Full of uncompromising fury and unbridled belligerence, Persistent Murmur of Words of Wrath the new album from Norwegian band Hombre Malo, is an incendiary device to ignite the imagination and passions. Its explosive nature and severe hostility is not for the faint hearted but sandwiched between opening and closing tracks which made potent and sizeable impressions there lays a cauldron of blistering enterprise and virulent hostility to take the breath away. Creating a tempestuous fusion of hardcore and noise rock with stoner and sludge metal, Hombre Malo has unleashed a beast of an album which is sure to make a relatively unknown band a talking point in a broader expanse of mouths.
Hailing from Oslo, Hombre Malo was formed in 2008 by ex-members of Sons of Saturn and Ictus and features current members of MOE and Okkultokrati. The quartet since starting has splits with bands like Jack and the Bearded Fishermen, Desert Icons, and Sofy Major under their belt as well as their 2009 debut album The Ecstasy Of Devastation. All have bred acclaim and eager attention though it is easy to feel that Persistent Murmur of Words of Wrath will be making the strongest impression for the band so far. Recorded with Ruben Willem and mastered by Brad Boatright (High On Fire, Ringworm, Nails), the band’s second album is a provocation from a band which you just feel relishes the turbulence they are going to create in the ears, thoughts, and emotions of their listeners.
Opener L’Etranger instantly casts stoner-esque grooves around ears as the album begins its conquest, their spicy coaxing matched by punchy beats designed again to grab attention. It is an inflammatory start for the imagination which loses a little of its potency when relaxing into a heavy and intensive stroll, though that small relinquishing of intrigue is compensated by the caustic tones of The Muerto, his throat spilling venom and spite with every forced syllable. With rises of rhythmic endeavour and the still virulently enticing grooves, the track has a firm hold as it continues to merge hardcore and punk with its sludgy tsunami of noise.
As mentioned earlier it is a strong start flooded with potential, as the band, but not able to inflames senses and passions as its successors begin to do from hereon in, starting with Crosses And Marching Feet. Striding from the news sample bulging link connecting the first two tracks, the song bawls and then brawls with ears as a crescendo of agitated beats and riffs fling themselves at the senses, all guided by again corrosive vocal squalls. Like a furnace sculpted by Melvins, Kunz, and Unsane, the track is all out assault of sonic voracity and creative mayhem honed into a deranged and addictive maelstrom.
Its success though is just a taster for the album’s pinnacle, the sensational Golden Calf. Again the song evolves from its predecessor, a great tendency of the release, and is soon crawling over the psyche with its corruptive rhythms and sonic unpredictability. Just as swiftly as the violent temptation takes hold, a swagger comes to grooves and beats, a swinging lure complimenting the equally infectious eruptions of bruising mass vocals. The further into its body it takes ears the more gripping the blaze of punk rock bred antagonism and predation aligned to psych rock ingenuity. Like a mix of Poison Idea and fellow Oslo band Shevils, the track is a vicious contagion which with a cleaner vocal delivery and unrelenting splinters of sonic taunting and teasing, simply ignites ears.
A darker sludge spawned turn to the album comes next through Vladislav, a track inspired by the homophobic murder of 23-year-old Russian Vladislav Tornovoi. The song prowls the senses from the start, riffs and grooves weighty and predacious intimidation stalking the listener. It is a constant pressure and oppressive enticing offered by the seven minute track, from its first breath to last a senses smothering provocation equipped with a carnivorous bass tone and raw vocal expression to match similar toxicity cast by the guitars. It too finds a catchy character within itself so that by its end it is stomping with a virulent suasion before making way for the punkish roar of Reaching The Shore. With the sonic voracity of a Coilguns to its hardcore truculence, the song scowls and boils with spiteful enterprise and abrasing intensity before it too has to part for its outstanding successor.
Elena, from a melancholic and abrasive melodic start which is portentous and seductive simultaneously, detonates a ravenous and sonically disorientating expulsion which soon settles into a no less uncompromising but more ordered creative shuffle. It is another song where it explores a contagiousness to grip feet and imagination whilst gnawing upon and spilling toxicity over senses and emotions. It is a glorious and hellacious ravishment which reveals even more of the incredible potential and already accomplished devilry in the band’s songwriting and sound.
The album finishes on the epic Deathbed Conversation, a track which flies from the traps with thrilling caustic ferocity. It is an engrossing storm, though when it slips into a provocative and darkly emotive exploration of its central character’s narrative amidst a haunting ambience and ethereal melodies, it lacks the inescapable grip of its predecessors if not the intriguing and impressing invention. Nevertheless it is a fine and potent end to an excellent incitement, a release suggesting that there is still much more to come from the depths of Hombre Malo, whilst establishing the band as one tremendous onslaught right now.
Persistent Murmur Of Words Of Wrath is available now via Disiplin Media @ https://disiplinmedia.bandcamp.com/album/persistent-murmur-of-words-and-wrath
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