Casting a captivating web of sludge and doom drenched black metal ripe with fiery psychedelic grooves Polish metallers Deep Desolation make a very convincing argument for turning to the dark side with latest album Rites Of Blasphemy. The release is a venomous yet irrepressibly magnetic soundscape to a blasphemous occult driven world, an encounter which as the greatest evils has an irresistibility which says all is well as it infests with ruinous intent. It is not always a kind listen though and carries a few niggles which stops it making and even greater impact but from start to finish, Rites Of Blasphemy makes for a compelling and potential soaked enjoyment.
Hailing from Łódź, Deep Desolation was formed in 2009 and within a year creating their debut album. Released via Quid Est Veritas Productions/The End Of Time Records in the February of 2011, Subliminal Visions made for a formidable introduction to the band and its sound. A line-up change followed before the band provided two tracks for the split release Chapel of Fear with fellow countrymen Primal and Iugulatus that same year. From there the quartet of vocalist/guitarist Meriath, guitarist/vocalist Markiz, bassist Piorun, and drummer Wilku, set about working on their second album, a release which steals attention from the outset, never relinquishing its grip until the last note of its demonic fascination.
Rites Of Blasphemy opens with the epic persuasion of Between the Tits of a Witch. From a sinister landscape of disturbing whispers within an intimidation ambience, thick predatory riffs and ravenous rhythms seize senses and thoughts as rasping venom fuelled vocals slowly squall over their brewing toxicity. It is an instantly striking and appealing mix which flirts wantonly as it worms around and into the psyche. Acidically sculpted grooves add to the captivating bait, their touch and enticement fiery as they sear air and ears with inventive design. Within the caustic beauty and at times seductive enterprise, there is a threatening underbelly of rabid shadows and merciless malevolence working away led by the raw vocal spite. All combined, the track makes an excellent beginning to the album, a constant trigger for the imagination to erupt from but it does push the limits of its stay at almost ten minutes in length with no major deviations in its concentrated languid prowl.
The following Searching for Yesterday emerges from a potent heavy metal coaxing into a darker rapacious but no less gripping provocation. Riffs and rhythms all carry a heavier intensive weight and throat to their attack and sound, as does the malice seeping vocals, though this is tempered by the spiteful grooves and great individual endeavour of the guitarists. The track has a bestial breathe to its body which is accentuated by the distressing landscape of the instrumental Intermezzo. The piece is a demonic insight into the stomach of hell, a maelstrom of lost souls and suffering sounds which is quite mesmeric and provocative before it leads to the doorway into Blasphemous Rite. Rich transfixing grooves entwine around ears as riffs, aligned to thumping and agreeably challenging rhythms, heavily consume the senses. The song as the album prowls and preys on senses and emotions, a creative predator happy to skirt around and intimidate its victim with riveting lures of sonic adventure and intrusive melodic toxins. Like many of the tracks and again fair to say the release itself, the encounter does not ignite and burn as ferociously as you hope and expect but that cannot prevent it making a sizeable impression and deeply satisfying proposition.
The expansive length and weight of Mroczny Hymn comes next and though it also outstays its effective suasion at over eleven minutes, the track does not fail in taking thoughts and emotions on an intrusive and in many ways a cinematically expressive journey which excites the imagination. The guitar craft is especially inciting and impressive within the tempestuous soundscape, as is the rhythmic stalking, but it cannot prevent the track losing its richest hold on attention more than once across the length of time it engages the ear.
Cuius Regio / Eius Religio offers an almost insidious tone and menace through vocals and the venom infused grooves and hooks which wind around the raw caustic rage of riffs and the just as exacting rhythms. The song’s thrilling slightly pestilential call is swiftly backed up by I Became Your God, a track from the start encroaching on ears with great abrasing ravenous riffs which are soon in league with devious grooves. The track moves through evolving gaits and changing strengths of rabidity as it hunts down emotions for just one more commanding pleasure.
The album closes with the exhaustive weight and predatory oppressiveness of Necromouth, a final track impressing whilst confirming the craft and might of the band’s songwriting and invention. With essences of bands such as Cathedral, Pentagram, and Carpathian Forest to their sound, Deep Desolation is a band fans of sludge, doom, and extreme metal should definitely be checking out.
Rites Of Blasphemy is available via Darkzone Productions now!
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