Goldsmack – Wild Season

Goldsmack-Wild-Season-EP

To be honest it is proving hard to describe the Goldsmack sound; certainly it is a blaze of sultry pop equipped with a potent glaze of psychedelia. But equally it delves into dark rock ‘n’ roll and blues bred exploits whilst casting a theatre of intimate drama amidst an evolving landscape of aural roars and smouldering emotions. Maybe the closest hint is to say that the Italian trio create something akin to Nick Cave and the Velvet Underground uniting in the seduction of My Baby and MGMT, but then again maybe not. There is also a familiarity to their music which makes accessibility very easy but as revealed by the diverse collection of adventures within their new debut EP Wild Season, it is once caught by that invitation that the real adventure and thrill actually begins.

Goldsmack consists of vocalist Georgia Minelli, guitarist Davide Tebaldi, and bassist/keyboardist Luca Bagatti, three childhood friends brought up “in the single most beautiful and boring place on earth”. It was a small village in the gentle hills of northern Italy where the trio nurtured their musical prowess and imagination, amongst many things to while away the hours. Their sound plays like the home of dreams and isolation bred from a similar source of inspiration in their remote upbringing whilst the band name, again to quote from the press release, “…refers not as much to real gold, but rather to an alchemical sort of gold, a chimera, a potent drug…a prismatic, paradoxical thought that becomes circular and obsessive.

Good Morning Star tantalises first, a monotone sonic lure the thread to a web of electronic beats and guitar cast spirals of melodic enticing. A thick bass tempting swiftly adds to the potent bait, the mix carrying a post punk air reinforced by the also singularly expressive tones of Minelli, an essence of the Au Pairs coming to mind at this early point. At the heart of the persuasion a brewing infectiousness grows, wrapping the increasing celestial pop and vivacious radiance of the encounter. Contrasting it though are prowling shadows courtesy of the bass aligned to a sonic predation, extremes colluding to offer their part in the exploration within the EP of “the impossible triangle between Love, Money and Spiritual Enlightenment”.

The captivating start is swiftly surpassed by A Wild Wild Season, a fascinating dark rock stroll seeing Bagatti bring his full vocal participation to the narrative alongside Minelli. A spicy melody winds itself around another darkly lit bass coaxing, beats resonating in the background as Bagatti’s equally shadowed Cave-esque tones cast the beginning of the evocative narrative. The song continues to saunter, merging lighter scenery into the sinisterly aired landscape, whilst both Bagatti and Minelli duet and entwine their compelling deliveries to enthralling success. The seduction gains even greater momentum as a croon of orchestral like coaxing reveals their provocative textures in another riveting and mouth-watering triumph to the release.

A feisty ambience of blues and psyche rock smothers ears next as Rites Of Spring takes over, that My Baby reference a perfect clue to the sultry and fiery shuffle of the encounter. Minelli is as much ablaze as the guitars, their individual tempestuous energies and impassioned creativity uniting in a fire of persuasion though one kept in check a touch by the great wandering tenacity of the sobering bass. Once more ears are glued and imagination ignited; their appetites hungry for more and straight away fed by the similarly caustic delta blues pop/funk of Kids with Guns. Feet and emotions are quickly recruited to the swagger of the song, ears seduced by the impressive and sizzling enterprise of Tebaldi’s guitar resulting in one more increasingly enjoyable and incendiary escapade.

The closing Of Human Bondage is an enthralling oddity, a turbulent experience of dark drama and emotional torment coloured by insightful references and samples. These alone reinforce the imposing theatre and power of the track but are matched just as potently by the menacing shadow coursing its sound. Within it all a dark beauty is at work too, a calm and hope which only accentuates the track’s absorbing provocative heart.

It is a gripping end to a thrilling introduction to Goldsmack. Wild Season is an infestation of the psyche which continues to work away even after its sound has left the body; a golden slice of psychedelic darkness and shadowed pop whose recommendation comes as a roar.

Wild Season is available now @ https://itunes.apple.com/us/album/wild-season-ep/id988821494

http://goldsmackmusic.com/   https://www.facebook.com/pages/Goldsmack/804817556212518

RingMaster 20/05/2015

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard on Reputation Radio @ http://www.reputationradio.net

 

Diamond Youth – Nothing Matters

dy Reputation Radio/RingMaster Review

It may be only thirty minutes in length but Nothing Matters, the debut album from US alternative rock band Diamond Youth, is jam packed with boisterously contagious songs to party hard and long to. It is a riot of fun seemingly bred on flavours inspired by the likes of Queens Of the Stone Age, Weezer, and Foo Fighters but with plenty of its own distinct characteristics and flavours to create something individual to Diamond Youth. For personal tastes the release is stronger and most tenacious in its first half but every offering within Nothing Matters is a compelling slice of pop rock equipped with feisty persuasion and a good strain of tenacious mischief.

Diamond Youth hails from Baltimore, emerging around 2010 with a line-up featuring members of Trapped Under Ice, Terror, and Down to Nothing; all sharing a common background of art, design, skateboarding, and of course music. Influences range from band such as Pixies, The Nerves, and unsurprisingly Queens Of The Stone Age, and it is fair to say that the quartet has increasingly lured attention through a host of EPs starting with DMND and Don’t Lose Your Cool in 2011. It is Orange in 2013 and Shake a year later, both as the new album released via Topshelf Records, which provided the spark to greater focus and acclaim enveloping the band, in turn sparking strong anticipation for the band’s debut full-length. It will leave no one disappointed and is destined to not only recruit another wave of eager spotlights and fans whilst simply creating a fun time for all.

Recorded with engineer Dave Warsop, the album starts with its title track, swiftly entrapping ears and appetite with stirring rhythms and spicy hooks encased in vocal and melodic revelry. Quickly, especially as the vocals impressively cast their tempting on proceedings, that QOTSA air is an open breeze bringing even greater catchy bait to the vibrant persuasion. It is the tangy hook though which brings the biggest smile in the emotions, that and the adventurous ideation lining the song from first note to last.

Nothing-Matters-Cover Reputation Radio/RingMaster Review     The excellent opening to Nothing Matters is quickly matched by Thought I Had It Right, another song with thick hooks and entrancing harmonic tempting. Slightly more restrained in energy compared to its predecessor, the song saunters and sways with a rich Muse like sultriness to sound and voice. Every syllable comes coated with a spice of angst whilst melodies like a fine wine just become more seductive and effective on the senses with very passing moment. There is also a volatile edge to the contagion posing as a track, its sonic presence flirting with causticity as it forcibly infests and ignites ears through to the imagination.

Spinning steps up next with an even more reserved nature though melodic and vocal passion in turn create a blistering roar courted by a snarl of a bassline. Fair to say that it might be the least feisty song on the release so far but it is the most tempestuous and fascinating, and subsequently quite irresistible as also the following Far Away from Earth. Rhythms straight away lay down an anthemic potency before quickly finding themselves skirted by a deliciously grizzled bassline and a brewing sonic mist of guitar. The mellow croon of vocals does bring a magnetic tempering but ultimately only seems to inflame the growl and rebellious attitude of the song as it erupts in a cauldron of pop infectiousness and rock ‘n’ roll predation. Crunchy and warmly smouldering simultaneously, it teases the psyche like Josh Homme toying with Muse as it creates yet another instant pinnacle upon the album.

A more summery swagger comes with Succulent next, a surf rock/ garage pop colouring the sweltering climate of the bewitching instrumental. Its heated charm and warm elegance are emulated in next up In the Clouds, a bubbling shimmer of sound and harmonies which takes the listener by the emotions and leads them on a dance of addictive devilry. Six tracks in and five of them are easily single potential, an instrumental having little chance of being chosen let’s be honest.

From Riptide onwards, band and album seems to explore a different avenue with a lessening of the agitated sonic invention and an increasing of more immersive melodies and warm radiance. Tracks as this compelling ballad still have a fire in their belly but such the alchemy of virulence in earlier songs they just miss, and it is just, casting the same persuasive spark. Nevertheless the song has ears engrossed and satisfaction full whilst the static kiss and melodic coaxing of No Control and the post punk like rhythmic lure of The Nothing, ensure only the keenest attention is given. The second of the two especially has thoughts and enjoyment lit before Deep Love explores some dark pop beauty. It has a feel of UK artist Rooster Cole to it, with its sombre ambience encased in an excitable adventure of sound. The track is superb, a match for anything before and without doubt also a song on its own sure to trigger greedy reactions.

The album closes with The Difference, itself a humidly aired release of emotional and musical drama, and a fine end to an increasingly impressing encounter. Diamond Youth has taken the qualities nurtured in previous releases to new thrilling and at times spellbinding heights. Whether you want an out and out romp to party with or something with a melodic embrace to sink into, Nothing Matters delivers one very enjoyable time.

Nothing Matters is available now via Topshelf Records @ http://www.topshelfrecords.com/products/545159-diamond-youth-nothing-matters or https://topshelfrecords.bandcamp.com/album/nothing-matters

https://www.facebook.com/dmndyouth   http://www.dmndyouth.com/

RingMaster 20/05/2015

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard on Reputation Radio @ http://www.reputationradio.net

 

Ella Squirrell – Loop EP

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English singer songwriter Ella Squirrell has a voice to eclipse reality, a presence to lift the listener away from a grey day into a melodic and emotionally coloured oasis. As proven by her new EP Loop, the lady also has a lyrical gift and musically creative craft to back up her transfixing tones. She is beginning to stir up a healthy buzz within the British music scene and it is easy to see why with the unveiling of her four-track release.

With a her father a professional musician in a folk band trio and her mother a poet, maybe it is no surprise she has emerged with similar gifts and combined them in her own creative adventures. Hailing from Bridport in Dorset, Ella explored instruments and music from an early age, starting with the Irish penny whistle and folk songs at the age of 10 and moving on to the guitar a year later. Her own songwriting began when she was around 15 with a fusion of folk and pop emerging. Ella cannot read or write music but conjures them in her head and as her bio says, “teases them out into reality.” However it works, the songs making up Loop simply captivate from start to finish with a purely organic seduction.

Picture 38   The release opens with new single Quiet Fire, a romance on the ear which from its first kiss of keys just enchants. A slow reflective start is barely seconds in before eager beats and the voice of Ella open up a lively shuffle within ears and imagination. There is smokiness to her voice as it wraps flirtatiously around the song’s rhythmic stroll and tender melodic caresses, a Sade meets Skye Edwards (Morcheeba) feel to her mesmeric tones which simply smoulders against the lively swing of the song. It is one of those encounters which follow you around after just the first hearing, persistently nagging away in thoughts with its magnetic lures and an infectious tenacity loaded with sound of the summer potential.

The bewitching start to Loop continues with its title track, keys straight away enticing the senses with reserved but funk kissed alluring whilst melodies cast a folk pop proposal supported by the jazzy flicker of brass. As in its predecessor, backing harmonies add to the temptation as they slip in and out of the surrounding atmosphere. It is sheer captivation, another slice of virulent pop drama matched swiftly by the emotive balladry of Trust Is A White Dove. Piano and voice transfix again, hugging ears and thoughts alone for the opening croon before the song expands its elegance and persuasion with melancholic strings and a shadow delving bass tone to be lustful over.

In three bright slithers of beauty, the songwriting of Ella reveals its adeptness at variety, an equally feisty trait in the closing Trouble. Arguably the most folk lined song on the release, it is also a bold flight of electro pop and jazz sparked imagination. It sways and coaxes with physical and emotional temptation, like a flame licking ears with melodic vivacity as it takes thoughts on a fascinating amble of varied textures and boisterous creative dexterity.

The song is a gorgeous end to a simply spellbinding proposition and an introduction to an artist you can only anticipate major recognition and hopefully in turn big success for. Right now though, Ella Squirrell has provided one delicious aural kiss.

The Loop EP is out now via Gospel Oak Records at https://itunes.apple.com/gb/album/loop-ep/id981163074

https://www.facebook.com/ellasquirrellmusic   http://www.ellasquirrell.com/

Upcoming Gigs:

27th May2015 The Jam House, Birmingham (The Launch Pad – a regular showcase of some of artists that the Jam House considers “ones to watch”.)

4th July 2015 Big Mix Music Festival, Lyme Regis (The Big Mix is Lyme’s own youth music festival by the sea)

RingMaster 20/05/2015

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard on Reputation Radio @ http://www.reputationradio.n