Amber Sea – Infantile Vision

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Alongside the full enjoyment Infantile Vision offers one prominent thought is, if their debut is this good just how impressive and potent can French progressive metallers Amber Sea, become. The furiously gripping EP from the Lille band is not perfect, at times its tsunami of invention and imagination bordering on bedlamic tendencies, but for every minor niggle in its chaotic tenacity there is a maelstrom of appetite igniting ingenuity. The attention grabbing five track fury is mouth-watering, and the band’s future subsequently even more so, but right now with their turbulent take on progressive metalcore, Amber Sea have announced themselves as more than a cut above similar creatively driven bands.

The release opens with White Materia: Sideral, and an enchanting caress of piano within a shadowed ambience. Clean vocals add to the warmth of the song’s entrance, crisper heavier beats only enhancing the atmosphere as the song slowly steels itself for an impending tempest. Soon vocals squalls from Matt Rouland rage and the muscular swipes of drummer Guy Tornel assault, the eruption an instant intimidation. Just as pungent are the throaty tones of Axel Richet’s bass, its grouchy touch the perfect ally to the twisted enterprise and sonic invention of guitarist Kevin Chesnais. It is striking stuff, if not yet majorly surprising, though the already impressive and enjoyable diversity to and mix of vocals, clean and hostile, has thoughts and emotions absorbed by song and its blossoming originality. Comfortable raging and bruising the senses or serenading them, the track entangles djent ferocity and death metal viciousness with progressive and melodic toxicity, the result one heavily engaging and commanding song.

Things only grow bigger inventively and impress more as Deci (Mate) takes over, to be followed by the just as exciting Violette. The first of the two has no need of a gentle persuasion in its AS_infantile_vision_ep_cover (300 DPI)start, thumping beats and squirming sonic acidity surrounding ears as Rouland unleashes his guttural belligerent might. Featuring Chris Barretto of Monuments, the song proceeds to savage and charm with spurts of melodic calm and seduction amidst a hellacious landscape of riffs and rhythms. Enticing grooves and deeply rooting hooks are no strangers to the storm either, both offering tempering persuasion within the corrosive atmosphere. Eventually welcoming a wonderful passage of melodic mystique and eye of the storm beauty, the track emerges as the best of the EP, a destructive beast with at times the warmth and peace of a sunrise. Its outstanding successor also uncages venom dripping snarls and bewitching radiance, all within unpredictable and severely tempestuous scenery. As the previous track, it roars and blusters, smooches and prowls around the listener, coming at them from numerous angles and twists of ideation simultaneously. In the hands of another you imagine things would unravel and fall into that chaotic well of going too far, but Amber Sea hold everything which bursts from their minds and skills with superbly accomplishment and riveting craft.

The song’s at times poetic drama makes way for Shinigami, a serpentine trespass of ears and psyche but prone to lapses of melodic and exotic imagination. As proven by all songs, its deep avenues of ideas, sounds, and ferocious enterprise are not suited to one or two listens, but offers ever massing rewards for a concentrated attention whilst confirming Amber Sea as a band destined to and deserving now of enthused intrigue and full attention.

The release is brought to a close by Black Materia: Meteor. Including a guest appearance of Pierre Dane from Kadinja, the track rages and infests the senses with debilitating noise and vocal spite from its first breath. The ever pleasing vocal depth and diversity shines but is courted by the jagged surface of the riffs and the erosive intensity of the song in general, whilst keys paint a warmer hue to the forceful lyrical narrative and intent.

It is fair to say that every twist and turn, surface and corner of Infantile Vision is forcibly impressive, every listen ironing out more of the pernickety ‘issues’ which could be offered up. Such the pleasure and welcome surprise incited by Amber Sea and their introduction to the world, a full recommendation of they and their excellent debut is all that is left to say, especially to fans of bands such as Architects, Monuments, Periphery, and Gojira.

Infantile Vision is available from February 10th via Famined Records @ http://www.victorymerch.com/merch/packages/56429/amber-sea-infantile-vision-shirt-free-download-package

https://www.facebook.com/thisisambersea/

RingMaster 10/02/2015

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard from http://www.thereputationlabel.today

Abstracter – Wound Empire

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Thrusting the listener into a doomed physical and emotional landscape, a stark yet compelling void, US doomers Abstracter enchant and suffocate with the impressive Wound Empire. Four tracks to immerse within gleefully whilst expanding into the darkest corners of the psyche, the forty minute long album is a tantalising and fearsome journey though the rawest of climates over uncompromising wastelands.

Wound Empire is the successor to debut album Tomb of Feathers; a new encounter which those in the know suggest finds the Oakland band taking their already acclaimed sound to further reaching intensive heights. Breeding their own bordering on hallucinatory soundscapes within Wound Empire from inspirations which range from essences of Godfesh, Swans, and Neurosis to His Hero is Gone, Blut Aus Nord, Dystopia, and Darkthrone, Abstracter recorded their release with Greg “The Wizard of Doom” Wilkinson (Brainoil, Iron Lung, High On Fire, Noothgrush, OM, Atriarch) last year. Continuing their “fascination with concepts of human decline, cultural and industrial ruin, and complete social collapse,” the band swiftly engulfs and incites from the release’s first breath.

Lightless opens on a sonic breeze, broadening its haunted cold presence through raw caresses of guitar and a resonating heavy bass tone. As the whole of the album’s proposal, the track is a slow expansion of sound but every note and heavy lure offers a potent piece in an emerging picture. Once in full caustically scenic view, riffs gnaw and beckon with corrosive breath and infectious nature whilst the bass turns carnivorous in sound and predation as it prowls the track’s primordial terrain. Oppressively heavy and crushingly merciless, the doom drenched offering surprisingly has a potent swagger and contagiousness to its unsettling presence, a catchiness to enthral and grip ears and body as imagination and emotions are buffeted and ignited by the sonic enterprise.

There is no respite from the cavernous depths and cold of the climate evolved in its predecessor as Open Veins follows; the blackened sludge reaped tar of sound and coarse emotions a FINAL_ABSTRACTER_jacketmelancholic poison seeping over flesh and thought whilst crust caked vocals roar and slowly squally within the invasive doom. Slim but toxic grooves only add to the allure and detached nature of the track, their minimalistic but rich tempting a vine to grip as the rest of the sounds and vocals groan with the breath of hell.

The transfixing presence of Cruciform comes next and by this point the realisation that Wound Empire should definitely be taken as one fluid dose rather than individual apocalyptic descents into glacial prisons is evident. It is fair to say that the track holds none of the almost welcoming traits of its predecessors but still has some form of catchiness to its flight into the heart of the soulless; its sounds binding as they erode air and senses with caustic persistence.

Wound Empire is concluded by Glowing Wounds, a calmer slightly celestial tempting which still remains encased in an immense doom sculpted embrace. The track is as meditative as it is sonically fierce, a lingering flight across radiant hopes but accompanied by an insidious hold of unrelenting blackened malevolence. A masterful end to a seriously riveting encounter, song and album will not be an easy fit for all, but offers a thought and emotion provoking arousal each can take something from. In the dark times and world which encroaches on us all, it is releases like this and its groan of hell rather than most tirades of words which brings the cold reality home.

Wound Empire is released in the US and Europe on February 10th 2015 digitally via Sentient Ruin Laboratories @ http://sentientruin.bandcamp.com/album/wound-empire, on cassette through Sentient Ruin Laboratories and An Out Recordings, on CD by COF Records, and in vinyl version by Fragile Branch Recordings in the US and Vendetta Records, 7Degrees Records, and Shove Records across Europe.

http://abstracterband.com/

RingMaster 10/02/2015

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard from http://www.thereputationlabel.today