Making their entrance with a rather tasty and raucous release, UK punk rockers The Twin Dracula instantly set themselves as a band rich in potential and strong on antagonistic craft. Their debut EP, Introducing is a brawl of contagious enterprise and belligerent passion cast within a hardcore animosity. It is an aggressive and confronting encounter but also one unafraid to throw in a captivating hook or rhythmic seduction and a host of melodic creativity which only accentuates and compliments the riotous heart of the songs. The EP is maybe not quite stretching borders or sculpting new heights but certainly is providing a potent breath and promising fire to thrust the band firmly on the punk rock radar.
Formed in 2012, the quartet takes inspirations from the likes of Kid Dynamite, Propagandhi, and The Bronx into a proposition which grabs attention with ease. Comprised of four eager and bold tracks with a raw energy and similarly uncompromising intent, Introducing takes mere moments to enclose the ears in an intimidating and fully persuasive encounter. Opener Check Mate is choice punk rock from start to finish; it’s first touch a rapping of rhythms and last a lingering toxicity which draws you back time and time again. It takes mere seconds for the track to hit full stride, riffs and rhythms stomping with attitude and intensity whilst the vocals scowl and challenge thoughts with a semi clean scowl of a delivery enjoyably reinforced by group shouts and barracking. The rhythmic core is a constant temptation throughout the song and keeps the pressure going perfectly even when the song impressively dips into a restrained and melodic detour before returning with nostrils flaring for an anthemic finale. It is a striking and thrilling start to the release and as a first engagement with the band, a song drenched in promise providing unbridled satisfaction.
The following Guts has a heavier imposing intensity and gait compared to its predecessor, one skirted by a sonic enterprise which lights its darkest corners. The almost lumbering entrance holds a menace to temper the melodic design searing its edges and combined the elements give the song an intriguing lure, especially when the sounds come to a halt and an excellent expressive lone vocal expels the first calls of the narrative which in turn coaxes out a fiery return of striding riffs and imaginative flames framed in a rampant rhythmic temptation. It is a smouldering slice of rich enticement which shows a depth to the band’s songwriting and their ability to stretch it further again with sound and imagination.
The next up All The Fours brings an immediate swagger and enticement to its initial scrub of riffs to confirm the potential and quality shown in its predecessor. The addictive tone and jagged edge of the guitar brings thoughts of Rocket From The Crypt to mind whilst the subsequent abrasive and compelling fury has the marks of fellow emerging Brits Dead Retinas to its caustic presence. Like the opener the track is an addictive anthem of rhythmic pugnacity and sonic rascality forged into an infectious charge which stirs up the senses and passions with aggressive revelry. A punk stomp with muscular heavy rock intensity, it is a formidable incitement to again easily hang the passions upon.
The closing Woodley Swine is a hardcore bred slice of punk ferocity, a direct and scathing lashing of sound and vocal hostility which without matching earlier heights riles up the emotions and imagination in strong and hoarsely rowdy style. It is a fine conclusion to an excellent debut from The Twin Dracula; Introducing the first impressive step of a band with the fire and potential to make a deep mark certainly on the evidence of this entrance.
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