Gelato – Self Titled EP

Gelato _ Reputation Radio/RingMaster Review

Do you equally miss the days when Queens Of the Stone Age first teased and taunted ears and appetites with raw and undiluted rock ‘n’ roll cast in their inimitable manner? Then welcome to Gelato, a UK band openly wearing inspirations from Josh Homme and co in their feisty sound but only as one spicy ingredient in a contagious mix of punk and indie pop infused rock ‘n’ roll. Personally the biggest similarity is simply the thick tingle of excitement hearing the bands for the first time, the London trio rippling with an indefinable essence which leaves those around them seeming a much paler proposition.

The evidence to such claim comes with the band’s self-titled debut EP; three tracks of quirkily individual and addictively tenacious encounters fuelled by invention and soaked in creative devilry. Gelato consists of bassist Phil, drummer Ben, and vocalist /guitarist Drew, the latter previously of the excellent Hitchcock Blonde. 2014 saw the band make a potent breakthrough with low-key gigs across the London live scene with matching reactions and receive airplay via BBC6. Their EP though is the first major lure into broader awareness and attention, and the first step to big things we suggest.

Gelato EP cover _Reputation Radio/RingMaster Review   Recorded with Tobin Jones (Bo Ningen, Twilight Sad, Cold Specks), the EP kicks off with Get My Way, a track instantly flirting with ears as a wiry guitar hook repeats keenly on the senses amidst a thick prodding of beats. It is appetite raising bait which becomes a feisty stroll with the same sonic lure now embraced by crisp rhythms and a darkly wicked bassline. The vocals of Drew as just as inviting once they emerge too, whilst the QOTSA bred harmonies add a smiling extra to the contagiously engaging adventure. The song continues to snarl and seduce in equal measure, band and sound bounding around like a young colt with the maturity and craft of a rock veteran.

The band’s new single Room Service follows and again has ears and a now hungry appetite locked in with its first touch, this a dirty grizzled bassline which simply resonates in the senses before a spicy weave of guitar and brewing harmonies caress it and a fresh anthemic lure of beats. As its predecessor, the track from a slimmer start broadens into a heavier bewitching tapestry of sound and textures, it all infested in a contagious revelry and charm. As catchy and tangibly poppy as it is though, there is a dark predatory edge to the song especially in backing vocals and rhythms, which lights up air and imagination with further unpredictable adventure.

Ruffians brings the band’s introduction to a close, two minutes of punk filtered pop rock which has an underlying aggression as riveting and majestic as the warmer melodic tendencies wrapping its rugged spine. Arguably the least dramatically sculpted offering, the song still has little difficulty in firing up pleasure and a want for more, the band showing they can rock out or design a seriously involved temptation with matching potency.

As with any brief but impressive offering, there is only a needy want for more by the EP’s close, a wish to dive with haste into further endeavours but that is for the future. Right now we have a seriously impressive and thrilling start to devour from a band in Gelato, which one day might just be spoken of with the same stature of their prime inspiration.

The Gelato EP is available now digitally and on CD via https://gelatomusic.bandcamp.com/releases

http://www.facebook.com/GelatoMusic

RingMaster 17/05/2015

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard on Reputation Radio @ http://www.reputationradio.net

Red Spektor – Self Titled EP

Red Spektor Promo Shot Reputation Radio/RingMaster Review

There is a rich flame burning away in the Potteries, and it goes under the name Red Spektor. The UK trio are poised to release their self-titled debut EP, a blaze of psychedelic, stoner, and classic rock which fascinates as it engulfs ears and imagination, and unrelentingly thrills as it provides further evidence that heavy and fiery British rock ‘n’ roll is heading towards a fresh heyday.

Hailing from Stoke on Trent, Red Spektor emerged at the end of 2012 drawing on inspirations from the likes of Black Rebel Motorcycle Club, Led Zeppelin, and Black Sabbath. Once the threesome had honed their sound, they proceeded to hit the live scene with swift success, sharing stages with bands such as Carousel Vertigo, Attica Rage, Texas Flood, and Lawless along the way. Every step drew more eager ears to their growing fan base, accelerated by festival appearances whilst the band never letting a week seemingly go by without igniting a venue somewhere. 2014 saw the band record and release their EP via Bandcamp, a 5 track encounter recorded live and straight to tape over two days. Now it has its full digital unveiling and it is easy to expect Red Spektor stoking up a new wave of close and acclaiming attention.

The band draws on essences of “dark pre-war blues right through to the British blues explosion of the sixties and the heaviness of the seventies albeit with a modern and dirty twist” according to their bio, a mix swiftly seducing the senses and igniting the air through EP opener Hard To Please. A lone vocal guitar awakens instant attention, its rich spicy lure soon joined by a solemnly brooding bassline and crispy beats as the song quickly settles down into a feisty tempting. The guitar of John Scane virtually dances across the senses, every riff and hook incendiary and leaving a sultry residue like the trail behind Marvel Comic’s Ghostrider. Vocally he has a mellower but no less potent air, clean and alluring against the sizzling of blues/psyche invention and Rob Farrell’s dark basslines.

Red Spektor Cover Artwork Reputation Radio/RingMaster Review   It is a seriously gripping start quickly backed by the slower, more intensive presence of Transcending. The thick and freely swinging beats of drummer Darren Bowen cage ears and anticipation as an almost melancholic bass coaxing prowls; both sparking swift appetite for the song’s impending offering. A sinister seducing comes with the enterprise of the guitar, and indeed vocals, as sixties and seventies sounds collude with a modern creative rapacity to bewitch and crawl over the listener. The track is a relentless smoulder rather than the blistering eruption of its predecessor but just as persistently magnetic and irresistible.

Third song Everywhere puts a higher gear in motion for its rich persuasion of blues rock; rumbling and strolling along whilst melodic vapours intoxicate ear and air alike. Rhythms cast a dirty tempering shadow and compliment to the searing enterprise, keeping the psychedelic croon earthbound as once more the band has attention bewitched. The exploration of the dirtier textures within the song continues with greater focus and revelry within the next up Redemption, Red Spektor tapping into the purest vat of blues distilled rock and adding their own not exactly unique but certainly distinct flavouring to another transfixing and highly enjoyable proposal.

The song probably does not quite match those before it though, whilst all of the songs before also find themselves in the shadow of the glorious closer Earth Mother. From its first beat and eager riff, the track bursts into a masterful and virulent swagger. An anthemic and delicious groove leads the way, courted by similarly lively and bold rhythms aligned to a throaty bass invitation. The song relaxes a touch in urgency as the vocals add their easy persuasion to the mix, picking its knees and tempo up again between verses and around the fiery enticing which subsequently seeps from every melody, hook, and resonating bass groove. As across all songs, Scane’s solos just burn their way into the psyche, but it is the overall swing and insatiable tenacity to the song which helps it take best song honours.

Many like us missed the Red Spektor EP first time around, and indeed the band’s emergence, but its new full digital unleashing ensures there are no excuses now in not exploring band and sound. No excuses only rich rewards.

The Red Spektor EP is digitally available from May 18th via all online stores.

https://www.facebook.com/redspektorband    http://redspektor.com/

RingMaster 17/05/2015

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard on Reputation Radio @ http://www.reputationradio.net

 

We-Are-Z – Walkaway

pic by@AndyWillsher

pic by@AndyWillsher

The song might be about “taking a journey into the recesses of consciousness, exploring perceptions and angles that don’t add up”, but musically Walkaway is just one inescapable funk ‘n’ roll devilment of indie pop come new wave virulence. The song is the new single from We-Are-Z, a UK band which on the evidence of their new release, springs a sound on the senses as agitated and warped as it is infectiously magnetic. It incites body and imagination with tribal like rhythms amidst paranoia kissed sound, each racked with St. Vitus dance like activity within theatrical melodies and mellow washed vocals. The track is pure temptation, like Shriekback meets Late Cambrian in a Two Door Cinema Club embrace, yet different again.

The London based Anglo/French quintet formed in 2012, with its line-up already seasoned musicians bringing experiences of playing with the likes of Beyonce, The Waterboys, and James Morrison into the mix. Debut track Airbrush swiftly drew strong attention and support from media and fans alike, whilst the band since then has lured in diverse comparisons from Vampire Weekend to Devo and Franz Ferdinand to XTC. Inspirations are equally varied within We-Are-Z, the likes of David Bowie, Serge Gainsborough, Talking Heads, Blur, The Clash, and Static cited but as their new single shows, the band ultimately emerges with something yes a little familiar but perfectly peculiar to them.

Walkaway from its first touch is a rampant shuffle of jabbing beats and a dark flirty bass lure from Guillaume Charreau and Marc Arciero respectively. The guitar of Drew Wynen adds a lively temptation to the attention grabbing start also, little but gripping hooks and slithers of melodic spices a flirtatious tempting adding to the instant magnetism. Seductive and quirky keys are colouring the song further next, Clement Leguidcoq bringing a smouldering coaxing seeping around and within all the other tenacious textures at play whilst vocalist Gabriel Cazes has a drama and flirty quality to his insatiably vibrant tones and harmonies. There is no escaping the enslaving effect of the song, the puppeteer like lure of rhythms on limbs and the addictive contagion of everything else on voice and emotions, a proper feel good treat.

According to reliable sources, with an energetic and irrepressible live presence to match the adventure of their new single alone, it is easy to suggest we will all be hearing and devouring a lot more of We-Are-Z from hereon in.

Walkaway is available via Sputnik Records from May 18th

http://we-are-z.com/   https://www.facebook.com/WeAreZmusic

RingMaster 17/05/2015

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard on Reputation Radio @ http://www.reputationradio.net

Panic Island – Cabin Fever EP

Panic_Island_Cabin_Fever_EP

First track catches ears and imagination by excited surprise, the second has both locked in a blaze of pungent rock ‘n’ roll, and by its third, Cabin Fever the debut EP from Panic Island has made a clear statement that UK rock has another potential ridden and magnetic proposition emerging from its midst. The three track release is a magnetic roar of alternative and melodic rock, a weave of pungent riffs and sinew swung rhythms entwined with creative and anthemic dexterity. Maybe not yet the release to suggest that Panic Island will be amongst those to the fore driving the ever changing face of British rock ‘n’ roll, the EP is definitely an impressive introduction for the band to spring on from and tempt those kind of heights.

image003     Panic Island is centred round the North London songwriting duo Arron Sans and Vinnie Shimia, two musicians which first met at a gig by The Cult in Spain in 2012. Sans had already “dabbled in acting and film production” before exploring music and songwriting whilst Brazilian born Shimia had developed a romance with the guitar since the age of 13, and moved to the capital from his homeland to pursue his aspirations in music. Their individual abilities and strengths going by Cabin Fever have certainly gelled and openly flourished musically and lyrically since the pair creatively united, openly evidenced by their first release. Produced by Paul Tipler (Idlewild, The Horrors, Eighties Matchbox B-Line Disaster), the EP is a storming adventure of sound and dark emotional exploration, a release which has you sonically gripped within a few choice moments and persistently thought provoked across each infectious proposal.

The EP starts with the outstanding We Start Fires, a thick lure of bass the first enticing quickly joined by jabbing beats and in another breath, an electronic teasing. Coming cold into the band and letting the music be the first indication of their sound, the latter element immediately sends expectations down the wrong avenue, with punchy beats the almost techno like tempting sparking thoughts of a dance-floor escapade to come. The great vocals of the pair soon begins dispelling that, their attention grabbing presence the trigger to a more volatile lure of rhythms and a stroll of pungent riffs and striking heavy rock hooks. There is a slight punk edge to things too, whilst grooves and vocals increasingly cast a more aggressive and flavoursome web of hard rock and melodic tenacity. The early electro devilment also continues to flirt with the imagination, from time to time coming to the fore but never for long as the unpredictable and thrilling anthemic stomp of a track continues to bound through and ignite ears.

The excellent start is followed by new single Temples, a song providing a more settled landscape of melodic rock but one equally as fiery and alluring from the off. Because of its more uniform canvas of sound, the emotive potency of word and voice has a stronger and clearer sounding board to spring its passion and angst from. This aligns perfectly with the just as magnetically imposing drama of melodies and craft of guitars. It is a combination offering a feel of Bristol band Mind Museum to the provocative nature of the song which excels again within closing song City Screams.

As the previous encounter, it too is a swiftly catchy and enticing proposition with raw feeling in the vocals and raucous enterprise in the heart of the music. It also shows that any of the three songs upon Cabin Fever can be a potent single for the band, each in their individual ways intense and incendiary slices of drama with the emotional climate expected in the consuming premise of the EP title.

Panic Island do everything right with Cabin Fever, and though their sound is not yet holding a truly unique character it is not an issue, just part of the evolution of the band’s creativity to that expected success. Anyway the release is a gripping slice of exciting rock ‘n’ roll and that more than works for us.

The Cabin Fever EP is available from May 18th via Flat 4 Records at http://amzn.to/1QTpAQH and http://panicisland.bandcamp.com/releases

http://www.panicisland.com     http://panicisland.bandcamp.com/releases

RingMaster 17/05/2015

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard on Reputation Radio @ http://www.reputationradio.net