Follow The Lion – The Candy and Gravity Motel

Follow The lion_RingMaster Review

UK alternative rock band Follow the Lion has a sound which immediately feels so right on ears whilst offering something seemingly already familiar. The latter aspect though is deceptive and arises primarily from the fact that once infected by the band’s new EP, there is very little likely you will be putting it aside just as a passing fascination. Our experience is that the band and release becomes a heavily devoured incitement from first contact, becoming an old friend in no time at all and casting that suggestion of being something recognisable simply from constant play. Bottom-line though is that consisting of three provocatively bewitching tracks, the EP is a compelling and highly seductive slice of emotionally and skilfully tenacious rock ‘n’ roll from a band surely destined for big things.

Follow The Lion began in 2013 taking diverse influences from the likes of Pixies, Massive Attack, The Beatles, Nirvana, Tricky, and King Crimson into their emerging invention and sound. The Leeds band was soon lighting up the local live scene, subsequently venues across the north west of England, and this summer festivals like Live at Leeds and Long Division. Now the Steve Whitfield (The Cure, Bill Bruford) produced and Celt Islam mastered The Candy and Gravity Motel EP is poised to work on ears and appetites nationwide and from our findings there is little chance of escaping its or band’s lure.

cover_RingMaster Review   The release opens with its title track, making a gentle entrance through a sparkling weave of guitar and keys within which a firm rhythmic coaxing from bassist Mase and drummer Danny Jay Barnett steps forward. It does not take long for a whisper of Black to nudge thoughts whilst the sonic shimmer of the track carries hints of bands like Bernaccia and Soundgarden. They are mere essences though, the song as it further opens up its contagious theatre of melodies and smouldering sonic temptation, evolving into a unique and sultry serenade but one with a snarl to its emotions and unstoppable virulence to its character. As rhythms get bolder and the sonic enterprise spicier, the glorious roar is a blaze of temptation and enthralment merging various strains of rock and creative expression.

Down By The River comes next and within its first breath offers a catchy welcoming of riffs with a low key jangle. It is swiftly in control of ears and attention, especially once the initially reserved beats link up with a brooding bassline. They spark a fiery embrace of guitar which in turn elevates the energy and vivacity of those rhythms. It is a captivating start given fresh energy and magnetism by the distinct tones of Daniel Francis, his voice expressive and evocative with potent variety to his delivery. His own guitar prowess provides a firm and enticing canvas for the rich and colourful enterprise of lead guitarist Richard Swann to further spark an already gripped imagination, his spicy tendrils captivating within the flowing caresses of Paul Smith’s keys and the darker rhythmic frame. The song is irresistible, feisty and infectious but with a thick weave of emotive drama to leave no stone unturned in thrilling the listener.

The voice of Francis, superbly backed by Smith, is like the music around it, a perpetual source of riveting incitement. He never bellows and forces the strong lyrical side of the songs upon the senses, yet seduces and provocatively roars with undiluted persuasion across every song, as shown by Low. Carrying a definite eighties air to its melodic and catchy stroll, like Colin Vearncombe meets Spandau Ballet in many ways, the closing song washes over the senses with poetic radiance though again there is a raw and dark edge to it which adds to the fullness and weight of the enthralling encounter.

There have already been many good things said about Follow The Lion and their debut EP, from Tom Robinson for one, and now lost in the arms of the spellbinding release it is easy to see why and say you too should make a reservation with The Candy and Gravity Motel.

The Candy and Gravity Motel is available from June 29th @ http://followthelion.bandcamp.com/album/the-candy-gravity-motel-ep

https://www.facebook.com/followthelionmusic   https://twitter.com/followthelion

RingMaster 29/06/2015

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard on Reputation Radio @ http://www.reputationradio.net

 

Faces Of Eve – The Story So Far

Faces Of Eve Promo Shot_RingMaster Review

It may intensely fascinate more than it explosively thrills but The Story So Far, the debut EP from UK metallers Faces Of Eve, is a thoroughly enjoyable introduction to a potential drenched band. Across six compelling tracks, they create a tapestry of diverse sounds which at any given moment can be as progressive metal as they are alternative rock, as tech metal as they are experimental. It makes for a seriously enticing proposal keeping ears and imagination rigorously keen and though many songs just lack the final essence to ignite the biggest reactions, an ingrained appetite for more is a swiftly done deal.

The Hertfordshire quartet emerged towards the end of 2013, Faces Of Eve emerging from the ashes of Brave The Moment, Shields, Trophies Of Dahmer, and Olympus Must Fall. A potent following to their impressive live presence quickly grew and now fresh off a UK tour with Oaths, the band is turning up the heat on a national recognition with The Story So Far.

It all starts with For My Fallen Heroes and an enticing coaxing from guitars and a harmonic ambience. The strings of Dan Sloane gently dance with ears as the melodic tones of vocalist Benjamin Fordham Black add their caresses to the magnetic persuasion. The air of the song has an increasingly imposing texture, not intimidating but carrying open shadows enhanced by the heavily wiry tones of bass. It does all unite in a richer and thicker tempting, though that is for mere moments as the song suddenly stops. It is a strong opening but the abruptness of the track without being instantly replaced by its successor, or bleeding straight into it, feels slightly odd. It is a minor thing though and soon forgotten as Feed emerges from the distance with a tangy groove around punchy rhythms. Full in the face, the track is soon a thrilling web of spidery grooves and sonic tendrils wrapped in more strong vocals and contagious hooks. An increasing unpredictability almost as quickly erupts too, a weapon the band use to great effect over the release and here emerges in jagged riffs and barbarous snarls from the bass of Alistair Hines which strikingly flirt with the superbly crafted mesh of flavours and technical imagination. It is like a festival of sound, a collusion of textures hinting at bands like Circles, Muse, Alexisonfire, and Shattered Skies, and at its heart just an irresistible rocker.

Faces Of Eve Cover Art_RingMaster Review   The following Crime Of Passion opens with a sombre atmosphere, vocally and musically, as scythes of guitar court the imagination with the vocals in a melancholic yet charming invitation. The steely funk bait of Hine’s bass stirs the song’s air soon after as the blend of falsetto and emotive vocals entangle, the track eventually shrugging off its reserve as the potent beats of Oliver Jones incite a voracious and snarling tango of metal bred sound. As its predecessor, the song is soon evolving and weaving in various styles with every passing grouping of seconds and similarly gripping ears and thoughts through its bold adventure.

Temporal Rotunda also has a morose toned start, voices and sounds cloaked in a cloudy ambience which eventually sparks into a composed but fiery stroll littered with jabbing beats and gnarly riffs bound in spicy grooves and melodic incitement. The track prowls at certain points, imposing its weight and alluring intensity whilst veining its trespass with attention pulling slithers and twists of melodic and off kilter imagination. By its end the dark side of the track is a riveting enticement, leaving a lingering pleasure which One Man Show runs with through its own vivacious and agitated qualities. The technical growl and nagging of song and sound is a persistent beckoning but the band inventively send it spinning with swift flashes of avant-garde and progressive ingenuity, matched by resourceful vocals. It is an outstanding track which epitomises everything good about The Story So Far and how it just misses the mark. It is inventive and fiercely imaginative but never pushes its promise to the limits hoped, never quite finding the spark which tips a great song into a show stopper.

It is nevertheless inescapable evidence of the songwriting and technical qualities of Faces Of Eve and their infectious sound which is confirmed on final time by Dwellers. The closing song is another which is a born rocker at heart, its aggressive alternative rock core encased in a spiral of tenacious grooves, their union twisting into an increasingly dramatic and ferocious blaze. Things continue to move into new textures and scenery as the track increasingly lure ears and enjoyment, always returning to its creative spine but always providing new highly satisfying endeavours off of it.

Faces Of Eve is a name to make a note of and The Story So Far a release to seriously think about checking out. Both are destined to promote thoughts that here is a band with a very successful future before them if they want it.

The Story So Far EP is available from Monday 29th June through all digital platforms and as a name your price download @ http://facesofeveuk.bandcamp.com/album/the-story-so-far

https://www.facebook.com/facesofeveuk     https://twitter.com/F_O_E_UK

RingMaster 29/06/2015

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard on Reputation Radio @ http://www.reputationradio.net

 

Spears – Little White Lights

SPEARS_RingMaster Review

Barely out of their creative wombs, UK alternative rock band Spears has been sparking some keen attention for themselves in the few months of their existence, and are bound to stir things up again with the release of their new single Little White Lights. The song reveals plenty as to the fuss emerging over the band and alone makes a very potent base for the Sheffield quartet to build upon.

With their ages ranging from 16, through frontman Rowan Scott, to eighteen, Spears is young and fresh in every aspect, and as their first single shows, also very accomplished. The video for Little White Lights caught the eye and enthusiasm of BBC Introducing, which seemingly as much as anything led to its single release, and with a successful appearance at Brighton’s The Great Escape Festival it looks like 2015 is brewing up to be a major year for the band.

Little White Lights opens with thrusts of spicy guitar, further sonic hues adding their bait within a few already flavoursome seconds before it all settles into a vibrant and mischievous stroll. Rhythms bring appealing bulk to the song from this point whilst the vocals add expressive and energetic captivation, their presence sparking perfectly off the evolving adventure in the music around them. A mellower caress cups ears before things get tangy again, a new wave like spicing enriching the inventive and off beat twists and turns of the song throughout. With a more straightforward heavier rock foraging of ears also contagiously breaking out, the track is an eventful and resourceful introduction to the band and their highly enjoyable sound.

Obviously it is only one song heard but if Spears continue in this vein, they will be gaining and exciting a great many more eager appetites before this year alone is out.

Little White Lights is released on 31st Aug via End of The Trail Records.

Check out its video below…

https://www.facebook.com/SpearsOfficial

RingMaster 29/06/2015

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard on Reputation Radio @ http://www.reputationradio.net

The Retrospectives – Confusion

The Retrospectives_RingMaster Review

If you needed any evidence that UK rock duo The Retrospectives were raised on 60’s and 70’s rock, punk, and wave, then you only have to check out the pair’s new single Confusion. Like a mix of Tom Petty and Ryan Adams with a spicier feel of Television to it, the song is a sultry flight of guitar pop ‘n’ roll which without quite setting the passions ablaze provides ears and pleasure a very flavoursome four minutes.

Hailing from Sheffield, The Retrospectives consists of guitarist Tom Galton and bassist Will Stocks. Emerging in 2004 with an infectious vintage guitar sound inspired by artists such as Elvis Costello, The Rolling Stones, and indeed Tom Petty and Ryan Adams, the band quickly courted a strong and loyal fan base through their hunger to play live and their subsequent singles. 2014 saw the pair play over 60 UK gigs just between March and July whilst over time they have shared stages with the likes of The Boomtown Rats, The Buzzcocks, Bruce Foxton’s From The Jam, Paper Aeroplanes, and My First Tooth, as well as sell out Liverpool’s famed Cavern Club themselves. Fresh from Brighton’s The Great Escape and with a headlining tour this summer in its support, the band’s new single is ready to add its charm to upcoming hot days and sultry nights.

Confusion instantly cups ears in a caress of guitar jangle and expressive vocals, crisp beats kissing their introduction at the same time. A spicy guitar groove adds its brief lure as the song slowly spreads its charm, eventually offering a rich and lively sigh of rawer rock ‘n roll before relaxing back into its initial hot smoulder. Familiar and wantonly catchy at times, the song blends nostalgia with a fresh imagination to entice from start to finish with resourceful enterprise.

Confusion is not a song to incite swinging from the rooftops in lust but it will keep luring anyone with an appetite for vintage and modern rock with a swig of Americana back for more and more; a strong success in anyone’s book.

Confusion is available June 29th through https://itunes.apple.com/gb/album/confusion-single/id1013127552

https://www.facebook.com/TheRetrospectives

RingMaster 29/06/2015

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard on Reputation Radio @ http://www.reputationradio.net

 

The Ghost Next Door – Self Titled

TheGhostNext Doorband_RingMaster Review

Sometimes a band name can alone ignite potent intrigue, spark an instinctive interest. Fair to say The Ghost Next Door easily did that but where so often others fail, the Californian quartet backed it up with a just as intriguing and fascinating album, a self-titled debut ripe in invention, unpredictability, and dramatic textures. The release is a tantalising weave of diverse styles and bold imagination honed into something as contagiously addictive as it is rousingly anthemic. Description of The Ghost Next Door sound is destined to vary from listener to listener and all will be no doubt right in varying degrees but one thing expectations can assume is most will be waxing lyrical about the outstanding proposition.

The Ghost Next Door name is inspired by the supposed haunted house that founder and vocalist/guitarist Gary Wendt (ex-Skinlab, Sacrilege B.C.) found himself living next to and its sound forged from a desire to “marry the dark melancholy of 80’s and 90’s alternative with the aggression and drive of Bay Area metal.” Linking up with bassist Seanan Gridley and drummer Sean Haeberman, the band after forming played around California for a few years but unable to really find their niche disbanded. Continuing to work on recordings already underway though, Wendt with the help of people like Steve Green (Skrew/Skinlab) recorded and mixed The Ghost Next Door debut album, following it with a reforming of the band. Gridley reunited with Wendt whilst the line-up was completed by Sacramento guitarist Aaron Asghari and drummer Paula Sisson from Remagen in Germany. Since its return the band has hit the live scene with hunger again, playing with the likes of DRI, SpiralArms, Dr. Know, and Comes with the Fall amongst many. Released via Mausoleum Records, their first album is now let loose and if you needed proof that rock and metal could be boldly adventurous, intelligently inventive, and make an instinctive partner in lust, this is it.

It all begins with Forever My Demon, an electronic mist slowly emerging with suggestive tones and subsequently spawning bulging rhythmic bait and evocative melodic tempting. Already there is an anthemic core luring attention, bait enhanced by atmospheric keys and eventually a potent wash of caustic guitar. As Wendt releases his vocal persuasion too, there is a mix of metal and rock enveloping ears and imagination with thoughts of Stone Temple Pilots and nineties heavy rockers Skyscraper swiftly coming to mind. It soon evolves again though, a grunge and fiery groove driven colouring joining the already established textures, they in turn slipping into a progressive/ heavy metal twist. It would take a page long review to cover the full thrilling adventure of this song alone to be honest, it’s busy but fluid and bold enterprise further emulated in every unique track upon the album, but fair to say all perpetually leave ears enamoured and appetite greedily hungry.

TheGhostNextDoorRingMaster Review     Proof comes in Crickets straight after, its heavy and eagerly prowling riffs instantly encasing ears as rhythms keenly jab throughout. As swiftly guitars spill wiry hooks at will, their barbs gripping ears as vocals and melodic hues begin thickening the enticement. As in the opener, every moment of the song comes with creative drama and unexpected turns of ideation, ensuring that though it does not quite rival the success of its predecessor, it is a riveting enjoyment, though soon outshone by the invigorating All Fall Down. There is a familiar air to the song, though for no obvious reasons, but this only adds to the swift seducing of ears through tangy melodies, spicy grooves, and more antagonistic beats and vocals. A heavier growl is soon pushing the track but again it is all relative to the moment in the song, progressive and hard rock essences as much an open input as melodic and groove metal in its absorbing weave.

Ten Steps Back backs up this new plateau breached by the album straight away, it and the following triumph of Dead Things. The first of this pair entangles ears in tendrils of guitar and accusation fuelled vocals, their restraint but strong tempting enhanced further with outbursts of harsher, more hardcore like punk expulsions of emotion and sound. With stabbing scythes of sonic ingenuity bridging this cycle and a subsequent harmonic flirtation teasing with a pause midway, the song is a kaleidoscope of imagination with its second half as distinct and seamlessly crafted as the first. Even listening to it constantly, every partaking of this song and indeed album brings fresh rewards, its successor another prime example. More ruggedly direct than the last song in many ways, its roars and strolls rigorously with hearty beats against just as sinewy riffs, their intensity urged by the great mix of vocals and bound in a rich sonic web of sparkling endeavour.

Bully lives up to its title, springing from a deliciously tangy dance of guitar hooks into a predatory stalking with the bass especially vocal in intimidating intent. Eventually it rises into a full bruising and mouth-watering incitement with those initial lures still working spicily away to ensnare, the following mellow melodies within resonating rhythms bringing the seduction. The track completes a quartet forming the pinnacle of the release though it is not the end of the inescapable persuasion and creative alchemy of the release.

The beginning of next up Eleven O’Clock Blues is almost theatrical, vocals and rhythms entering with a swinging gait against the more aggressive surge of riffs. Everything is soon entwined in a revolving fury and melodic embrace, the former aspect the thickest texture breeding an array of metal based ingenuity and flavours. To try and simplify the glorious body of the song, try to imagine a mix of Machine Head, Killswitch Engage, Alice In Chains, System Of A Down, Tool…actually don’t it probably will still be wide of the mark as already we say do yourself a favour and simply go explore the album and bask.

In hindsight this song is another of the album’s greatest successes, and another increasingly thrilling proposition with every listen just like the far gentler but no less magnetic Fragile. The song is a feisty croon which is as seductive in its mellower moments as it is in its impassioned blazes, and without managing to reach that lofty perch set, leaves only fresh greed and pleasure in its wake before album closer Famous Last Words similarly cradles and bellows over the senses with irresistible charm and inflamed passion. With a rich strain of thrash and classic rock in its ferocious belly, if not the stronger unpredictability of other proposals, the track is a powerful end to a stunning album.

If like us the band name sparked a flicker of attention do follow it up, and if it does not still launch yourself at The Ghost Next Door, a band and release which truly has something for everyone but in an exhilarating tapestry like no other.

The Ghost Next Door is out now on CD and digitally via Mausoleum Records @ http://www.music-avenue.net/mausoleum/detail.php?id=251158

http://www.theghostnextdoor.net/    https://www.facebook.com/theghostnextdoor

RingMaster 16/062015

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard on Reputation Radio @ http://www.reputationradio.net

Infidel – Self Titled EP

Infidel_RingMaster Review

Providing a fresh snarl and roar to the hardcore scene, US punks Infidel introduce themselves with an impressive attention grabber, their self-titled EP. Hailing from the perpetually stirring hardcore scene in Detroit, the quartet recently signed with Imminence Records and has taken little time in slamming their potency and anthemic credentials down on the table with their first provocation. It is also an encounter rich in contagious resourcefulness which whilst the songs are bellowing with confrontation lyrically and musically, they are also flirting away with striking invention. Excitement certainly brewed listening to Infidel with a strength which few bands in the genre have stirred so tenaciously over recent times.

The band’s sound is a skilled mix of old school strains of hardcore with fresh hostility and imagination whilst lyrically they set their sights on anything from animal rights and patriotism under fire to police injustices, the two political party system, and positive incitement promoting “never giving up on life when the road gets tough.” Both aspects of their songs make an immediate and strong impression as the EP opens up with Patriotism Under Fire, the song starting with a sample of the opening scene from Jarhead, its unifying bellow quickly overrun with rhythmic artillery and a torrent of raw riffery equipped with swift infectiousness. In full stride soon after, the song relaxes a slither as vocalist Andrew Thomas uncages its lyrical and impassions intensity, almost immediately raising its ire and aggression again to match and raging like a mix of Stuck Mojo and Minor Threat, the track getting heavier and more voracious with every passing minute.

infidelcoverRingMaster Review     The attention grabbing and appetite igniting start is soon surpassed by What We’re Made Of, a rigorous stomp fuelled by melodic contagion and antagonistic defiance driven by inventive hooks and violent rhythms respectively. There is a touch of Shelter to the catchier side of the song, its tempering infection the perfect contrast to the eager bruising wilfulness and energy, and their union a swift anthemic enlistment of body and emotions.

Call Of The Wild follows and from its first breath it is sonic and emotional rebellion stirring up air and thick satisfaction. Featuring Keith Allen of GhostxShip, the track is as militant as it is inviting, the drums casting a rousing incitement matched by the increasingly spicy invention and antagonism of guitars and bass. Loaded with magnetically uncompromising vocals, the track roars incitement and contumacy quickly matched by similar confrontation in Protect And Serve straight after. As the EP opener, there is a metal seeded ferocity to the encounter which seamlessly slips into a melodically coloured but no less aggressive turn of imagination. With guest DJ Bean of For All Who Fail involved, the song stands toe to toe with the listener, eye balling them with rigorously anthemic sounds whilst challenging the seeds spawning its narrative and emotion.

Next up is Politics, a track built from the same kind of template and core sound but quickly establishing its own adversarial identity with scything rhythms and spearing riffs. Their union provides the frame for swarms of sonic incitement and almost psychotic grooves to strike and if that was not enough to draw keen submission, a burst of melodic vocals and enterprise only lights song and ears further before parting with a final fierce growl for a superb cover of the H2O track What Happened? .

Bringing the outstanding release to a thoroughly enjoyable close with their stirring cover, we can only suspect that Infidel is a band destined to be soaked in attention and acclaim as more engage and become thrilled by this and their subsequent and evolving exploits. Fair to say, hardcore has a new spark to its fire in the belly.

The Infidel EP is available now via Imminence Records.

https://www.facebook.com/Infidel586

Ringmaster 26/06/2015

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard on Reputation Radio @ http://www.reputationradio.net