It feels a long time since being introduced to the irrepressible Spanish miscreants The Pulsebeats through their debut self-titled album of late 2011. Across that distance though their lure and mischievous temptation has never waned, their release remaining a regular on the RR playlist. Its time though may have come to a ‘end’ as the riotous sounds of the Spaniards return in scintillating style with new 7” single and download, Don’t Turn Your Fucking Back On Me. Released via FOLC Records, it is a three song riot of punk bred rock ‘n’ roll which simply infects and incites full emotional and physical rebellion.
Hailing from Santander, The Pulsebeats leapt at the world at the beginning of 2010, the quartet containing two experienced in rock ‘n’ roll from playing in The Vipers alongside another pair of musicians just as voraciously hungry and creatively energetic. As mentioned it was their debut album which sparked a keen appetite for the band, a thrilling and potential driven release which only suggested greater things to come, which the single is only too happy to confirm. Whereas the full-length had an infectious pop punk thrust to its garage punk and rock mayhem, Don’t Turn Your Fucking Back On Me reaps the contagious seeds of more caustic punk rock but without losing any of the trademark ridiculously catchy and insatiably addictive charm. Hooks and riffs aligned to a lyrical and passionate snarl once again steal the passions, but as always with The Pulsebeats fun is the order of the day and there is plenty of that thrashing around on the single.
The title track makes the first thrust, its opening play of guitars moving into a strolling gait with a slight cowpunk lilt to its energetic stance. The vocals step in next adding a raw punk attack to the infectious provocation with a garage punk breath also barging in on the raucous revelry as the song rolls out its irresistible stomp. It is a glorious sonic incitement opening up an attack on politicians and their neglect of the needy whilst lining their own pockets. The Pulsebeats may like to rock and rock hard but they are no wallflowers when it comes to dealing with society’s issues either.
From the excellent start, the band shifts up the gears with firstly White Little Horse. The song unleashes an opening almost disorientating melee of beats and sonically sculpted guitar teasing ensuring attention is instantly wide awake. From there it settles into a riveting stroll laced with a great throaty bass line and jagged riffs, both courting the ever coaxing vocals amid the brewing mischief of the band. Garage punk with a pop spawned catchiness, the song flirts with the ears like a mix of The Stooges, Eddie and The Hot Rod, and Buzzcocks with an extra air of The Strokes; the blend happily leading imaginations into bad habits and emotions into lustful responses.
The final track I’ll Let You Know brings addictiveness another potent dose of provocation as guitars jangle and clash teasingly with the senses whilst raw vocals, singular and on a united front, add discordant irreverence to the party. With a ridiculously virulent bass hook the prime protagonist for the passions within the sixties punk inspired blaze of guitar and attitude, not forgetting infection, the song is a mouthwatering and exhausting rampage which anyone would sell their souls for to create or simply enjoy.
It has taken a while to see the return of The Pulsebeats release wise but they have made that wait an insignificant niggle with easily their best fevered frenzy yet. Don’t Turn Your Fucking Back On Me is a magnificent beast of a riot again reminding us that The Pulsebeats is one of the finest inimitable exponents of vivacious multi-faceted rock ‘n’ roll.
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