Embracing the senses in a maelstrom of sonic and brutal exploration, listening to the new release from US extreme metallers Critical Dismemberment is as uncomfortable as it is invigorating, and quite compelling. The Feel My Wrath And Tremble EP is raw and gripping, caustically and creatively riveting, and a stirring gateway into one intriguing and imposingly inventive death metal band stalking the underground scene.
Hailing from Arkansas, Critical Dismemberment consists of Erik Martin and Chase Fincher. Forming the project over the internet, the pair was soon brewing up a distinct sound merging death and black metal with symphonic and electronic invention. The outcome as evidenced on their new encounter, is a proposition which is as cruel as it is magnetic, an uncompromising hostility veined by electro and melodic intrigue driven by refreshing unpredictability.
Feel My Wrath And Tremble opens with the swift invitation of The Coming, guitars an easy enticing lure to snare attention before a thick and smothering intensity forcibly descends over the senses. This in turn breeds a heavy predation in beats and riffs. Yet still it seduces as it leads into the initial melodic coaxing of the title track. It too in no time opens up a vat hostile intent under an abrasing atmosphere. Vocals are pestilential and riffs voracious whilst beats pierce the tempestuous persuasion with purposeful spite; it all consuming ears and imagination with ravenous and destructive animosity.
It is an uncompromising examination yet has a contagious core which nothing can defuse, as shown again in the excellent incitement of The Seventh Trumpet Sounds. From its first breath vocals spread serpentine animosity and coarse malevolence whilst grooves entwine and gnaw on the senses with addictive enterprise and spicy temptation. It is a ferocious challenge which swiftly enslaves ears and imagination as it punishes the senses, an assault which breeds a greedy appetite for more with its keen creative adventure and merciless hostility.
The Damnation of Elizabeth weaves a tantalising mesh of electro agitation with hoarse vocals next whilst a symphonically seeded melodic orchestration flirts with the imagination. It is just the prelude to a tempest of heavy electro swipes and blackened grooving though, they in turn slapped by rhythmic intimidation and pungent jabs of primal riffery and Nintendo-core fascination.
The release is concluded by firstly Room 911, it emerging from the same almost bedlamic charm its predecessor left in before escorting caustic riffs and scaring vocals squalls in siege of the senses. The track is a smog of sonic abrasion and vocal venom, yet its invasive and quarrelsome cloud of animosity again belies the enticing melodic underbelly and symphonic tempting which works tirelessly away.
Final track Nightmares End, lives up to its title though there is no closure to the sinister and voracious black and death metal corruption within the track. As all the songs, it is a gripping patchwork of sounds and flavours converging into one persuasive death metal violation. Rhythms often unveil a post punk punctuation whilst keys and melodies spring from a Disney does Zombieland type landscape, though there is nothing safe and comical about the outstanding sufferance cast by the track. It is an excellent end to a fine assault from Critical Dismemberment.
Feel My Wrath And Tremble is from the bottomless corruptive pit of extreme metal’s underground, evidence of the enthralling creativity and raw talent lying in wait to prey upon ears and emotions. This might not be one of the kindest propositions to challenge your senses this year but certainly it is one of the more enterprising and exciting.
The Feel My Wrath And Tremble EP is available via Bluntface Records from October 31st @ http://www.bluntfacerecords.com
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