Provocateurs already renowned for leading the body and imagination into diverse and adventurous stomps soaked in a lyrical fervour and experimental voracity, UK band Great Riddims In Mind have nurtured a new steel and maturity in their explorations. It is a growth which provides a rich core to the band’s new Progtronic EP, an evolution as potent and gripping as their increasingly addictive sound. The upcoming release reaps all of the mouth-watering and riveting essences of its predecessors but develops them with the band’s most composed and striking ingenuity yet. Already a relentlessly inventive and incendiary proposition, the band has sculpted in the shape of Progtronic, a creative tempest where intrusive unpredictability, uncompromising imagination, and raw passion are an unrelenting norm.
Better known as G.R.I.M, the Manchester quartet began in 2011 and were soon stirring up attention and appetites locally with their raw and fiery fusion of dubstep, hip hop, rock, drum and bass, and plenty more. A wider spotlight was switched on by the release of the Sounds Like These EP last year, the acclaimed debut reinforcing the already potent reputation the band has earned for their live performances in their home city and beyond. Earlier this year the single Answers was uncaged, the track with its maelstrom of textures and bordering on psychotic invention strikingly hinting at the new step in the band’s evolution, something the new EP confirms and stretches even further.
Opener G.R.I.Mtro throbs with electro resonance in its first breath, the second bringing in an equally pulsating lure of vocals as synths expand their hues and beats darken their persuasion. It is a gentle but imposing entrance, the band almost leering into the imagination whilst holding a whisper of belligerence in every note and syllable shared. The track meanders from this point as if searching for its switch, which when found sparks a still restrained but strikingly colourful stroll, the rhythms of drummer Kyle Larkin a low key stalking alongside similarly predacious lines from bassist Nathan Larkin. Vocalist Lance Hargreaves dances mischievously over this web with the guitar of James Glenn almost egging on his revelry as synths flirt with magnetic and sinister persuasion. Though suggested the song never explodes; its tension simmering forcibly in voice and sound but holding check for the main, before evolving into the following Grill Me.
The second track emerges with a similar melodic tempting and structural baiting but is soon binding ears and thoughts with the impressive vocal prowess of Hargreaves and the sonic adventure brewing up in the rest of the band. There is a sense of bands like Hadouken and the now demised Janice Graham Band, but whereas on the first EP these were loud comparisons they are mere spices for reference in the new vat of creativity and originality fuelling Progtronic. Badgering and seducing senses as well as thoughts with its bubbling tenacity and inventively lively canvas, the fascinating proposition whips up the appetite into a hungry greed ready for the outstanding Terrorisms, a lyrical and musically striking track which sways with seductive and rugged elements simultaneously. As with the previous pair of songs, there is a control to the intensity and urgency which embraces the frantic and deranged creative fervour of previous releases, but channels it into a just as invigorating and fascinating success and protagonist. Thickening its climate with funk and jazz seeded winds, the track enthrals and sparks the imagination with sublime ease, whilst ears and emotions are immersed in a perpetual and thrilling tantalising.
There had to be an outbreak of unbridled devilry at some point on the EP, and they come with the final two tracks. Metanoia comes first, its entrance also calm but within a tempestuous climate of stormy emotion. Vocals and bass riffs find a home in ska and hip hop planted fields whilst the caustic rub of guitars and keys provide an early agitation and inflammatory air to the building inflamed passion of the song. A midway breather of just a single melody and vocal is the spark to a flirtatious and reggae bred striding, this in turn firing up further the vocal melodies and pulsating adventure of the scintillating offering. A moment in time that surely nobody can resist, it has feet and moves soon enlisted and lurching with the pulse and temptation of its presence.
Final track Him Without Sin is an immediate blaze of vocal rapping and sizzling sonic endeavour which in turn brings in a ridiculously contagious swagger of riffs and hooks, all diversely spiced and virulently enticing. That earlier mentioned frenzy within the band is a rampant toxicity in the song but again under a precise and impressive measure. It does not stop it, as all tracks, being irrepressibly anthemic and ferociously incendiary but allows the just as hard hitting lyrical commentaries to firmly place their potent grips too.
Another ravenous treat, Progtronic is a new turn in the emergence and sound of G.R.I.M, a milestone on their increasingly certain and creatively inflammatory ascent.
The Progtronic EP is released on December 2nd.
G.R.I.M will be holding the EP launch party @ Joshua Brooks in Manchester on December 2nd with sets from special guest MC’s, and supported by Eyes Like Twenty
For more info check out the band’s official website @ http://greatrhythmsinmind.wix.com/grim
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