Lazytalk – Just A Ride

 

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    When the body is turned into an eager puppet you know you are in the hands of something special and that is exactly what the new single from UK rockers Lazytalk is. Just A Ride is an insatiable stomp fusing the richest essences of indie, ska, and punk with plenty of other variously seeded excitement like drum ‘n’ bass. It draws in ears and imagination from its opening note, never relinquishing its contagious grip until the final vivacious second.

      Lazytalk was formed in 2011 and it seems was soon raising up the passions from a loyal following with their resourcefully inventive sound. Exhilarating venues and audiences across London and the UK ever since their debut day, which has included supporting Babyshambles on their UK tour, the band drew strong responses with their debut EP, the Gordon Raphael produced Luzaville. The new single follows the release of the excellent track Memories which came out as a free download a couple of months ago, and treats ears and imagination to their finest irrepressible slice of revelry yet.

Just A Ride opens with jangling guitar strokes which immediately suggests an Arctic Monkeys like bred adventure ahead. The joining rhythmic bait of Tag Ara soon accelerates the already brewing appetite for the song, impressively aided by the vocal beckoning of Piers Robinson. It is a tremendous temptation which explodes to another plateau once the bass darkens its tone whilst the guitar of Jack Wilson aligned to the keys of Joshua Culter, scythe across and thicken respectively. the riveting dance of the encounter. There is a definite eighties new wave swagger to the more angular aspects of the adventure, one which slips seamlessly beside the gently stabbing ska enticement and the fiery and infectious weave of melodies. The rhythmic cage of Sam Woodward keeps the vivacious energy and irresistible mischief of the song encased in a controlling body but one which allows devilry like the pleasing sax croons from Culter and the raw vocal harmonies to play and add their engaging hues to the scintillating and wonderfully exhausting romp.

      Lazytalk is one of those bands you just sell your soul to, well we did as once Just A Ride placed its hand on ears and passions there was just no escape. If is safe to say that we will not be alone in offering up our submission and doing it time and time again as the band realises the rest of their potential and rises to the loftiest heights of attention and ardour in the UK music scene.

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10/10

RingMaster 23/03/2014

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Velvet Morning – Velvet Moon

 

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    Immersed in the heat haze of sonic endeavour and melodic mesmerism that is Velvet Moon, atmospheric seduction its engulfing breath, it is hard to resist the temptation of pronouncing UK band Velvet Morning as one of the most compelling and impressive propositions to emerge in recent times. Their six track sultry breeze of guitar based psychedelia and intensive shoegaze temptation is a masterful embrace, one which soars around the senses whilst wrapping around the imagination with a thick and wonderfully intrusive persuasion. Suspenseful and meditative, enthrallingly droning, and simply a sublime coaxing of the emotions, the release is a transfixing debut statement from a band you will be hearing a lot more from we suggest.

     Hailing from Southend-on-Sea, the quartet of vocalist/guitarist Samuel Jones, bassist John Kirkwood, guitarist Luke Elgar, and drummer Chris Richardson seemingly embrace the richly evocative invention of bands like The Jesus and Mary Chain, Spacemen 3, and The Brian Jonestown Massacre, infusing it into their own imaginative incitement of sound whist equally showing a uniqueness which sets them apart from those mentioned. At times it is a creeping rather than raging individualism which strokes ears but one which instinctively slides under the skin and into the psyche igniting a long term enjoyment and passion for their presence.

    As soon as the first croon of bass and guitar tenderly handles the ears as opener Paranoia steps into view there is a feeling of something very appetising approaching, the first irresistible hook unveiled that strong and infectious. The song glides with a romantic gait to its slow melodic caress and rhythmic shuffle, its enveloping narrative like a restrained yet potent flame for thoughts and passions with the excellent expressive drawl of Jones a similarly impacting and descriptive tonic for the imagination. The track is a slow dance of contagious invention, nothing ever hungry enough to want to explode or explore a rigorous technical or intensive weave but built on textures and a breath-taking ambience that are thoughtfully cast and ingeniously developed.

    The following Octocity brings a gentle swagger to its entrance whilst the smouldering warmth and entwining adventure of its predecessor moves into a lighter poppier flight on the song, drawing thoughts of House Of Love into the equation. With shadowing percussive intrigue flirting with the climactic euphoria drifting alongside the sonic humidity, the song bewitches an already eager appetite for the release which the next up Black Velvet Morning sends to new rapture. Immediately capturing the imagination with a dark almost Joy Division like throaty bass sound and a rasping sonic bluster, both again relatively subdued with their shadow bred threat, the track sways before the senses, entrancing them whilst a ridiculously spicy melodic hook takes care of everything else. Merging raw and beauteous narratives the track is a glorious adventure, post punk mystery meets psychedelic incursions for a masterfully magnetic journey.

   She’s A Live Wire takes the listener back into a sweltering sea of lush melodies, minimalistic yet imposing textures, and vocally driven simmering atmospheres. There is an even greater laid back feel and energy to the song than anything before but despite an open skill in the musicianship and sonic colouring soaking the tale, there is also a less dramatic spark to the scorched landscape compared to those around it. It cannot defuse the impressive impact of the EP so far but does lose itself in the shadows of the previous song and the excellent Blue Jean Baby. The track, as the release overall, is an aural drug, an addictive bathing of the senses which leaves imagination painting a scenery and emotions simply reflecting.

    Closing track I Got You provides a final lingering emotive waltz to investigate and bask in, its slow motion enslavement of body and soul another abduction of the passions. There is a rapturous expression and stroll to the track which reflects the heart of the release vividly. It makes the perfect finale to a quite absorbing and exciting first bow from Velvet Morning. Certainly you have to dive deeply within the songs to discover all of the intricacies and vibrant hues, some of their successes submerged within a slightly similar surface presence of some songs, but the rewards for the patience and endeavour are mouthwatering. The Velvet Moon EP is glorious, an encounter which easily inspires full submission into its tranquil fire of lustful intent.

https://www.facebook.com/Velvet.Morning.band

9/10

RingMaster 23/03/2014

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard from

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