The debut self-titled EP from UK band Walleater may not stop you in your tracks and demand immediate attention but there is an inescapable captivation to its presence which puts the shoegaze/alternative rock band firmly on the radar. Consisting of four reserved yet vibrantly enveloping melodic flights through immersive ambiences, the release potently presents a band rich in striking promise and worthy of anticipation for their near horizons.
Hailing from Leeds, the quartet of vocalist/guitarist Rob Dell, guitarist Alex Finney, bassist Liam Hemingway, and drummer Lyndarn Harrison, Walleater take the raw potential and sound of their previous two track demo, A Masking Aura, to stronger accomplished and atmospherically pungent heights. Recorded with producer Bob Cooper, their first EP provides a proposition which combines the essences of bands like Pavement and My Bloody Valentine with the lighter embraces of House Of Love and the darker metallic incitement of Static Plan. It results in a brooding encounter which can swing from lively enticement to imposing shadows with ease.
The release opens with Give In To Me, a track already unveiled last month to eager reactions. It is not hard to see why as the song coaxes 
instant attention and appetite with its spicy electro resonance and guitar sculpted sonic lures from the very first second. It is a thick and consuming, senses frisking sound which sparks the imagination just as swiftly. Relaxing into a more temperate melody driven climate for the joining of the vocals from Dell, the song enchants before expelling further intensely passionate bursts of energy and guitar led rapaciousness with more than a sense of the Jesus and Mary Chain to it. It is an absorbing and unpredictable immersion with an open infectiousness which cannot be resisted by ears and passions.
The following Just A Boy strokes the ears in a more restrained coaxing from the start; the guitars a gentle sway and temptation skirted by equally toned down beats and the dark throaty tone of the bass. The stance is completed by the vocal shimmer of Dell, his tones magnetic in a delivery which harmoniously drones at times whilst seemingly holding angst coated disinterest. It is a riveting delivery which never loses its appeal and potency even within the squalling ambience which tempestuously chills the narrative and song. It is hard not to offer a suggestion of Deftones to the flavoursome sound of the track but as with all thoughts it is a mere spice to the evocative recipe.
Glow comes next, the track an enterprising instrumental exploration which smoulders and flares up with controlled but intensive emotion across its simultaneously harsh and mesmeric landscape. With flames of noise and progressive rock to its demanding and commanding maelstrom, the piece provides further evidence to the invention and expression of Walleater’s songwriting and sound.
The release is completed by What Do You Know?, a melodic breeze of a caress which almost glances over the senses until the stronger sinews within the rhythms of Harrison take hold of the reins ensuring the song imposes just that little bit more. It is a whisper compared to the louder calls of other songs on the release though none roar with full lungs it is fair to say, and impressively adds another colour to the band’s creativity and presence. At times the track also sparks thoughts of China Crisis with its slightly celestial elegance as it finishes off a fine debut enjoyably.
It is probably fair to say that Walleater is yet to discover their unique voice, which is not surprising this being their first invitation to the world, but already there is a potency and breath to their music which pushes them out into an attention asking spotlight which only brings expectations for impressive things ahead from and for the four piece.
The Walleater EP will be released digitally on April 21st through Bandcamp for £1.99 while physically the EP will be spread across two 7” with ‘Part One: Give In To Me / Just A Boy’ being released also on April 21st via Close To Home Records with ‘Part Two: Glow / What Do You Know?’ scheduled for later this year.
http://walleater.bandcamp.com/
https://www.facebook.com/walleaterbanduk?ref=ts&fref=ts
8.5/10
RingMaster 11/04/2014
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aural mayhem over the senses for a few seconds before exploding into an onslaught of horde like riffs and a barbarous concussive rhythmic intimidation. With the coarse vocal squalls and their scathing instigation only accentuating the raw feel of the incitement, the band vein the ruinous encounter with riveting grooves and acidic guitar swipes that increase the vitriolic colour and evocative intrigue of the black hearted storm. It is a masterful and wholly magnetic start which is backed up potently by Kadaver, its primal challenge rhythmically and vocally courted by a carnal violation of guitar and bass, the former also uncaging rabid sonic stabs and brief but irrepressibly manipulative lures within the ear smothering weave. As with the first and subsequent songs individual skills stand out from inside the destructive web, the guitars especially striking when stepping out from the oppressive tempest and in this track unveiling a mystique kissed melodic seduction which intrigues and ignites the imagination.
Aznárez. Her vocal beacon tempers the emerging shadows and imposing haunted feel of the track, that darkness eventually held in check by the additional medieval bred strings, warm flutes caresses, and the melodically hued keys. The piece though is a conflict between light and dark, those grey clouds bearing ever nearer, eventually raising their dark battalions to march across the imagination to set up an appetite for the journey to come. Closed by the harmonies of a sky bred choir the track seamlessly evolves into the instantly rapacious From The Embers, riffs and rhythms a rampant charge from its first breath. It is charged and hungry metal which is given another surge of rabid energy and incendiary intensity by the soaring vocal harmonies and expressive keys. Once Aznárez begins the narrative, the track relaxes but still keeps its snarl through the rigid riffery and growling vocal squalls of Elso. The track challenges and thrills from start to finish, the band breeding all the potency which won full submission of the emotions in the last album into a stronger and decisively enterprising bait.