With the release of their second album Sol Agnates, Chilean metallers All Tomorrows are hoping it will be the doorway into establishing them within a European if not global metal spotlight. Listening to the encounter it is easy to suspect it is a desire destined to find success at some point as their impressive release and sounds assaults more ears and appetites. It is not a startling proposition, the band’s sound as familiar as it is promisingly fresh, but the album is a certainly stirring and increasingly magnetic incitement hitting the sweet spot of ears and emotions with persistent regularity.
All Tomorrows began in 2010, emerging from Santiago with the inspirations of bands like Gojira and Meshuggah in their creative blood and vision. 2011 saw the release of debut album Opilion, an acclaimed release at home and further afield. It helped push the band to broader attention, a recognition reinforced and increased by a live presence which has seen All Tomorrows share stages with bands such as Children of Bodom, Voivod, Megadeth, and At The Gates over the subsequent years. Their sound is tagged as progressive metal, if an extreme strain of the style, but as Sol Agnates reveals there is equally a death metal voracity and nature to their music which adds to the drama and intensity of songs. It also suggest that this is a band which gives equal concentration to every aspect of sound and to creating a release, the album an imposing proposal of clarity which allows every note, syllable, and rhythm to individually resonate and linger whilst uniting for a riveting predatory provocation.
It all begins with the album’s title track, a song which takes a mere second to unveil a web of sonic intrigue and temptation through the guitars of Pepe Lastarria and Ramón Pasternak backed by rigorously intimidating rhythms. Choppy riffs and beats stalk and badger the senses whilst the fiercely, raw vocal delivery of Lastarria is as abrasive as it is magnetic. You can openly hear the Meshuggah influence but equally as the outstanding opener vents its hostile creativity, there is a sense of Mudvayne and In Flames to the striking confrontation. The sonic enterprise of the guitars persistently flare up with sizzling endeavour across the song whilst the bestial tones of Oscar Arenas’ bass are as compelling as the wild but skilled swings of drummer Pablo Martinez are punishing.
The album could not have got off to a better start and keeps the raw power and impressiveness going through both Undying Seasons and Eidien. The second track equally rampages into view on a torrent of inhospitable rhythms and ravenous riffs, all seriously inviting whilst bound in acidic grooving and pierced with spiky hooks. Again unexpected whispers emerge as the track expands its turbulence, Slipknot and Tool reminded of as much as those earlier mentioned Gojira and Meshuggah spices. The trespass of the senses continues to twist and rage, erupt and seduce across its length before making way for its similarly hectic and tenaciously flavoursome successor. Slightly less hostile at its start, grievous riffs and rhythmic barbs holding some restraint as vocals rasp with predatory intent over ears, the track sculpts its own individual maelstrom of persuasion equipped with rich grooves blossoming in another bed of contagious imagination.
A devouring stalking of ears by Fiver’s Visions keeps enjoyment high and thoughts impressed even if the track lacks a certain spark of its predecessors, whilst next up Downpour spills an animus of stabbing beats and fiercely scything riffs across a barbarous landscape. Loaded with antagonistic vocals and a sinister sonic narrative, the track is arguably the first to really begin exploring the rich progressive depths of the band’s imagination. Previous songs hinted at rather than fully employed that provocative side of the band’s songwriting, and even this track does not dig too deep whilst thrilling ears, but Burnt by Call of the Bleak after definitely makes a bolder leap as it lights up the senses. Also fuelled by a relatively uncompromising aggression, the track’s guitars entwine imaginative textures with evocative invention whilst even the rhythms rein in their rabidity as song and band create a certainly intensively tempestuous but equally absorbing kaleidoscopic adventure.
Immanence draws on the more truculent side of the band’s sound for its physically predacious proposal but the guitars ensure they flirt with a melodic tempting between moments of sheer carnivorous majesty. It is a blistering challenge and treat, a bruising entrapment of the passions leaving the listener embracing the melodic opening of Ophidian Vibrations like a comfort blanket. The song allows that security to be assumed before uncaging its own nefarious enterprise and creative nature, riffs and rhythms fuelled by destructive hunger but perfectly tempered by the band’s venture into melodic flames of sound and progressive imagination.
Sol Agnates is concluded by the epic turmoil of Union, vocals and musical expression angst soaked as rapacious rhythms roam alongside a sinful bass tone. It is a bewitching roar of volcanic emotions and turbulent sounds aligning for a powerful and lingering conclusion to the riveting release.
It is impossible to imagine that All Tomorrows will be a South American ‘secret’ for much longer once Sol Agnates gets to work on new ears and attention. As ever of course, a hefty slice of fortune will be needed but if not with this album there can be no stopping the band breaking into the strongest recognition if they carry on creating treats like this as their music evolves.
Sol Agnates is available from May 19th via most online stores.
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