Black Crown Initiate – Song Of The Crippled Bull

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Scintillating and breath-taking, Song Of The Crippled Bull from US progressive death metallers Black Crown Initiate is a staggering debut which adds another pinnacle to the year and the genre. To be fair, the Reading, PA band cannot be simply tagged as above as their imagination, craft, and invention explores and employs an extensive expanse of styles and ingenuity for a fluid and magnetic ever evolving tempestuous adventure. Whether seducing or gnawing the senses to within an inch of their sanity, the band and release is a torrential storm of extremes and skilled enterprise merged into one giant and seamless ravishment.

Formed by Andy Thomas (guitars/clean vocals) and Nick Shaw (bass) with James Dorton (vocals) last year, Black Crown Initiate has taken little time in igniting the imagination and passions with their mouthwatering technical skill and ingenuity applied to exhaustive extreme and progressive metal brilliance. Recorded with Carson Slovak at Atrium Audio in Pennsylvania, the four track Song Of The Crippled Bull EP thrusts the threesome straight to the frontline of extreme metal brilliance and boundary pushing, ferocious invention. Now since the recording of the EP a quintet with the addition of Jeff Willet (drums) and Rik Stelzpflug (guitar), Black Crown Initiate stand poised to bring a new inciting melodic fire and corruptive provocative fury to the world.

Playing as one complete journey made up of four compelling movements Song of the Crippled Bull opens with Stench of the Iron Age, a BLACK_CROWN_INITIATE-COVER_300x300piece which tells you all you need to know about the inventive intent and superbly crafted technical exploits bred within the band. A tender guitar caress makes the first temptation, its touch emotive and gentle. It is soon joined by a riveting bass presence, its snarl vibrant and eager, and equally energetic and festive rhythms. Once the outstanding mellow vocals of Thomas unveil the narrative over the mix the band already has attention and imagination dancing to its tune, the song at its start a tempting Opeth/Absolace like suasion. There is a jazz almost avant-garde air to the offering which without ever coming near to slipping into indulgence magnetises thoughts and emotions but it is once the track explodes into a carnivorous foraging of the ears and beyond that the fire is truly burning brilliantly and severely. The causticity of the harsh carnal tones of Dorton are as potent and addictive as the clean persuasion of Thomas and musically the storm of rhythmic intensity and sonic savagery is a destructive annihilatory rabidity which leaves the listener wasted and blissful. It is only the start of the persistently shifting and evolving triumph though, a melodic weave with a Muse like seed wrapping its tendrils around the brawl and a doom bred weight smothering any emerging light for a Meshuggah like predation to overwhelm everything in its creative path. To its end the track continues to writhe and flame with a delicious blend of electrifying toxicity and intoxicating imagination, merging into Ghosts She Sends to ensure no gulp of air is allowed to be taken and the listener given respite.

The second track expels a carnal swagger from the corrosive breath it starts with, a rapacious tempting soon immersed within the oppressive storm cloud but still laying down deep irresistible hooks impossible. The fury breaks as a golden melodic evocative glaze strokes new flumes of emotions and thoughts into action, guitars and bass providing an inventively woven walk through understanding, respectful sceneries. Shadows still lurk and Dorton is never far away from unleashing his powerful squalls which are met and empowered further by the scorching cleaner cries of Thomas. Again skill and adventure is a boiling persuasion across the track and hunger for its excellence as greedy as the intent of the sounds it craves.

The brutal finale of the song makes the initial challenge of The Mountain Top, though the drums and bass twist out an individual irresistible and lethal tapestry of addiction alongside the despoiling riffs and grievous vocals of Dorton. It is a savage enslavement but one which imperiously brings a stunning melodically cast infection drenched chorus into the mix with such skill and insight that it feels as organic within the violent bedlam as the on-going side by side swipes of destruction. The shortest track on the release it, as all slips magnificently into the next, the exhilarating closing title track. Bringing the EP in many ways full circle, the final piece is a fiery stroll with the bass again sheer contagion and clean vocals similarly enthralling. With melodies and premises closely aligned to the starter if not repeated, it makes for a circular passage of reflection and danger which is as malevolent and engaging as at any point on the release and as magnificent.

The PRC Music released Song of the Crippled Bull is quite monumental, the rising of a new ingenious progressive leviathan for extreme metal in the startling shape of Black Crown Initiate. Dare you miss one of the best things to imaginatively assault the ear this year?

http://www.facebook.com/BlackCrownInitiate

10/10

RingMaster 29/10/2013

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Tribune – Tales

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Rich in diversity and imaginative enterprise, Tales the new album from Canadian metallers Tribune is an encounter which acts like a magnet for the passions and a vibrant instigator of thoughts. Merging extreme and melodic metal into a fiery compulsion which is never less than contagious and more often than not potently riveting, the Vancouver quintet in their third album have created an encounter to eagerly prey upon and devour greedily. It is not one equipped to set the metal world on fire but in keeping it simmering and thoroughly engaging it is an undeniable success.

The seeds of the band began in 2004 with guitarist Terry Anderson and drummer Jason Brown deciding to form a band together. Already friends the pair soon recruited bassist Jess Garner into their heavy metal based project as well as vocalist Bryan Baker, the quartet emerging as Blacklist. The departure before the end of the year of Garner saw Ryan O’Shea brought into the line-up whilst 2005 saw the band firstly rename themselves as Tribune and release debut album Home Sweet Hell. Guitarist Shawn Culley expanded the band’s line-up soon after as Tribune continued to write and hone their sound. The Rotting Core EP emerged in 2009 showing the continuing evolution of the band’s sound with second album Elder Lore / The Dark Arts drawing good acclaim and eager responses last year. With a fine reputation earned for their live performances which have seen Tribune alongside the likes of 3 Inches of Blood, Titans Eve, Archspire, Unleash and many more, Tales looks set to lift the profile and stature of the five piece to greater strength and awareness  as well as leaving plenty of appetites fulfilled if not bloated.

A nine chapter concept album taking inspiration from the works of some of the world’s most renowned authors, including H.P. Lovecraft,T00963_Digipak_FrontCover H.G. Wells and Homer, the Corpse Corrosion Music released Tales opens with its instantly impressive title track. The movement of paper and pages makes an initial impression before the track erupts into an adrenaline honed blaze of firm rhythms, stirring riffs, and great vocals. Predominantly clean with bursts of aggressive scowls, the vocals of Baker draw thoughts of Volbeat singer/guitarist Michael Poulsen whilst musically the resourceful mix of death and melodic metal strides around him with a confident and contagious swagger. The song does not burn new avenues of metal but certainly ignites an enthusiastic appetite for the superbly crafted sonic adventure and vocal persuasion on offer. Rife with addictive hooks and melodic flames which singe the imagination the song is a formidable lure into the release, a vibrant enticement which also inspires flickers of Dommin meets Lamb Of God in thoughts.

Both Insectoid and The Butterfly Effect provide further intensive persuasion for ears and thoughts even if neither manages to reach the same pinnacle as their predecessor. The first unleashes a savage assault from the off, rhythms and riffs an unbridled predation but equally the gateway into infectious melodic climes which emerge within and wrap around the persistently voracious intensity and carnally rapacious sounds. Its successor with the bass of O’Shea simultaneously enthralling whilst enjoyably almost at odds with the rest of the song, is a less destructive venture but does not short change on senses barracking riffs and bone splitting rhythms. There is also a familiarity to the songs which does them no harm as it is an undefined source and makes them easily accessible if lacking the wow factor.

From Funeral to Funeral coats the ear in intrigue and mesmeric sonic craft from the start, the guitars placing an incendiary narrative upon the crisp rhythmic canvas while its premise is explored and elevated by the again impressive vocals paraded across the imaginative tempest. It makes for an attention holding storm which intensifies through the following Horror, another lofty highlight of the album. A melodramatic piano sculpted ambience teases the imagination first before the song charges through a ravaging expanse of insatiable vengeful invention. Every aspect of it is unpredictable and rigorously enterprising, the explosive endeavour seemingly pulling elements of the likes of Disturbed, The Black Dahlia Murder, Clutch and more into its scintillating proposition.

The fiery King of Ithaca, where that earlier Volbeat reference also reaches the music, and the sadistically stalking and heavily bestial Vengeance both keep the engagement secure and intensive, whilst Red Crescent is a serpentine temptation which as in all songs fuses its nastiest darkest elements with its most acidically enflamed to create an absorbing attraction and subsequent slavery of the passions. Leaving That Bleakest Shore to finish things off with another major highlight of inventive exploration, Tribune has forged one exciting and deeply satisfying album. Tales will not take you down unknown paths or into dangerous unchartered corners of melodic death metal but undoubtedly provides a torrent of impacting and pleasing exploits which fulfils from start to finish and leaves you wanting more.

www.TribuneMetal.com

8/10

RingMaster 29/10/2013

Copyright RingMaster: MyFreeCopyright

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Hybreed Chaos – Dying Dogma

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    Dying Dogma is far from being an easy listen or is the kind of company which rewards a casual attitude attention wise, towards its fury but for violent, uncompromising technically bred progressive death metal it is a confrontation which once struck down by, is a scar which deeply lingers whilst inciting strong reactions. The album comes from Canadian metallers Hybreed Chaos, a band featuring ex-Paroxysm drummer Franck Camus and current Cryptopsy session bassist Olivier Pinard. It is a release which has little time on seduction, its every breath and action a vicious rage of sonic imagination and brutal enterprise, and provides little comfort in its touch or exploits, just savage intensity and intentions aligned to a craft and endeavour which ignites the imagination.

The PRC Music released Dying Dogma moves through its brief intro, Birth of Chaos, into the instantly ferocious and debilitating A Machine for Pigs. From its start the vocals and guitars need little persuasion in scoring and threatening the senses, the guttural squalls a vindictive causticity with equal poison in the twisting and intriguing guitar exploration. Around this the rhythmic framework has an intimidation and eagerness which can snap at any moment, whilst grooves and hooks add their unique insidious temptation throughout the tempestuous fury to lure in the emotions to greater depths, their poise and fascination waking further an appetite for the challenge ahead.

Dismembered Purity crawls through the ear and all over the senses, its doomy presence a canvas for the crippling inventive rhythmic battering and the corrosive riffing to add their ruinous nature to. There is arguably not the fluidity to the song of its predecessor, some of the certainly enthralling elements lying uneasy within the soiling intent, but equally the jagged mix of ideas, though making the encounter less persuasive at first, creates a carnal torment which grows into a strong convincing of the imagination across numerous violations.

The following Emperor also takes a relatively slow consumptive meandering of the senses and psyche, its smouldering toxicity expressing a transfixing furnace of inventive manipulation and technical maliciousness which tests and provokes the listener into eager if distressed attention. Its successor Defiled Servitude is much the same, it’s even more bedlamic ingenuity and torrent of ideas a gripping yet nasty compromise for the passions and imagination. Repetition, a tempting drone, and sonic psychosis all litter the experiment on the psyche whilst its riffery and rhythmic frame enslave a now greedy appetite for the assault of the album.

Dying Dogma is completed by Charogne and Silent Agony, both two more mountainous and monstrous sonically esurient savages built on technical invention and warped imagination. The first of the pair offers the album’s most contagious and almost addictively straight forward moment yet, though it still explores a depth of ideation which is just spellbinding. The closing song matches this to leave the album at its strongest point, the track a devil bred slab of creative vehemence that works on every aspect of the senses and emotions. A release for those with a taste for the likes of Gorguts, Cryptopsy, Immolation, and Devourment, Dying Dogma is an album which makes you work and work hard before revealing its full might but makes it all worthwhile in the long run. If an easy metal driven life is for you than Hybreed Chaos certainly is not.

https://www.facebook.com/HybreedChaos

8/10

RingMaster 29/10/2013

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Mongrel – Snakes

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The first release since the outstanding Reclamation album of 2012, US punk metallers Mongrel unleash their new single Snakes and continue to set new standards for themselves and aspiring rock/metal bands. Taking from their upcoming Evolution EP which is slated for an early 2014 release, the new track employs all the renowned and expected inventive and addictive aspects of the band but gives them a new fire to burn explosively within further exploration from the band and their songwriting. As anthemic and contagious as you would expect from the Boston quartet, Snakes reinforces the hunger of their fans for their bruising, riotous sounds whilst laying down plenty of bait to recruit new greedy hearts.

Formed in 2003 by guitarist Adam Savage, Mongrel has over the years evolved into a highly sought after live band and a formidably potent studio encounter with a wealth of releases strikingly marking their steady and continual rise. Since forming the band has laid waste to stages alongside the like of GWAR, Korn, Otep, Sepultura, Prong, Halestorm, Wednesday13, Fu Manchu, Dizzy Reed, and the Misfits numerous times as well as touring with others such as FEAR, Blitzkid, Trashlight Vision, and Michale Graves, all the time continually drawing acclaim. Equally from the start their releases have lit up the passions of fans as well as the independent airwaves, the band a regular on the likes of shows at http://www.Audioburger.com and The Bone Orchard podcast, but it is fair to say that the full potency and heart of the band exploded when they enticed vocalist Jessica Sierra into the fold, her snarling vocal beauty igniting something lying dormant in the band with previous frontmen. Through The New Breed of Old School and Declamation EPs on to Reclamation, Mongrel has grown and evolved into an intensive and magnetic force which Snakes only elevates further.

The single wastes no time in tempting the ears as the guitar of Savage skilfully strokes the extremities with his inviting riffs, its call soon a0370760246_2joined by a pulsating bass call from Michael Ariza and the crisp beats provided by drummer Mike Hogan. Settling into an open temptation, the power and thrust of the song is taken up another level as Sierra punches the lyrical intent forcibly and melodically into the imagination. All the while there is a reserved but persistent groove which wages seduction upon the senses throughout the song, it enticing greater passion and hunger from the listener and it is fair to say that at this point the single has submission already in its hands. This is not enough though it seems as the instigator then shifts seamlessly into an evocative and intimidating yet smouldering flame of sonic endeavour and emotive persuasion which has the band pushing their boundaries and ideas without losing their core energy and intensity. The moment is brief but potent and makes for a building step for the final adrenaline lit finale. There is a certain pop punk element to Snakes which arguably has not appeared before with Mongrel and it is a refreshing move brought with craft and adventure which avoids eroding any of the band’s confrontation and  inciting invention.

It is hard not to be excited and full of impatient anticipation for the Evolution EP thanks to Snakes, but the wait will be relatively short and the single ensuring the time is well fed with its incendiary exploits. A name your own price release at Mongrel’s Bandcamp profile, the single is the perfect invitation for those new to one of metal’s best ‘undiscovered secrets’.

http://www.mongrelband.com/

http://mongrel.bandcamp.com/music

10/10

RingMaster 29/10/2013

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard from

http://www.audioburger.com