The Dropper’s Neck – Line Me Up For The Firing Squad

The Dropper's Neck

If you have not yet immersed in the mutated brilliance of Second Coming, the debut album of UK noise provocateurs The Dropper’s Neck, then firstly shame on you and secondly now is the time to immerse into the psychotic flight and sound of the band with their new single Line Me Up For The Firing Squad. Drawing on all the essences which instilled their album as one of the most striking and impressive releases of 2013, the band explores darker corners of their deranged imagination with the new single whilst forging a stronger rapaciously contagious causticity to their startling sound. It is a glorious onslaught of invention from a band evolving from something exceptional into a major player.

Bred from probably the darkest untoward psyches of Essex, The Dropper’s Neck formed in 2011 and soon had fans screaming in lust, and fear no doubt whilst dogs howled and cowered as rats sought out sinking ships, with their emerging irrepressible presence. Forged with inspirations of band such as Gallows and Queens Of The Stone Age as well as Pulled Apart By Horses and Eighties Matchbox B-Line Disaster, their sound swiftly took hold across the south of the UK as their debut EP was unleashed before the exceptional Second Coming sparked a country wide attention from fans and media alike. The album was as mentioned a thrilling slab of sonic and rhythmic devilry, one seemingly cultured by the hybrid stock of Eighties Matchbox B-Line Disaster and to a lesser degree fellow UK band Engerica. It led to a familiarity to its songs which only added to the potent spicery at play. Now Line Me Up For The Firing Squad shows the quintet of vocalist Lloyd Mathews, guitarists Chris Blake and George Barrows, bassist Jack Turner, and drummer Danny Keene, hatching a more unique and distinct sound to them, a proposition which The Dropper’s Neck are all the more better for.

A hypnotically rabid fury of noise and garage rock with all the antagonistic punk tenacity you could wish for, Line Me Up For The Firing Squad is right away a sonic buzz saw on the senses with a rhythmic punctuation which is as flirtatious as it is intimidating. From its first artillery of beats, the song is sending down cascades of warped grooves and sonic rapacity which swamp the senses. It is barely a few seconds before the squalling vocal grazing of Mathews is adding to the addictive animosity, but that too as the sounds around him, is part ferocity and part tenderising before he unveils a more composed and seductive enticement with a clean delivery which entwines with his abrasive roars.

There is a metal seeded aggression to the guitars and riffs within the song too, and a hardcore spillage across the vocals, their united tempest climbing rabidly all over the imagination. To that mix a predatory garage punk hostility drives the rhythms, though again everything comes with the devilish seduction that the band spawns all their songs from. Like a brawling maelstrom of Melvins, Cancer Bats, Queens of the Stone Age, and we still have to add but to a lesser degree Eighties Matchbox B-Line Disaster, the single is a ravenous and unrelenting furnace of corrosive rock ‘n’ roll enterprise, i.e. quite brilliant.

Line Me Up For The Firing Squad is released for digital download on 11th August through iTunes, Amazon, Spotify and all other online outlets.

9.5/10

The Dropper’s Neck upcoming UK tour dates:

THURS 14TH AUGUST – DUBLIN CASTLE, LONDON;

FRI 15TH AUGUST – FUEL, CARDIFF;

SAT 16TH AUGUST – SANTIAGO, LEEDS;

SUN 17TH AUGUST – SOUTH SEA LIVE, SHEFFIELD;

MON 18TH AUGUST – OPIUM, EDINBURGH; TUES 19TH AUGUST – BLOC BAR, GLASGOW;

WEDS 20TH AUGUST – RETRO BAR, MANCHESTER;

THURS 21ST AUGUST – LADY LUCK, CANTERBURY;

FRI 22ND AUGUST – FITZHERBERTS, BRIGHTON;

SAT 23RD AUGUST – CHINNERY’S, SOUTHEND.

thedroppersneck.com

RingMaster 09/08/2014

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard from

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ANTI CLONE have their ‘Hands Sewn Together’, on 25th August‏

anti clone

RSR-Photography 2014

 

APOCALYPTIC UK METAL CREW ANTI CLONE RELEASE DEBUT RECORD!

“Less a sleek sports car and more a Mad Max battle wagon, this is an EP from a band who are signalling the way heavy music is likely to sound in the years to come. I hope to God they’re right.” Get Your Rock Out

Pulling from a plethora of areas from Marilyn Manson and Slipknot, to Mudvayne and Tool, Anti Clone lay down a captivating blend of hard-hitting cutting metal laced with a biting industrial edge. The Brit noise chiefs have their rebooted new EP ‘Hands Sewn Together’, out on Monday 25th August and available through all stores.

Bursting out of Boston, Lincolnshire and originally formed in 2011, Anti Clone had a turbulent start due to personnel changeovers, however they finally solidified their line-up with brothers Peter Moore (Lead vocals) and Drew Moore (Drums & Programming), linking up with fellow brothers Conor Richardson (Guitar) and Liam Richardson (Guitar) as wellas Fraser Burch (Bass) who rounds up the unit. The five-some soon forged a reputation in their local area for their commanding and formidable live performances rammed with blistering energy and ferocious riffs. Soon after the rising metalheads widened their horizons to break out on their first UK tour in 2013 with their friends, ‘Eridium’. The shows were a rampant success and rapidly increased Anti Clone’s national profile. The band have since gone on to play around the UK sharing stages with a host of heavyweights from ‘ESO’, ‘Lavondyss’, ‘RSJ’, ‘Sworn Amongst’ and ‘Bloodshot Dawn’ to ‘Maplerun’, ‘Evil Scarecrow’ and the legendary, ‘American Head Charge’.

The metal newcomers continued their ascent with the release of their debut single ‘1984’, which was produced by the Grammy award winning producer, Matt Hyde (Machine Head, Trivium, Fightstar, As I Lay Dying and Slipknot). The track and accompanying video attracted over 7,000 unique views and led to the band being featured in Terrorizer Magazine, as well as securing widespread support from the underground.

The industrialists have just inked a management deal with ‘Black Radar Management’, who’s stable includes American Head Charge, RSJ and Maplerun. Now with the national release of their killer new EP ‘Hands Sewn Together’, which boasts five killer tracks, from the explosive past single ‘1984’ to the alluring low-slung groove of ‘Take This Pill’ and the hammering Tool-esque dynamics of ‘System’, the stage is set for Anti Clone to truly soar.

youtube.com/AnticloneHQ | www.twitter.com/AnticloneHQ | www.facebook.com/AnticloneHQ |  http://www.anticlonehq.com/ |

 

 

FROM HER EYES offer their ‘Demons’, on 25th August‏

From Her Eyes Online Promo Shot

FROM HER EYES HAVE THEIR EXPLOSIVE DEBUT EP NATIONALLY RELEASED!

Up-and-comers ‘From Her Eyes’ are poised for a brisk climb with the national release of their rousing debut record ‘Demons’, which hits outlets on Monday 25th August.

Born in 2012 and hailing from Bridgend, Wales, ‘From Her Eyes’ carry the potential to follow in the footsteps of fellow home-towners ‘Funeral For A Friend’ and ‘Bullet For My Valentine’. Consisting of old school friends Tom Owen (Vocals), James Kearle (Guitar), Jesse Simmonds (Bass) and Gary Holley (Drums), the metalcore quartet have a formidable and mature sound that certainly defies the fact that they are all just out of their late teens.

By drawing power from the Architects, While She Sleeps, Devil Sold His Soul and post-rock heroes, Touche Amore, the band has cultivated a sound that is direct, hard-hitting, and all consuming.

Despite their lean years, the band have been actively hitting the road since the end of 2012, and during this time have chalked up a plethora of fiery live shows, including igniting stages whilst supporting the likes of With One Last Breath, Red Seas Fire, Continents, When We Were Wolves, Set to Break and Reaper in Sicily. After winning souls with their live set, the post-hardcore seeded band soon turned their attention to their first record, and earlier this year bunkered down at Bandit Studios with Jonny Renshaw (Devil Sold His Soul) to record their forthcoming new EP ‘Demons’; the resulting fury nothing short of breathtaking.

‘Demons’ starts off with the hypnotic and atmospheric ‘Decay’, which lulls you into a faux state of calm before the monstrous ‘Comatose’ hits you right between the eyes. The juggernaut groove of ‘Porcelain’ also works its way into your grey matter with devastating conviction, while the fantastically frantic ‘Disillusionist’ further displays the band’s arsenal of hefty riffs at their disposal. The haunting ‘Elsyuim’ is next and it highlights the combo’s impressive maturity and guile. Finally, the EP’s namesake ‘Demons’ completes the record, crowning a striking piece of work that proves the rising riff tyrants are ripe for national recognition.

From Her Eyes Cover Artwork

https://www.facebook.com/FromHerEyesOfficial      https://twitter.com/FromHerEyes

 

Fahran – Chasing Hours

Fahran Online Promo Shot

Their second album but our introduction to UK hard rockers Fahran, the band easily gives potent reason to the busy acclaim around them with new album Chasing Hours. Made up of thirteen impressively accomplished and melodically fired tracks, the release awakens a rich intrigue for the quintet. It is not an encounter which manages to ignite a fire in the belly of passions, though it has moments where it takes them on a lustful dance, but certainly from start to finish it sparks and encourages a healthy appetite for the band’s potential and magnetically flavoursome sound.

Fahran was formed in 2012 after emerging from the ashes of Toxic Federation. It was not long before the Breaston five-piece unveiled their self-titled debut album to strong and keen responses from fans and media alike. Infusing inspirations from the likes of Queen, Iron Maiden, Shinedown, Alter Bridge, and Black Stone Cherry into their expressive hard rock sound, the band has also built an attention grabbing reputation with their live performances, which has seen them successfully play the Bloodstock and Download Festivals. Last year saw the departure of bassist Alex Stroud and vocalist Nick Whitcroft but the band swiftly bounced back recruiting Josh Ballantyne and Matt Black on bass and voice respectively, before creating the crowd funded Chasing Hours. With the pair alongside guitarists Jake Graham and Chris Byrne, and drummer JR Windsor, Fahran are poised to wrap up the attention and emotions of the nationwide rock scene with their second album, and it is hard not to imagine the band finding an intensive spotlight upon them from its release.

Chasing Hours is a refreshing treat for all hard and melodic rock fans but even if those genres generally are not the staple diet of ears the band offers plenty within the album to fire up attentive interest. Opening track Long Gone Fahran Cover Artworkinstantly flirts with the imagination through a delicious and slightly melancholic strum of guitar, its tone soon assisted by the darker breath of the bass and resonating swipes of drums. A sonic bred atmosphere rises around the masterful coaxing next to fill senses and thoughts with poetic drama and emotive suggestiveness. It is a fascinating introduction to the song which brews to a greater intensity before parting for equally enticing grooves and rhythmic enterprise to stake their claim on the passions. In no time the track is launching into a feisty and melodic striding of sound and intent which without the potency of that glorious beginning still inspires a highly satisfied and eager reaction.

Straight away the band’s songwriting craft and technical skills are open within the first song, showing a maturity and invention which belies their still young years. These qualities are right away reinforced by the next up Take This City Alive. Equipped with an eighties bred vivacity and infectiousness, the song bounces along with an absorbing weave of sonic endeavour and antagonistic rhythmic aggression. It leaps at the ears and taunts them to embrace the swing and boisterous familiarity of its body, which even with an aversion to its seed era is not easy to refuse. A Thousand Nights is one of those classically fuelled rock songs where again the band do not hide their inspirations as it flames around ears. It does not come up to the same levels of the first couple of tracks but with riveting guitar enterprise and ideation from Graham and Byrne locked within the intimidating rhythmic bait of Windsor, the track offers increasingly inviting bait within melodic rampancy.

Current single I Heard A Joke Once unloads a muscular and sonically alluring proposition with riffs a contagious beckoning across the track. It is a forceful suasion though again, for personal tastes, lacks the spark of the opening pair and many of the subsequent tracks on the album, including the following title track. A sinew sculpted slice of rock balladry with a whiff of country rock and classical seduction to its emotive narrative, Chasing Hours is a smouldering slice of enjoyment which maybe does not set emotions raging but has them simmering very nicely before making way for the boldly pleasing pair of Cased In Steel and You Could Be Mine. The first of the two finds more rugged scenery to soak in earnest vocals and melodies whilst the second is a similarly sturdy with a raw canvas of persuasion coated in evocative sonic hues and the persistently impressing vocals of Black. The song also reminds forcibly that the band really know how to cast enslaving grooves and rhythmic baiting.

As good as those songs and the highlights before them are, they are mere appetisers for the true pinnacles of the album. First up comes the brilliant Some Kind Of Family, a storming stomp of a track which from its first riotous breath also entwines ears in emotionally coloured melodies and sonic adventure to enthral and potently feed the imagination. Hooks and grooves are short yet deeply entrenching whilst Black and band find their most mesmeric vocal strength yet, all within the ever spicy and gripping rhythmic web of Windsor and Ballantyne. Its magnificence is swiftly equalled by Are We Free, a fiery rampage of scorched grooves and menacing beats all honed into a blaze of seductively bruising rock ‘n’ roll with more than an air of Black Stone Cherry and Seether to it. The bass of Ballantyne stalks with predatory instincts across the song for his finest moment but again it is the pleasingly nagging grooves and their irresistible toxicity which seal the deal with a greedy appetite.

Back To Me with its wonderful almost folkish opening suggests it is a rival to the might of the previous pair, guitars and vocals a spellbinding union. But without admittedly losing its hold on attention and satisfaction, it does slip into a more formulaic hard rock offering, though with it continually flirting with those initial lures it finds a ready welcome anytime. Prison is similar in that success, its elegant melodies and emotive hues a transfixing enticing which gives the song its tightest grip on the passions yet the powerful and climactic expulsions, where Black shows his richest delivery in the song, despite making a striking impression still lose the early hold the track had. Nevertheless it is a potent and continually growing proposition but soon left pale against the metallic enticement and melodic rock invention of the outstanding Black Mirror. Another major moment of the release, the song proves the band can merge gentle caresses with raucous intensity for an exhilarating incitement.

Completed by the highly agreeable if underwhelming Storms We Ride, the album is a persistently engaging and rigorously captivating encounter. Chasing Hours has moments where it ebbs and flows in its success, though to be fair that is as much down to personal tastes as anything, but also dramatic moments where Fahran show they have the potential to take UK hard rock to a new world awakening level. It is hard not to be excited about the future of this band.

Chasing Hours is available from Monday 11th August through all digital outlets.

http://www.fahran.com/

8/10

RingMaster 09/08/2014

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard from

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Diet – Palindrome

Diet3

Brewing up a potently agreeable blend of grunge indie rock with a healthy wash of pop punk and garage rock, US band Diet have just released their latest EP Palindrome to stir up the senses and catch the imagination in a sonic temptation. Consisting of five diverse and fascinating propositions of raw and enthralling noise seeded rock ‘n’ roll, the release is one which does not spark a fire in the passions but lingers relentlessly in thoughts and emotions to provide a more than healthy incitement. Increasingly persuasive and striking over time too, Palindrome simply leaves appetite alert and satisfaction full with its compelling and pleasing proposition.

Hailing out of Staten Island, New York, Diet began in 2009 from when it has continued to evolve its sound whilst flirting with various styles, eventually finding the individual flavour evidenced on the new EP. Compared to bands such as Empire! Empire! (I Was A Lonely Estate), American Football, Tigers Jaw, and Basement, the quartet of vocalist/guitarist Thom Kinnear, guitarist/backing vocalist Chris Taranto, bassist Fernando Hernandez, and drummer George Bulger, take little time to seize attention with EP opener Pigman. From a sonic coaxing over a distant sample, the song turns into an infectious stroll of jangling guitars and jabbing beats, both aspects skirted by the darker almost secretive tones of DietPalindromeEP1500the bass. Once the song relaxes into a restrained caress, the vocals of Kinnear open up throat and narrative whilst the now bold basslines add their potent temptation to tempt the returning tenacity of the song. Hooks and melodies with their discord touched tempting, swirl and spark within the song whilst also vocally an off kilter lilt to the voices only adds to the quirky and unpredictable bait of the increasingly inventive and contagious track.

It is a fine and feistily captivating start to a release which swiftly wrong foots expectations with the seductive embrace of Three. The second song strokes ears with gentle guitar charm whilst raw vocals swarm just as captivatingly over their evocative suasion. It is a smouldering lure but soon finding itself in the midst of a tempestuous dawning of abrasing atmospheres and sonic intimidation, caustic scythes of guitar swiping across the scenery as a volatile air erupts into a fiery and abrasive crescendo. The imposing track then slips seamlessly into the punk stomp of Four. Straight away noise rock and pop combine for an instantly appealing brawl before evolving into a minimalistic landscape of guitar and bass enterprise. With punchy beats courting the shifting soundscape, the song like its predecessor spawns a voracious climate to its magnetic body but this time with a more controlled and clearly textured canvas to which guitars add their imaginative sonic colour.

The next up Soap is a floating slice of mesmeric enticement, melodies and vocals owing plenty to shoegaze at times whilst behind their elegant drifting and seduction, the coarse vocals squalls of Taranto lie in wait, preying on the warm flight of the song with their corrosive shadows. It is a highly evocative song which seems to gain potency and new qualities over every listen. Its strong success is matched by final song I Can’t Sit Still, an infectious romp of firmly striding rhythms and again guitars which jangle endearingly as they sculpt weaves of irresistible hooks and addictive riffs. Vocally the song seems to lack the spark of other tracks, though there is no openly apparent reason that they are missing the fire to their presence to match the excellent blaze of sound around them. Nevertheless the track is outstanding and a favourite on what is a thoroughly enjoyable encounter.

As mentioned Palindrome did not ignite a wish to shout from the rooftops but it is a release very easy to recommend and return to over and over again. Whether it is break through moment for Diet is arguable but it will certainly breed plenty of happily satisfied, enthusiastic support you suspect.

The Palindrome EP is available now via Imminence Records and @ http://dietnyc.bandcamp.com/album/palindrome

https://www.facebook.com/dietfudge

8/10

RingMaster 09/08/2014

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard from

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