Five uniquely different songs but related through the imagination of one exciting band, the Drink Me EP is one of those unexpected and eagerly accepted treats which come around once in a while to surprise and invigorate the emotions. Crafted by UK rockers KynchinLay, the release is a fun and stimulating encounter from a band you sense will be making many more impressive ventures for our ears to greedily devour in the future.
Led by vocalist/guitarist/songwriter K G Wilson with drummer Damien Welsh and bassist Mal Williams alongside him as seemingly the core of the band, KynchinLay have brewed up a fine and feisty reputation across their home of Liverpool. They have an essence to their sound which reeks of the prime musical time of their city from the late seventies and across the eighties, their vague similarities to Echo and the Bunnymen in certain places a hint to their birth town but more loudly is the very appetising feel of Pete Wylie to their creativity. It makes for an immediately flavoursome presence which fires up the juices which the band then twist and treat with their own distinctive and highly tempting designs.
The release gets off to a tremendous start with Leave Me Alone; a single guitar teasing the ears with its gentle strum before combining with an eager vocal sigh and another coaxing of strings for a highly magnetic entrance. There is a riveting surface discord to the emerging sound which glances off the brewing melodies, a tempting added to by punchy beats, a wonderfully dark bass stroll, and the excellent vocals of Wilson. Instantly that air of familiarity welcomes ears and imagination into the unveiling heart of the song, backing vocals from Ian McIntyre lighting up the background at times as the track evolves into a ridiculously addictive proposition. Everything about the bait of the song is irresistible, from the fluid sonic enterprise and the guitar bred colour permeating every turn of the song to the deliciously heavy throated basslines and rampant yet controlled vocals. It is a scintillating start to the release which sparks a certain hunger for more.
The following Live Free Or Die brings an acoustic led protest with emotive keys and expressive harmonies wrapping their own potent narratives around the lyrical core of the song. Though it lacks the spark and impact of its predecessor, the song easily grabs its own slice of attention with its skilled composition, accomplished presentation, and resourceful passion before making way for the superb Public Execution. From a distant siren like squall overlaid by defiant voices of the people, the track evolves through a hazy ever increasing wind of sonic dissidence which comes into full focus with a web of guitar sculpting, the band aided by the skills of Dave Scott for the song, and the ever moody voice of the bass, all painting an imposing image of shadowed and dissatisfied times. Vocally Wilson drives the lyrical intent home strikingly; his distinctive tones a gripping ‘narrator’ whilst around him a throbbing nagging of The Cure in their early years and that previously mentioned McCulloch and Wylie essence invigorates ears and imagination. The track is glorious, an aural Orwellian painting with the chilled breath of Joy Division to its charm which incites and inspires as well as inflames mind and emotions. Like the first track, each individual element of the song combines for a formidable and impacting triumph, guitars especially inflammatory on the passions alongside the similarly potent vocals.
Dogfathers swiftly cements those thoughts as its jagged stomp of reggae seeded riffs dance with the imagination as mischievous harmonies play within the flight of the song. There is also a greater revelry to the vocals of Wilson whilst musically the song waltzes with the passions like a fusion of The Members and Tankus The Henge, the keys of Wilson and the guitar endeavour of again Scott bringing rich evocative hues to the devilish smile of the song, a grin fuelled by the excellent fiddle niggling provided by Ste Rothwell. With the only the less potent strength of the chorus against the tremendous ingenuity of the verse and courting twists of the song a vague dip, it is a captivation to raise the stock of the band once more.
The closing My Heart with its opening and slightly choppy range of riffs and the always welcome velvety call of the bass continues the richly pleasing might of Drink Me. More restrained than previous songs in its adventure but easily as contagious and addictive in its presence and structure, it is hypnotic stroll which simply draws the listener into its provocative script. Less dramatic than maybe other songs of the EP but right to the fore as a persuasion it brings a fine release to an outstanding end.
Drink Me took a few passages to unveil all of its bait and lures but once absorbed provides all the evidence to suggest that KynchinLay is something all melodic/alternative rock fans need to check out though they may have no choice in noticing them anyway if future releases build on this tantalising start.
The Drink Me EP is available now!
Copyright RingMaster: MyFreeCopyright
Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard from