Patriot Rebel – Two Worlds

Patriot Rebel Online Promo Picture

We have had a bit of a ‘crush’ on UK rockers Patriot Rebel ever since the band submitted a couple of tracks for our Bone Orchard show at Audioburger.com, songs receiving a persistent airing which is as much down to the greed of the listeners as much of the hosts. This meant anticipation for their debut release, the Two Worlds EP, was high and forcibly rewarded by a heavyweight riff clad storm of passionate breath-taking rock ‘n’ roll. The six track riot is bruising rock at its very best, a direct and virulently contagious confrontation which hits the target dead centre with flaring nostrils, menacingly flexing muscles, and a melodically crafted adventure fuelled by adrenaline.

The Nottingham has been breathing from around 2007 but it was with the coming together of current line-up of vocalist Paul Smith, guitarists Danny Marsh and Dave Gadd, bassist Will Kirk, and drummer Aaron Grainger in 2011 that the band began finding a potency and presence which really began commanding attention. Their sound is a tempestuous mix of alternative rock, grunge, and unpolluted rock ‘n’ roll thrust through the ear with a mountainous energy, drawing references to bands such as Stone Temple Pilots, Alter Bridge, and Shinedown and even more predominantly Black Stone Cherry and Velvet Revolver. With the distinctive tones of Smith and an aggressive sound which is unfussy but concentrated in its craft and effect, their live performances are no strangers to acclaim with the band since forming giving the likes of Tesseract, Jettblack, Skarlett Riot, Cornerstone, Earthtone9, Spirytus, and Violet a tough act to share stages with whilst equally leaving festival crowds aware and eager for their presence. Recorded with producer Matt Elliss (Black Spiders, Terrorvision, Skarlett Riot), Two Worlds is the next Patriot Rebel strike on the country and one you can only see placing the band on the frontline of UK’ s rock scene.

The self-released EP opens up with the imposing Propaganda, sinew driven riffs and equally predatory rhythms consuming the Patriot Rebel Cover Artworkears with intimidation and intrigue as Smith offers the song’s croon. The bass of Kirk is especially rapacious in presence and voice within the encounter adding to the almost oppressive initial breath, an introduction which soon explodes into a fire of sonic infectiousness with the chorus. It is one of those moments where you ‘recognise’ the stranger, the song a previously unheard persuasion which hits like an old friend and enlists an instant companionship from your own voice and neck muscles. The track like the EP is not sculpting brand new adventures it is fair to say but as it firmly proves here it rewrites existing invention into something most bands would seduce your granny for. It is a potent powerful start immediately matched and exceeded as the release rampages.

What Goes Around makes a gentler entrance at first, certainly stripping less flesh from the senses anyway until it erupts into a brawl of hungry riffs and punchy rhythms ridden again by the magnetic vocals. Its rich bait takes little time in laying down its lures, the chorus like calls soon seducing the passions with another epidemic of rioting toxicity. Rippling with melodic persuasion which burns heatedly as the track intensely barracks the senses, the song is a ferocious charge of insatiable energy and skilled temptation designed to grip its recipients by the throat and launch them into a torrent of submissive participation, physically and emotionally.

The following Goodbye is an emotively lined slower track which seduces with an intense almost melancholic embrace, guitars weaving an imaginative and impacting web of enticement around the almost reserved delivery of Smith. The song instantly shows why the band has been spoken of in terms of the likes of Alter Bridge though as it burns brighter and increases its melodic flames and muscular presence, Patriot Rebel go somewhere which for our mind those bands have only flirted with. The song smoulders and sears the air the further into its compelling depths you go, bass and riffs a thick haunted wash of intensity alongside vocals drenched in emotional expression. It probably takes longer than others to make its full declaration but with focus emerges as one of the highlights of the release, amongst a few to be honest.

Both Come Of Age and Holding On are songs we know well from the show and each leaves the already raging appetite with another full meal to devour greedily. The first saws the ear’s cartilage from its first second, carnivorous riffs snarling whilst Smith draws a vocal breath and lets rip with a sonic wail to match the spirals of scorched design from the guitars. The track is a voracious torrent of energy and enterprise, a maze of ideas and enthralling invention veining its stormy mass of intensity and predation whilst again an irrepressible addictive enterprise casts its spell on the passions.  There is a muggy air to the track but it only adds to its weight and intent leaving the listener gasping for air whilst waiting for its successor. The second of the two multiplies the weight and depredation of its predecessor before expanding it into a melody fuelled blaze of hard rock meets heavy metal passion. It is a glorious anthem of sound and intent which resourcefully ignites and enslaves the emotions into their fullest ardour, a track which dares you not to be calling out its finale in a mutual vocal union, a challenge you only will lose.

The release ends with The Storm, a track which in the wake of the previous onslaughts feels at first almost pale in comparison that is until it too corrupts the senses with a dramatic and perfectly sculpted furnace of sonic endeavour and vital melodic invention. It is an absorbing encounter to close off an outstanding release. It maybe their introduction to most but Patriot Rebel has immediately thrust themselves into a vibrant spotlight with Two Worlds, and they can only get better with is simply a mouthwatering proposition.

www.facebook.com/patriotrebel

10/10

RingMaster 07/12/2013

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard from

http://www.audioburger.com

Electric Woodland – Potrero

Electric Woodland Cover Artwork

Having impressed a great many with their self-titled EP of 2011, Norwegian rock band Electric Woodland take things further into richer potency with first album Potrero. A ten track mixture of classic rock and metal infused with an equally vintage soaking of blues, the release is a magnetic lure for the imagination which though a little undulating in its heights has all the craft and invention not forgetting compelling sound, to push the Skogbygda band right up to the coat tails of the likes of The Black Keys and Them Crooked Vultures. It is an absorbing encounter which seduces the passions with an infectiousness and enterprise which at times lingers and seduces long after its departure to make for one memorable and easy to re-engage with pleasure.

Electric Woodland came to be in 2009 taking influences from the likes of The Doors, Deep Purple, and as is openly evident, The Black Keys into their fiery melodies and carefully sculpted sound. As mentioned their EP placed a certain focus and success on the quartet of vocalist/guitarist Peder Kjaernli, bassist Marius Nordby, guitarist Christian Olsen-Ruud, and drummer Emil Kjaernli, from which they have stretched and driven on their imagination and songwriting on the new album. Recording Potrero on analogue tape at the barn studio of Norwegian Grammy winners Amund and Henrik Maarud, Electric Woodland tease and seduce with the emerging album though not always to the same strength throughout admittedly. nevertheless the Snaxville Recordings release is relentlessly captivating and resourcefully appetising.

As soon as the heated guitar strokes cup the ears opener Heavy Eyes gives more than a hint of what is too come, their blues kissed tones an immediate lure caged by punchy beats and additional acidic melodic enticement  prowled through by the great bass tones of Nordby. The guitars sculpt a reserved yet stomping gait which simply magnetises the senses and imagination, a Queens Of The Stone Age swagger and seduction woven into the sonic bait with the vocals only adding to its essence. There is also a classic bred familiar sound to the song though one evading definition of its source, the band’s influences maybe simply breeding a recognisable air to the refreshing endeavour making the strongest persuasion.

The following Bad Shoe not only cements the impressive start but takes it to another level to fully open up a hunger within the already emerged appetite for the release. Once again guitars make the initial contact before vocal harmonies caress the ears and Peder Kjaernli opens up his fine voice for the brewing narrative. There is a definite rockabilly feel to the core stroll and vocal delivery, a rock ‘n’ roll stance to which melodies and sonic expression weaves and stokes its evocative flames and textures. Not for the first or last time the guitar play is constant bait alongside the mutually gripping rhythms and barbed hooks that litter the song and album throughout.

After the slow burner This House, a track which smoulders and writhes within its blues crafted opening shell before holding a breath and erupting into an excellent brazen melodic lined dusty romp of again QOTSA like scuzz filtered energy, Have You Seen My Baby pushes the blues coloured walls of the release to another diverse depth. The song with its romping rhythms led by the great throaty bass feels like a major anthem for the band within moments, the guitars and emerging keys casting a spellbinding tide of invention over the ears. Drummer Emil Kjaernli is an attention grabbing key to the song though everything about it is an irresistible hook for the passions, the track best described as Seasick Steve meets The Black Keys with Kyuss in close attention.

From here the album goes into a bit of a lull though really it is just that the likes of To You, Humbread, and Old Airplane do not manage to light the same potent fires as their predecessors like those before. All tracks are superbly written and crafted, each providing moments and lures which certainly recruit eager attention and a want to engage them again and again, especially the first two of that selection, but each lacking the spark to raise the same emotions as before. That is something the song Electric Woodland has no problem with, the song another classic to rival the opening pair. The rhythmic onslaught lays the first inescapable trap, the drums a commanding provocateur soon aided in its mission by the grizzled riffs and the ever alluring vocals. There is a predation to the song which never leaves the listener alone, a niggling persistence which you can only devour greedily as the song, safe in its knowledge it has you hooked, paints a melodic venture with stoner tendencies and blues mixed hues. It is a brilliant reminder of just how good this band is and will be.

Closing with the decent enough acoustic folk bred song Dog Without A Bone, a slight Arctic Monkeys air to its elegance, Potrero is an exciting and deeply satisfying release, one which marks out Electric Woodland as a band which has to be paid attention to. The album suggests as the band grows it is just the appetiser for greater things to come; our lips already being licked in anticipation.

www.facebook.com/pages/Electric-Woodland/128747150525584

www.electricwoodland.com

8/10

RingMaster 07/12/2013

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard from

http://www.audioburger.com

A SILENT ESCAPE release ‘Black Heart’ on 27th January 2014

A Silent Escape Online Promo Shot
 
COMMANDING QUINTET  A SILENT ESCAPE UNLEASH THEIR SOPHOMORE ALBUM THIS JANUARY!
A Silent Escape nationally release their spanking new album ‘Black Heart’ on Monday 27th January through all digital outlets.
Blending the potent prowess and hardcore edge of ‘Comeback Kid’ and ‘In Flames’ with the melodic fluency of ‘Millencolin’, A Silent Escape have formed a devastating sound that is ball-bustlingly heavy, abundantly tuneful and utterly engaging.
Born in 2010 and hailing from Falkenberg, Sweden (which is also home to the likes of Sonic Syndicate, Venerea, and The Unguided, amongst others), A Silent Escape are compromised of vocalist Patrick Stenborg, Martin Karlsson on bass, Joel Nilsson on Vocals/Lead Guitar, Eddie Hanlsa on Guitars and Per Qvarnström on drums(temporarily). Wanting to put the fun back into music after splitting from their previous bands, the rejuvenated combo began to write and soon amassed enough material for a stellar live set and debut album.
The energetic outfit soon toured extensively and released their self-titled album to the UK, garnering high praise from widespread national publications such as Rocksound, Big Cheese and Powerplay Magazine. The melodic hardcore crew will step up again with the national release of their sophomore album ‘Black Heart’. The album immediately grapples with your aural senses as ‘Gone’ ferociously bursts out of your speakers with pulsating beats and cut-throat riffery; and the pace doesn’t let up there. ‘Black Heart’ continues in a hearty vein, hammering your head into oblivion with a perfect assault of high velocity infused metallic punk-rock. The quartet shifts dynamics on ‘When The Last Song’ and unleashes an alluring cut that is blessed with an elephantine refrain. The album then strides forward with the monstrous ‘Gagball’, which again displays the band’s deft ability to merge blistering riffs with killer hooks, before closing with the immensely powerful and captivating ‘Still Commanding’. Look out as the band lay siege on the UK this year and next!
-A SILENT ESCAPE RELEASE ‘BLACK HEART’ ON MONDAY 27th JANUARY THROUGH ALL MAJOR STORES-
A Silent Escape Cover Artwork

DIGITS RELEASE NEW VIDEO FOLLOWS DEBUT EP

Digits Online Promo Shot

DIGITS New EP and video unleashed!

North East riff-tyrants Digits are set to release their debut EP ‘Acquiesce To Violence’ on 11th November. Sounding like the backwater cousins of Glassjaw, Hundred Reasons and Reuben, ‘Acquiesce To Violence’ has already racked up widespread praise from Rocksound, Powerplay and Big Cheese magazine.

The noiseniks have also just received their new video single ‘Golden’ and you can view it here – http://www.youtube.com/watch?v=oXeFHTVQYkQ

www.facebook.com/Digitsuk

Digits Cover Artwork

Monday 20th January‏ sees KATSUO unleash ‘Creators’.

Katsuo Online Promo Shot
 
EXPLOSIVE NEW EP UNLEASHED THIS JANUARY BY KATSUO!
 
Katsuo’s eagerly awaited new five-track EP ‘Creators’ is nationally unveiled on Monday 20th January, through Super Happy Records. Merging Electronica, Dubstep and Rock, Katsuo’s blend of ‘Rock-step’ is poised to explode this year!
Formed in 2012, Katsuo is the workings of multi-instrumentalist Alex Larkman, who after playing in bands during his teens, wanted to create something edgy, contemporary and innovative. Taking from a plethora of influences stemming from Fall Out Boy and 30 Seconds to Mars, through to Skrillex and Prince, Katsuo’s sound is quite diverse, fusing a heady mix of dark & punchy dubstep, underpinned by crunchy rock guitars and laced with fast and hard hitting electro. With unique but compelling vocal hooks, Katsuo is destined for great things.
Katsuo’s debut EP ‘Silver Tongue’ hit stores in April 2012 along with the single ‘Warrior’ (released through Tuned-1n Records) which dropped towards the end of that year. Katsuo then also released the video ‘Stereo Jesus’ in April 2013, which featured internationally infamous Suicide Girl & FRONT Magazine cover girl Rebecca Crow (Katherine Suicide).  All releases helped to significantly propel Katsuo’s reach, and now with the release of Katsuo’s latest offering ‘Creators’, which compacts five killer cuts of inventive and cutting edge song-writing that sway from hard industrial and drumstep, to piano pop and alt-rock, ‘Creators’ promises to elevate Katsuo even further.
STOP PRESS! (4/10/13): KATSUO HAS JUST HIT 40k VIEWS AND HAVE BEEN FEATURED ON
YOUTUBE’S HOME PAGE – http://www.youtube.com/watch?v=MS-RUUoXwi8 ….
 Katsuo Cover Artwork