now on CD and vinyl @ http://www.districtlines.com/nekrogoblikon and digitally @ http://bit.ly/1JycbMS

http://www.facebook.com/nekrogoblikon

RingMaster 03/06/2013

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard on Reputation Radio @ http://www.reputationradio.net

Exorcism – World In Sin

CsabaZvekan_Reputation Radio/RingMaster Review

Following up last year’s highly enjoyable album I Am God, Exorcism unleash new EP World In Sin, an encounter in similar vein to its predecessor and sure to excite fans of artists like Black Sabbath and Dio as well as those with the appetite for a more modern take on their heavy metal. Five richly flavoursome and inventive tracks make up its presence and prove that the quality and adventure of the last album was no flash in the pan, nor the success the band had with it you suspect.

Exorcism is primarily vocalist Csaba Zvekan, a Serbian multi-instrumentalist who has a long list of potent bands and releases under his belt (Sardonyx, Killing Machine amongst them with latterly Metal Machine and Raven Lord also on-going projects). Forming Exorcism in 2006, he has recruited a host of talented musicians to bring his songs and music to ears within the 2014 full-length and now World In Sin, the likes of guitarist Joe Stump (Raven Lord, Holy Hell, Reign Of Terror), drummer Garry King (Joe Lynn Turner, Jeff Beck, Achillea), bassist Lucio Manca (Raven Lord, Solid Vision), and keyboardist Alex Wind amongst many adding their talent on the new offering.

World In Sin opens with its title track and immediately encases ears in melodic keys and vivacious riffs courted by firm rhythms. It is not a dramatic start but a quickly engaging one, especially once the distinctive and powerful vocals of Zvekan begin the track’s narrative. A great throaty bassline from Logan Christopher adds to the building drama, its lurking presence resonating bait alongside the inventive enterprise of Stump, rhythm guitarist Andy Drake, and Zvekan. Though the song does not quite ignite ears and emotions as potently as subsequent songs, it makes for a solid and enticing entrance to the release.

ExorcismWorldInSin_Reputation Radio/RingMaster Review   The following Black Day In Paradise has a similarly potent template and presence to it but also an additional drama which flirts through bass and guitars as vocals and keys colour their predation with a warmer invitation and adventure. Its elevated energy, compared to that of its predecessor, also adds a more anthemic feel to the song, setting up ears and appetite nicely for the EP’s best two tracks which start with Virtual Freedom. Instantly there is a darker more intimidating edge to the song, riffs and rhythms aggressively alluring as slithers of sonic acidity spear the tempestuous character of the encounter. Zvekan prowls the song, roaring with full throated skill throughout whilst Stump once more uncages a fiery intrigue of imagination through one blazing solo and spiky melodic tempting. The track is outstanding, invention and anthem tattooed on its creative predation.

Next is Sahara a song just as impressive and thrilling as the last. Its initial breeze and Eastern suggestiveness has the imagination instantly lit, a tantalising mystique colouring the opening caress before bass and guitars create a tapestry of infectious and descriptive endeavour. That hue continues through bass and melodies whilst the song’s solo is a sultry spice winding around the dance of drum beats. Though, as no fan of fade outs, the ending niggles, the song takes the listener on a new adventure within familiar terrain, its scenery crafted with brand new detail and colour.

The closing Black Star also has a dark and enthralling theatre to its character and sound, leading ears through a shadowy and intensive landscape of creative and vocal drama. It has a hard task matching up to the last couple of songs but holds its own with a rhythmic contagion and guitar sculpted, almost sinister, sonic tale that grips attention. With the dynamic vocals of Zvekan guiding thoughts, it is a fine end to another resourceful and highly pleasing encounter with Exorcism

World In Sin is available as a Limited Edition EP of 666 copies via Dream Records now @ http://www.exorcism13.com/exorcism-world-in-sin-limited-edition-ep/ with a digital release on all platforms on June 15th

http://www.exorcism13.com/    https://www.facebook.com/exorcismband/

RingMaster 03/06/2015

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard on Reputation Radio @ http://www.reputationradio.net

Codas – Currents EP

codas_Reputation Radio/RingMaster Review

Grippingly immersive and intrusively compelling, it is hard to imagine that the full and rabid landscapes engulfing ears and fiercely seducing the imagination within the Currents EP stem from ideas which simply could not find a place elsewhere. That is assumedly how plenty of side projects and explorations do start, new adventures or ideation unable to fit existing directions spawning new irresistible challenges for their creators to pursue, and this is exactly how Codas emerged at the beginning of this year.

The band is the instrumental solo project of Mario Quintero, a musician known for the bands Sleep Lady and Spotlights. After the former outfit went on hiatus, Quintero and his wife Sarah, the bassist in Sleep Lady, moved to Brooklyn, NY and formed post-rock trio Spotlights. Across the songwriting for both bands certain ideas and creative elements emerged which were not right for either proposition but rather than discard them, they were stored, honed, and blossomed into the experimental presence of Codas and the progressive/post metal tempest of debut release Currents. Consisting of four tracks soaked in ambient trespasses and provocatively striking textures, the EP is a fascinating incitement of ears and thoughts. Not always an easy engagement but one which enthrals and excites from its first sonic proposal to the last.

cover_Reputation Radio/RingMaster ReviewThe Sun Martyr involves ears first, its industrial opening of beats and sonic coaxing quickly awakening the imagination. The hypnotic nature of the rhythms aligned to vibrantly droning guitars, is a swiftly effective and inescapable lure taking the listener into emerging embraces of warm and expressive keys. Around it all though an ever brewing conflict of textures grows, the melodic beauty of the music ultimately swallowed by predatory intensity and a tempestuous climate though still allowed clarity to seduce from within this magnetic storm. It is a spellbinding start to the EP, an intimidating flight through caustic winds over elegant scenery inciting thoughts to draw their own mythological and intimate adventures from the track’s tenacious suggestiveness.

Already the EP has ears and emotions locked in, reinforcing its potency and hold with Follow The Blind. The second track similarly opens with a bait of electronic rhythms entwined by enticing guitar, this time offering a broader tapestry of rock ‘n’ roll as its unveils and expands its spicy temptation. An electronic antagonism is soon courting the blossoming turmoil but so is a more controlled but no less vocal and imposing intensity. Gnawing riffs and a scintillating bass predation voraciously snarl at the inflammation of air and ears whilst synths, guitars, and samples in turn stir up a dystopian atmosphere with their incendiary narratives. Again the song is a roller coaster of intent and emotion, a description fitting all tracks in their united yet individual explorations.

     White Black emerges from the sonic blistering of its predecessor, this electronic scarring deceptively lessening over seconds before expelling a corrosive roar of sound and energy. It is like creative warfare at this point, a maelstrom of melodic invitation and rousing intimidation caught in a ravenous bluster of intensity and emotional rabidity. Every moment, as across all tracks, brings something new to stir thoughts and appetite, a constant flow of twists and often repetitious ingenuity that never allows ears and attention to wander or the imagination to stop dancing with its own rebellious invention within the thick hints of the sounds.

The EP’s title track provides an epic close to the encounter with its fourteen minute journey. The song is a transfixing finale to the episodes of adventure before it but equally casts its own individual travelogue of emotional turbulence and lucidity within another inventively tempestuous soundscape. Arguably the track is a touch over long but undeniably and as the EP, pure sonic artistry unveiling and evoking new dramas within itself and the listener with every listen.

Taken as one fluid flight or as individual exploits, the former the best way to really perceive its strength and depths, Currents is a thoroughly captivating offering. It is not always an easy ride yet every moment is an invigorating incitement on body and emotion that deserves the closest attention from progressive/post metal and rock fans.

The Currents EP is out now via Crowquill Records @ http://crowquillrecords.com/products/544651 and https://codas.bandcamp.com/releases 

https://www.facebook.com/codasmusic

RingMaster 03/06/2015

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard on Reputation Radio @ http://www.reputationradio.net