Dethfox – Natural Media Teleforce

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Providing no hiding place for ears and senses, the new EP from Canadian anarcho-punks Dethfox is a furious incitement which is just as virulently seductive as it is uncompromisingly caustic. Bracing and abrasive, Natural Media Teleforce is a raw and addictive introduction to a band we are already finding it hard to get enough of. Consisting of five punk hostilities which rarely break the two minute mark, the release is dirty and fierce with a touch which can make ears cower, but it also has a repetitious nature to grooves and riffs which when aligned to barbarous hooks only makes one seriously contagious persuasion.

Scowling out of Montreal, Dethfox emerged in late 2012 working on their sound and attack before releasing their first demo in the October of the following year. Their live presence stepped forward swiftly after with the band making its first live appearance at A Varning from Montreal Fest late 2013 whilst last saw them year sharing stages with the likes of Cress, Rick Agnew, Kicker, Dekoder, Parasytes and many more. Released via Chaos Rural Records, Natural Media Teleforce is looking like being able to breed new attention and, in matching appetites to ours, hunger for the band’s continuing emergence. Certainly its uniquely challenging morose punk sound is not going to be manna for all, but it is an addictive provocateur all punk and noise rock fans should contemplate braving.

The EP’s title track launches at ears first, heavy riffs and matching rhythms an instant wall of noise and temptation pierced by a keen and infectious punk grooving. Just as raw and appealing vocal squalls swiftly join the quickly brewing contagiousness of the track, delivering what are, to quote the accompanying press release,   “Mysterious, dark and sometime incomprehensible lyrics exposing religious-media-space-traveling-matters and other obscure themes.” It only adds to the drama and irresistible tempest though, as does the post punk nagging which helps spice the web of inescapable and thrilling hooks and wiry grooves.

It is an outstanding start matched straight away by the slightly lighter but no less intensive examination of Fear Pope Departure. Once again hooks enslave from the first breath of the song whilst the lyrics are even more disguised by the great unpolished vocals. Short, sharp, and rigorously infectious the song evolves through a sonic rasp into Deathray Spec, another ridiculously addictive and viciously imposing track. As portentous in atmosphere and tone as it is catchy in imagination and enterprise, the song unleashes a harsh belligerence of attitude and a sonic rapacity which in itself is imposing and successful persuasion.

In many ways the nagging and addictive repetition sculpting grooves and riffs is akin to the early days of bands like Killing Joke and Gang Of Four. They are unrelenting and seductive, reeling in ears and passions with consummate ease whilst voice and other sounds bring their own corrosive incitement. The very short Amplified Truth Disclosure a prime example, its thirty eight seconds lust sparking insistence which is only here to savage the psyche.

The release closes as impressively and grippingly as it started; Run State Wrong coming forward as a seventies punk seeded anger with hardcore ferocity and Buzzcocks like hooks whilst spilling ravishing invention bound in noise bred majesty. It is a glorious end to a thrilling and enthralling encounter. To be honest Dethfox had us hooked by the time it’s first song departed ears and only compounded and broadened its slavery with each subsequent offering. Given the chance it is easy to expect the same happening to hordes of new drooling fans too.

Natural Media Teleforce is available via Chaos Rural Records from January 20th @ http://chaosruralrecords.bandcamp.com/album/natural-media-teleforce

http://www.dethfox.com/

RingMaster 20/01/2015

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Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard from

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Crack House – The Hits Just Keep On Coming

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Beating on ears, mugging the senses, and corrupting the psyche, The Hits Just Keep On Coming is a punk metal violation which just keeps coming. Unleashed by US antagonists Crack House, the EP is a corrosive brawl of crossover ferocity bringing hardcore punk, crust and thrash in on a tempestuous and belligerent dirt caked rock ‘n’ roll rampage. It is not for the faint hearted or those with a nervous disposition, nor those wanting frills and extravagant excesses to their sounds, but for ruinous and degenerate metal punk animosity, this is one EP well worth being ravaged by.

Featuring members of Eat The Turnbuckle, Javelina, Call The Paramedics, and Bitchslicer, Crack House has no redeeming features to its character and everything riveting in punk bred hellishness. From its opening track, also called Crack House, the band is roaring, abusing, and providing an unrelenting and blistering incitement which beneath its scourge of a surface has a maelstrom of riffs, hooks, and enterprise giving each onslaught’s depravity depth and weight. The first song flings abrasing riffs and vocal causticity at ears as soon as it’s opening brief skit sets the scene. Thumping rhythms are just as full of enmity, every swipe a resonating punch entwined in either a tempest of varied vocal squalling or a sonic whipping of guitar. With thrash and grind just as vocal as punk in the rabid stomp, the song makes a formidable entrance to the release, an opening taking to rawer destructive heights by This Emergency Room Is Gonna Need A Fucking Emergency Room.

The second song has fear and juices flowing from the first rumble of rhythms, the drum’s wanton bait soon joining an opening sonic coaxing. In no time the track becomes a contagious and violent seducing of ears and passions, leading the senses into a visceral landscape which could be described as Motorhead meets Hellbastard at a brawl organise by The Exploited. Grooves spray venom and beats destruction yet the heavy metal spiced sonic insidiousness which veins the storm is almost inviting in its resourcefulness. It is an anthemic intrusion, a description fitting most tracks on the EP, and especially the following title track. Again launched on a torrent of rhythmic contagion, the track smothers the senses in a wave of defiling sonic adventure whilst the rhythms increasingly feel like they sense blood as every scything swing comes with greater rancor to match the increasing bile in the vocal delivery.

Without quite matching its predecessor, the song still ignites ears and emotions impressively as does the briefer animus of Junkie Fucker. It is pure hate and defiance in one accusing sonic fury which leaves ears and emotions ringing as it makes way for the final grudge, March Of The Crackhead. Metal and punk collude here to provide a senses scorching, psyche bruising squall which is as irresistible as it is intimidating. Grooves and hooks are ridiculously addictive whilst the rhythms find new and greater bait in their armoury, building a song which is a total seduction even as it violates your veins and steals your sanity.

   The Hits Just Keep On Coming leaves a real hunger for more by its end. You will feel dirty and violated from the encounter but certainly for hardcore/thrash lusting fans more than likely will breed a real appetite and addiction for sound and band that just will not go away.

The Hits Just Keep On Coming is available via Horror Pain Gore Death Productions http://www.horrorpaingoredeath.com/store/hpgd102.html, as well as Buriedinhell Records http://buriedinhell.bandcamp.com/releases, and Useless Christ Records from January 20th.

https://www.facebook.com/CRACKHOUSEROCK

RingMaster 20/01/2015

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard from

http://www.thereputationlabel.today

 

Sacred Wind – Metal and Curry

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The Vikings came, rampaged, and going by Sacred Wind, left some berserker seed to breed and bide its time before invading the classic metal timeline. The band from the hill sculpted landscape of Llangollen in Wales is the embodiment of Tolkien like mischievous adventure, heroic wrongdoings, and salacious revelry. They also create a classic metal incitement which sears and excite body and soul, as proven by new single Metal and Curry.

Taken from the band’s acclaimed self-titled debut album, itself an invigorating march of anthemic riffs, fiery melodies, and soaring hair wilting vocals, the new single tells you all you need to know about Sacred Wind and its dynamic sound. Like a Terry Pratchett inspired Friday night out narrated by firm tongue in cheek lyrics and a similar rascality in presence, Metal and Curry leads the listener by the hand into dens of liquor running devilment.

With the band members going by the name of Olaf the Berserker (lead vocals/lead guitars), Grundi the Windy (lead guitars/backing vocals), Smid the Merciless (bass guitar/backing vocals), and Agnar the Hammered (drums and percussion), newcomers to Sacred Wind might expect something like Gwar meets Green Jelly or Spinal Tap. The band though swiftly evades those thoughts taking firm hold by unleashing a sound which is as skilfully accomplished as it is dramatically fiery and an energetic presence which makes Alestorm seem reserved. The band’s album is all the evidence needed to suggest Sacred Wind is one of the UK’s brightest heavy metal protagonists, Metal and Curry even swifter proof.

Its first breath is a stomping invasion of heavy footed beats courted by a predatory bassline and swiftly bound in sonic enterprise. The potent start relaxes a whisper to open up the way for the rich vocals of Olaf to harmonically roar, his entrance accompanied by meaty hooks and melodic tenacity from the guitars. As maybe you would expect from the band and its creative backgrounds, there is a swagger to the song which translates to every swing of a drum stick and forceful plucking of strings, not forgetting a raucously anthemic chorus expelled by the band. The core of the track is not startlingly original you could argue but with a glorious flame of craft and enterprise from guitars which includes a highly magnetic solo, it soon establishes a unique and ridiculously contagious presence.

It is a beast of a song but more inviting than barbarous and an irresistible recruitment of neck muscles and voice. The song is a wonderfully rowdy doorway into the heart of the band’s album but also sums up the character and devilish presence of Sacred Wind as a complete proposition. Accompanied by a trilogy of books written by Andy Coffey, who might just be involved even deeper in the band we say in a whisper, Sacred Wind is a Norse bred Sláine corrupted Game of Thrones theatre in many ways but with a musical creativity and rich blaze of a sound which puts many established classic metal bands to shame.

Explore the whole world of Sacred Wind @ http://www.sacredwind.co.uk

RingMaster 20/01/2015

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard from

http://www.thereputationlabel.today

Nachtreich/Spectral Lore Split: The Quivering Lights

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Like a compelling painting which draws eyes into vivid adventures and sparks thoughts to conjure complimentary background stories, The Quivering Lights, the split release from Nachtreich and Spectral Lore, takes ears and imagination on an equivalent exploration. Taking inspiration from the metaphorical struggle between Dionysus and Apollo whilst also investigating spiritual decay, the six-track release is a journey, at times a fall, through the darkest emotions and coldest climates whilst expressing a beauty which simply bewitches.

It is a split which offers much more than a trio of tracks from two bands; the proposition seeing Germany’s Nachtreich and Greek ambient black metallers Spectral Lore collaborating and entwining their individual explorations in one soul searching flight of blackened neo-classical drama. Challenging at times, bewitching in other moments, the album aligns the darkest corners of the soul to an emotionally startling landscape in an experience metal, progressive, and classical fans alike can immerse within.

Hailing from Koblenz /Nürnberg, Nachtreich was an instrumental band formed by the musicians P.H. and U.K. in 2003. Fusing dark metal with haunting harmonies and classical seeded orchestration, the band drew acclaiming attention with their intrusive dark romance of sound before splitting in 2010, though the two members continue to work together in different genres. Their companion on The Quivering Lights is the one man project of Ayloss which began in 2005. Spectral Lore is also no stranger to potent praise having released a quartet of intriguing and enthralling albums in I, II, Sentinel, and III. Now the two projects have united in arguably one of their most inspiring and gripping exploits yet. Released via the creative union of Bindrune and Eihwaz Recordings, The Quivering Lights is a perpetually shifting beauty, a soundscape of emotive and provocative imagination which not only evolves from moment to moment and track to track, but from each individual listen to listen.

Nachtreich begin the creative theatre with Lights, an instant seduction of piano and strings which whilst soaked in melancholic seduction also express radiant charm and soulful elegance. The instrumental piece is sheer mesmerism and equally adept at provoking thoughts as well as transfixing them with its potent shadowed expression and haunting touch. Climbing in weight and emotional intensity as raw air washing over the inventive poetry of sound, the track eventually simmers down again and drifts away to allow Spectral Lore’s Quivering to step forward, also on a piano sculpted embrace. Similarly there is a melodic beauty caressing ears but also an underlying coldness which shares a starker scenery further into its length; a chill become subsequently frostier and harsher as vocal squalls and doom laden terrains loom on ears and emotions. The track continually ebbs and flows with its imposing climate, exploring quieter darker corners as well as uncaging squalls of intensity.

Greyness and Ghost Lights from Nachtreich come next. The first ‘sings’ like a lone soul in a mournful field of reflections and doubts with a viola seducing for comfort. Its successor retains the grace and melodic classiness of the band’s other pair of tracks but takes it into a more sinister and predatory climate, epitomised by the low vocal growls which rub with torment against the evocative narrative of the keys. Both tracks are captivating and emotionally inciting, gloriously haunting and impressive shadows from the imagination.

Spectral Lore bring the album to a close with firstly the eleven minute of Vanishing, which opens with its own intriguing web of guitar imagination within an enticing yet slightly tempestuous calm. It is an atmosphere which is increasing in turbulence all the time, eventfully twisting into a broader and more hostile canvas of vocal sorrow and atmospheric causticity sculpted by heavy rhythms and corrosive riffs. There is a veining of sonic adventure and light though which pierces the revolving tortuous landscape of the song and adds stronger descriptive ambience.

Final track Reflection is musically as its name suggests, a sombre and thoughtful self-investigation brought by a sultry dance of fingers on guitar strings. It leaves the listener engrossed and equally as involved in their own thoughts as much as those proposed by the album. Making an immersive and dramatic proposition, the track brings the impressive release to a similarly potent close.

The Quivering Lights is something different from the usual few tracks from one artist and a few from another styled split release. It is a stunning travelogue of emotion and sound from bands combining and merging their individual investigations in one fluid and seriously rewarding journey. This is one album all black, ambient, neo-classical, and progressive metal fans should investigate.

The Quivering Lights is available now digitally @ http://nachtreich.bandcamp.com/ and on limited edition 12”vinyl @ http://eihwazrecordings.com/distro/index.php?main_page=product_info&cPath=2&products_id=1534

https://www.facebook.com/pages/Nachtreich-Official/134636053320790

https://www.facebook.com/spectral.lorebm

RingMaster 20/01/2015

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard from

http://www.thereputationlabel.today