Kayleth – Space Muffin

KAYLETH_band

Everything about Space Muffin, the new album from Italian rockers Kayleth is a spatial adventure; from the eye catching cover and lyrical exploration to the space rock coloured climate gathered over a stoner rock sculpted landscape, it is a flight through other worldly explorations. Equally that stoner and metal induced breeding gives songs and release a contrasting grounding which makes it as intensely imposing as it is celestially fascinating. Space Muffin, a fluffy name offering a slight deterrent before a note is heard, and Kayleth draw on recognisable influences it is fair to say, Kyuss and Orange Goblin for example. It is an open spice though which the Verona quintet entwine with again familiar space/psych rock seeded imagination to conjure something seriously compelling. The album might not be the one to really challenge your expectations but definitely it is a proposition to turn pleasure and a hunger for more up to the highest setting.

Formed in 2008, Kayleth has persistently lured an increasingly potent attention their way through their releases which started with Not Yet in 2006. Initially their sound was rigorously stoner-esque, with In the Womb of Time and Rusty Gold of 2008 and 2010 respectively, thick enticements of the broadening emergence of the band. Their sound has been on a constant evolution even from those early releases, but it was after The Survivor was released in 2012 and through the addition of keyboard player Michele Montanari that the band went on a new exploration into space/psych rock territories, investigation taken without leaving behind the stoner canvas which had already garnered the band increasing acclaim. The band and songs within Space Muffin seem to revel in this new horizon of imagination in their songwriting and sound, discovering like its premise, a new world to play in.

The heady heights and atmosphere of Mountains opens up the release, its muscular presentation an immediate wall of rugged riffs and pungent rhythms within a web of spicy grooves. Behind it the keys of Montanari seduce away, not making a major declaration yet but coaxing behind the scenes as the excellent grainy vocals of Enrico Gastaldo join the widening scenery of the song. Guitarist Massimo Dalla Valle matches the increasing lure of the keys with tangy grooves and acidic melodies, both aspects uniting in rich warmth as the bass of Alessandro Zanetti rumbles within their midst. Completed by the feisty and imaginative beats of Daniele Pedrollo, the song stomps and swerves with irresistible contagion; turning as the keys bring their interstellar KAYLETH_coversuggestiveness into an exotic temptress.

The excellent start is continued by Secret Place, a track loaded with an energetic stride driven by virulent grooves, rampant rhythms, and the potent vocals of Gastaldo. That Orange Goblin essence is a busty flavouring here but equally you can easily suggest a touch of Eagles of Death Metal to the vivacious appetite and energy of the song. It is ablaze from its first second and even with some clever twists and teasing from keys thereafter, never loses its lustful voracity. Imagination sparking invention is just as evident too and even more dramatic in the following Spacewalk. With samples and an on-going narrative offering a space flight with almost Robinson Crusoe like undertones, the track takes to the air with a magnetic shimmer and gentle melodic seducing. Thrusts of intensity led by caustic riffs and heavily swung drums pierce the beauty of the ambience drifting across the track, the burst bringing intermittent and eventually sustained tempestuousness to the bewitching encounter.

Both the intimidatingly sturdy Bare Knuckle with its mouth-watering rhythmic shuffle and sonic flaming against the charming ambience of the keys, and the soulful Born To Suffer have ears and imagination wrapped up in their designs and melodic colours. The first from a contagious ruggedness slips across sultry climes of sonic and provocative textures whilst the second with a blues toned melodic croon smoulders and entices with captivating charm before sparking with classic metal seeded enterprise. Neither quite matches their predecessors, though Bare Knuckle makes a thick challenge, but both leaves senses and thoughts riveted before Lies Of Mind flexes its striking musical and inventive muscles for a bruising and infectious slab of space rock toned rock ‘n’ roll. As most songs there are plenty of twists and unpredictable surprises employed, without going overboard, leaving ears and emotions greedy and equally a quite inescapable anthemic tendency.

   Try To Save The Appearances also has a broader rock ‘n’ roll character to its heavy persuasion, stoner and psych rock colluding in a tempestuous and wholly tempting charge which at times, as elsewhere on the album, has hints of Monsterworks to it as well as that of Karma To Burn. It is a glorious incitement leaving just the instrumental elegance and heated soundscape of NGC 2244 to bring the album’s flight to a tantalising close.

Space Muffin might have a weak title but within its walls it is one thoroughly enjoyable and invigorating adventure. Kayleth’s album does not truly surprise too often but leaves ears blissful and satisfaction over flowing, thus a release to heartily recommend.

Space Muffin is available via Argonauta Records now @ http://www.argonautarecords.com/shop/music-/47-kayleth-space-muffin-cd.html

http://www.kayleth.com/

RingMaster 03/02/2015

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard from http://www.thereputationlabel.today

 

A Life of Torment – Fracture/Conscious

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Imposing in nature, sound, and emotional intensity, Fracture/Conscious is an impressive introduction to hardcore band A Life of Torment. It takes no prisoners as it challenges ears and psyche yet has an anthemic essence to it which grips without reserve. It is a sound and debut which already implies that the Virginia quartet is going to be a proposition to set genre tongues wagging with acclaim ahead, a prospect hard to avoid getting excited over.

There is not a great deal we can enlighten you about the band, their emergence shrouded, whether intentionally or not, in mystery and a lack of revelations They do draw on inspirations such as Disembodied, Chapter, Integrity, May Day, and seemingly the heart of hardcore in its beginnings to their sound, that we know, but there the information stops and the music takes over.

Fracture is the first track and instantly provides an addictive web of marching rhythms and riffs bound in an alluring acidic and tempting groove. It is the makings of an addictive nature, one just as hungry in accepting the caustic ire of the vocals and riffery which take over once the rich sonic toxicity steps aside. Vocalist Dominic roars with venom, every syllable coming with a scathing of spite as the pungent beats of Caleb collude with the throaty bass bait of Isaac to continue the rhythmic enslaving which set the song off. It is only part of the picture though, great unpredictability bringing in shifts of energy and gait including a slip into a slow crawl which briefly induces clean vocals and another raw embrace of tangy sonic enterprise. The track is hostile and uncomfortably uncompromising but also infectiously gripping as it digs its virulent hooks deep into the psyche.

Its companion Conscious is no different, its unique nature and presence crafted on magnetic rhythmic tempting crowded over by tempestuous intensity and vocals; all aligned to similarly abrasing riffs. Guitarist Jonah spins a riveting mix of vicious riffery and sonic temptation, every hook and groove draped in angst and poison whilst simultaneously providing irresistible temptation. Again a varied vocal attack catches the imagination whilst a post punk sombreness only adds to the drama and success of the excellent encounter.

Expect to hear plenty more of A Life of Torment and in increasingly potent light as Fracture/Conscious infests the psyche of hardcore and raw punk fans alike. For a first assault, this EP is just fascination.

Fracture/Conscious is available now digitally as a name your price download @ http://alifeoftorment.bandcamp.com/releases and on limited edition red or white cassette via Blasphemour Records @ http://blasphemourrecords.com/shop/index.php?route=product/product&path=89&product_id=248

RingMaster 03/02/2105

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard from http://www.thereputationlabel.today

 

Grassroutes – Subliminal

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Breathless and basking in a ska shaped incitement which never tires however it comes, we eagerly suggest checking out the new single from UK rockers Grassroutes. Drawing on the ska/ indie fusion which goes to good use by numerous bands, the Leamington Spa quintet give it their own unique flavouring and rampancy to leave ears excited and knees buckling under the weight of the enthusiasm it inspires. Subliminal is a devilment, an insatiable persuasion which if you have a penchant for ska and the likes of Madness, The Vox Dolomites , and The Talks all rolled up into one new adventure, the closest we can come up with to describe their sound, then Grassroutes is for you.

There is plenty more to the Grassroutes sound to that suggested above of course, one additional spicing maybe coming from the Jamaican descent of vocalist/rhythm guitarist Jay Hall and certainly through his reggae inspirations. Linking up with lead guitarist Ben Knight, a long time school friend, the pair started indie rock band The Royal Players. It was the seed and gateway to the emergence of Grassroutes, with line-up changes over the years subsequently bringing bassist Justin Bygrave, keyboardist/guitarist Levi Washington, and drummer Jimmy Barnwell into the band’s fold. Year and a half on from its start, the band is still earning a potent reputation for their live performances and now working on their debut album, to which Subliminal is a teaser Grassroutes - Subliminalalready brewing up impatient anticipation in some quarters.

The first breath of the song brings an earthy bassline and charming melodies cast by guitars and keys. It is a catchy entrance enhanced further by the slightly gravelly tones of Hall and an increasingly stronger swing to the song which infects bass, riffs, and keys alike with every second. An anthemic chorus with full band vocal participation sparks another wave of rich pleasure; its punk lined revelry flirted with by great Mike Barson like mischievous and infectious keys. It all combines for slavery of feet and emotions. A bustling riot and temptation of sound is never an offering to turn away, but especially in a track like this where from its infectious and relatively restrained moments, it ignites with increasing virulence on its way to an exhilarating climax.

Listening to Subliminal again and again, a whisper of King Prawn shows itself within the single, a scent which can only ever be a good thing at any time though again like all colouring it only adds to a proposition which is solely Grassroutes. The single is primed to set the year alight, to bring the summer in early though thoughts and emotions are left with just one thing to say…bring on the album.

Subliminal is available from Feb 9th.

https://www.facebook.com/grassroutesband

RingMaster 03/02/2015

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard from http://www.thereputationlabel.today

 

Bobgoblin – Sinistar

Bob Goblin

Music can be so frustrating at times especially when you cannot understand how a band with a song as dynamically addictive as Sinistar can escape attention for so long. Such is the case with US power pop/new wave band Bobgoblin. Formed in 1994, it has taken two decades for us to catch up and on to what their fans have known for so long, that this is one rigorously infectious and exciting band.

Of course one song does not paint a history but a swift backward search confirms the suggestion of the band’s brand new single, though now the band is on a new and even more exhilarating plateau. Formed as mentioned over twenty years ago by vocalist/keyboardist Hop Litzwire and drummer Rob Avsharian, who met whilst at University of North Texas, Bobgoblin was soon in full swing with its initial line-up completed by bassist Hech MaHech and guitarist Lech Vogner, before they were replaced by Tony Jannotta who took on both roles. Line-up additions and departures followed but the trio remained the stable heart of the band as their live stature grew and releases like Jet and The 12 Point Master Plan increasingly impressed and recruited fans. Also creating another project called AOJ (or Adventures of Jet in reference to the group’s first independent release) which took up a fair chunk of the time between their start and now, the trio has kept the years and ears busy, though yet to make that break through beyond their homeland it might be fair to say.

The band’s sound is seeded in the likes of punk, post-punk, and new wave, but equally has an adventure which embraces everything from 70s glam-rock, prog rock, orchestral music, and anything which catches the band’s imagination, as proven by their AOJ releases and their return as Bobgoblin and acclaimed album Love Lost For Blood Lust. Leaping back to the now and new single Sinistar, Bobgoblin are ready to nudge the broadest spotlight on their sound yet, an aim which if the track seduces the rest like us, cannot fail.

From the first strains of the bulging bassline, Sinistar has ears and attention licking lips; even more rigorously as riffs and vocals add their vivacious energies to the proposal. Hooks and grooves bound up as the song progresses, each adding their dose of infectiousness and irresistible pop toxicity. The best way to describe the song is early XTC meets We Are The Physics, though at any time there is additional flirtation which can spark a hint of bands like Devo, Baddies, Department S, Oingo Boingo, Tonight… Do not mistake this as assuming the song is predictable though, as it romps with a freshness and adventure which sets it firmly in its own spotlight.

The bass of Jannotta especially seduces; it’s grizzled throaty tones a delicious lure within the contagious revelry romping around it. Just as magnetic though are the devilish keys and flavoursome vocals of Litzwire whilst Avsharian simply slaps the skins of the drums and senses into eager submission.

Accompanying the track is Robotron, a similarly catchy and energetic slice of pop devilment which embeds an early Squeeze like mischief in its vibrant body of energy and inescapably infectious sound.

If like us Bobgoblin is only now infecting ears and the passions then just remember better late than never as you lose your lust to Sinistar.

Sinistar is available now @ http://www.bobgoblin.com/music

RingMaster 03/02/2015

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard from http://www.thereputationlabel.today

 

Ded Rabbit – Better On the Day

Ded Rabbit new pic 5

Bounding in with all the enthusiasm of a young pup and the craft of a mature temptress, Better On the Day from Scottish alternative rockers Ded Rabbit, is one of those ridiculously infectious exploits which you cannot escape from. Taken from the bands new EP Wake Up In A Dream, the new single is released just a couple of days before its source, and alone leaves ears ablaze and appetite for the accompanying release hungry.

Based in Edinburgh but Yorkshire bred, Ded Rabbit is a family affair, consisting of four brothers (Eugene, Fergus, Eoin, and Donal Gaine) who know how to write and then deliver a vivacious indie rock proposition or two. The evidence has already been shown and acknowledged with previous EP Wash Away and a live presence which has seen the band play alongside the likes of The 1975 and Man Made, again to potent responses. Influences for the band are cited as including Led Zeppelin, The Beatles, Queens Of The Stone Age, Fugazi, Ian Dury and the Blockheads, Gang Of Four, Interpol, The Cribs, The Libertines and many more, all spices you can pick out in brief aspects of their songs, though we would venture to say that Better On the Day is the most original song from Ded Rabbit yet, and their most potent.

Straight away it seems to have a new maturity compared to the previous EP, the groove clad heavy bassline opening it up, an immediate rich enticing which just seems bigger and bolder than anything from the foursome before. It is a potency swiftly enhanced by the short jangles of guitar and the excellent vocals, the latter distinctly expressive and unique but most of all magnetic. Just as the sounds tease ears and melodies show their charming face, thoughts of The Farmers Boys comes to the fore, never a bad thing, and as the song explodes into more rigorous exertions thereafter it offers hints of Miniature Dinosaurs.

Better On the Day is a thumping romp showing intricate craft and rampant tenacity in varying bursts of energy whilst never letting expectations get a foot hold. With feet and emotions bursting for more by its close, time to leap on the new EP we say.

Better On the Day is available from February 9th whilst the Wake Up In A Dream EP is out on February 7th.

Both are supported by live dates @…

Feb 7th Edinburgh (The Jazz Bar) – EP Launch.

Feb 9th Glasgow (Broadcast)

Feb 13th Blackburn (Live Lounge)

Feb 14th London (Proud Camden)

Feb 15th London (Tipsy Bar)

Feb 16th – Brighton – Hotel Pelirocco

http://www.ded-rabbit.com

RingMaster 03/02/2015

 

 

4th Street Traffic – Innocence (Don’t Walk Away)

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Welsh band 4th Street Traffic describe their sound as stadium rock, a tag which means very little to our mind, but when a song like Innocence (Don’t Walk Away) roars with an energy and emotion which reveals all in merely four minutes, there really is no need for labels. The new single from the Caerphilly quartet is a bellow of a song, a resourceful tempest of melodic tenacity and emotional drive leaving a rather healthy new interest and appetite for a band already no strangers to acclaim.

Formed in 2001, 4th Street Traffic has earned their spurs through an undeterred assault on the national music scene. Their emergence has constantly garnered increasing attention and support. From debut album Wake Up Call through to its successor, the 2012 Romesh Dodangoda produced Kick the Habit, the band has nudged and drawn elevated attention, a growing spotlight backed by extensive UK tours and shows including performing at Party In The Park in 2005. The second album was the spark to bigger things it is fair to say, especially once Kelly Jones and Richard Jones of Stereophonics came across it. An invitation by the pair to open up their Summer In The City concert in Cardiff City Stadium took 4th Street Traffic to even keener attention, that moment backed by the continually impressing and selling 2nd album and backed by shows alongside bands such as Electric Six, Toploader, The Darkness, Mike and the Mechanics, The Stranglers, 10CC, Dodgy, We Are Scientists, The Enemy and many more. Taken from their similarly well received third album Claim To Fame of 2013, Innocence (Don’t Walk Away) is the first teaser to and step in a busy year ahead for the band, and with a new line-up in place re-energising their appetite, you suspect a successful one too.

The new single launches at ears with thumping beats and a blaze of easy going but alluring riffs. Their relaxation only moments in, then allows the potent tones of vocalist Alastair Britton to open up the narrative as a resonating dark bassline courts his every syllable. It is a magnetic start with a touch of a southern rock whisper to the brewing enterprise and energy. Taking on a pungent stride thereafter, one constantly guided by the crisp jabs of the drums, the track is an insatiable persuasion on the senses with every blaze of its melodic endeavour and flavoursome vocal call a powerful temptation. It would be fair to say that the song is not venturing too far from established climates in heavy melodic rock but equally expectations are barely fed and imagination given a healthy croon of fiery creativity to run with.

4th Street Traffic is looking towards having a strong and successful year, which if their new songs are anywhere as rampantly convincing and enjoyable as Innocence (Don’t Walk Away), will be a sure thing.

Innocence (Don’t Walk Away) is released February 9th.

Check out upcoming festival dates for 4th Street Traffic:

May 3rd Main Stage – Sound Stock Festival / Essex

May 23rd Main Stage – Exmouth Festival/ Exmouth

May 24th Main Stage – Plymouth VolksFest/ Plymouth

Jul 10th – Main Stage – Volksstock/ Coventry

Jul 12th – Main Stage – Oakwell Festival/ West Yorkshire

Aug 15th – Main Stage – NHSOB festival/ Newport, S Wales

https://www.facebook.com/4thstreettraffic

RingMaster 03/02/2015

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard from http://www.thereputationlabel.today