Keyside Strike/Rust– Olde Worlde-New World split 7”

Print

A rigorous bruising of dirty uncompromising punk rock, the Olde Worlde-New World split 7” is one of those releases which slaps you around the chops and lifts the spirits as only the purest form of the genre can. Featuring UK punks Keyside Strike and Australian aural rioters Rust, the five track EP leaves emotions and thoughts drenched in aggressive intent whilst basking in raw stringent punk at its antagonistic height.

Released via Rebel Sound Music, the raucousness starts with two tracks from Rust. Hailing from Sydney, the band formed in 2005 and Rustfeatures members from some of Australia’s most prominent punk rock bands from over the years including Crucified Venus, Crankcase, Rule 303, World War 24, and Black Rose. The band is no stranger to acclaim back home and further afield from live performances which has seen them veterans of three UK tours and recently their first around America, as well as sharing stages with the likes of Dead Kennedys, GBH, Peter & The Test Tube Babies, The Exploited, UK Subs, DOA, The Business, Sham 69, Rose Tattoo, The Varukers, The Vibrators and many more. With equally potent responses to their releases, especially the 2010 album Lean Mean Street Machine and Oi Oi Aussie Rock & Roll live, Rust now offer two striking tracks to Olde Worlde-New World, starting with Send My Love From England. An opening throaty bass croon immediately grips attention and more, its coaxing irresistible and soon joined by the caustic riffs and strikes of guitar within a punching rhythmic testing. With the kind of punk vocal delivery you almost expect with old school bred assaults, the track offers strong magnetic hooks and excellent anthemic moments to seize full vocal and body co-operation from the listener. It is a great start, a song with no surprises but one that ticks all the boxes for a deeply pleasing slab of punk antagonism

Their second offering is a cover of The Specials track Concrete Jungle, another undeniably enterprising and enjoyable swipe across the jaw. With a sinew driven rhythmic frame close to the original but more exploratory flames of guitar invention rousing the spirits within one of its creators most memorable stomps, it is impossible not to swept up in its riotous but respectful barging. Rust have taken the already punk element of the song and given it freedom to shape its own riveting romp with an oi rampancy, the result we suggest one of the best covers this year.

Keyside Strike    Taking over on the EP, Darlington trio Keyside Strike create tempests of punk infused with dirty rock ‘n’ roll, blues, hardcore, and psychobilly. Formed in 2002 their sound is one which stomps on the senses whilst plucking the passions with irresistible hooks, all within again a brawling maelstrom of roughly imposing energy and invigorating urgency. Their two albums and numerous appearances on compilations has made the band one of the true rock ‘n’ roll bands in the Northeast of England whilst their impressive live shows has seen them share stages with bands such as The Business, Murphy’s Law, Street Dogs, UK Subs, Demented Are Go!, Discharge, Madball, Demon City Wreckers, Stitch Hopeless And The Sea Leg and loads more across the UK, Europe, and America.

The band instantly snarl and rampage from within the split EP with Back From Hell, the track an avalanche of barbaric beats, caustic riffs, and squalling grouchy vocals. Immediately the fury is like a violation from a banding together of Motorhead, Offspring, Discharge, and The Pirates. With the song already making the fullest persuasion, the waspish niggling grooves and vocals tension honed into anthem causing chants only secure a long term appetite which is fed to even greater heights by the following Knives, the best song on the EP. Bulging drum beats open up the passions to gripping effect and are soon leading the senses into a psychobilly honed bait flavoured to greater potency by the menacing blazes of guitar and rising swells of sonic invention not forgetting a predatory bass stalk and great vocal gruffness which are simply enslaving. In full stride the song grips with infectious hooks and a vibrant jaw which flings the imagination and emotions around like a submissive carcass, whilst the Therapy? like carnivorous seduction of primal voracity breeds lustful addiction to the rioting predation.

The final offering is Youth (Y2K), a cover of a track by The Blitz and a closing slice of pure old school punk which you just cannot resist adding voice and fist strikes to as it ignites nostalgic rapture with its raw simplicity and uncluttered, uncompromising punk rock hymn. It makes a great finish to an excellent release featuring two bands which from strangers will trigger a wealth of new attention and for fans simply confirm what they knew for ages, Rust and Keyside Strike are two outstanding impressive punk bands.

https://www.facebook.com/rustpunk

https://www.facebook.com/pages/Keyside-Strike/146906715382167

8/10

RingMaster 10/10/2013

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard from

http://www.audioburger.com

 

Merciless Terror – Vile Extinction

image-2CC

A venom fuelled rage in the ear which soon makes its way to thoughts and passions, Vile Extinction the debut album from UK thrashers Merciless Terror is a self-perpetuating sonic pestilence which leaves a certain hunger for the band and their sounds ahead whilst making one striking and synapse wasting confrontation in the now. Like so many releases around it is not stalking new fields of invention for thrash metal or preying on the senses with undiscovered inventive maliciousness but it comes with an attitude and creative freshness which sets the album apart from most of its contemporaries.

The Nottingham quartet formed in 2009 using the inspirations of the likes of Slayer, Malevolent Creation, early Sepultura, and Bolt Thrower to fire up their imagination and invention. Their sound creates a magnetic maelstrom of thrash and death metal which from its first touch takes a firm grip on attention and over numerous excursions through its vitriolic presence, as shown with Vile Extinction, ingrains itself for stronger reactions. Theirs is a sound which consumes and crushes with a torrent of riff rabidity and rhythmic destructiveness but one which is unafraid to venture through more imaginative and violently enterprising scenery than most. From their acclaimed first EP Perpetual Devastation in 2011, the band despite several line-up changes has cemented and stretched their opening recognition through their live performances which has seen Merciless Terror aurally terrorising fans across the UK, Europe, Japan, and Scandinavia whilst playing alongside bands such as Bolt Thrower, Benediction, Malevolent Creation, Bonded By Blood, Desecration, Cerebral Bore and many more, and with their Eternal Decay EP of last year. Now the foursome of vocalist Dale Linsdell, guitarist Luke Tasker, drummer Michael Brush, and bassist Dan Oldcorn take it up many levels with the Devils Clause Records released Vile Extinction.

Opening atmospheric instrumental Omnicide 00.00 sets up the premise and theme of the album, “The damnation of humanity, the Front Cover 300imminent fate that will consume us all and lead the remnants of civilization to fight for survival, the result of mankind’s own doing by unnecessary wars because of religion, over harvesting, over spawning like a cancerous infection upon the earth and depleting the world’s life force.” It is an ominous if slightly underwhelming menace which is soon trampled beneath the rapacious entrance of Doctrine Of Malevolence, the track and vocals roaring with guttural animosity from its opening breath. Grooved riffery scorches the air whilst the drums provide a tsunami of breath stealing intensity and violence, and with the vocal squalling buffeting the senses whilst the sonic enterprise singes synapses like a shower of hot coals, it is a scintillating assassination of the thoughts and resistance.

From the tremendous start things only become more intensive and sonically carnivorous as firstly Circle Of Contempt rampages with a bestial craving to its rhythms and the inventive assault of guitar alongside bass rabidity to be swiftly followed by the unbridled predation of Enraptured. Merciless and loaded with a hunger rhythmically and sonically that simultaneously suffocates whilst tearing strips from the senses with its acidic toxicity and virulent intensity, the track is one of many distinct pinnacles upon the album with a vocal ferocity which simply dares you to disagree.

Both the outstanding ravenously addictive Baptized In Blood and the pulverising assault of Hateful Abomination brings blood and appetite to the boil, vocals and rhythms as potently vindictive and destructive as at any point on the album drawing an instinctive rapture which is lustful in its submission. The band continues to unleash a thrilling torrent of mouthwatering corrosive thrash cored violence through the adrenaline raising Process Of Eradication where the guitars sculpt a web of riffs and grooves which triggers greed drenched ardour and the exhausting World Desolation where nagging swarming riffs and equally addictive grooves prowl and hunt the senses as the rhythms cage their prey in sinew clad insistence before a sonic fire of a solo brings the heart of the song to the fore as another sumptuous tempest of annihilation reaps havoc.

From next up Imminent Death, a sub two minute intensive brawl on the senses, the album unveils evocative instrumental Dystopic Visions which though arguably for personal tastes is positioned wrongly in the track line-up for the best effect is an enthralling colour drenched melodic slice of creative beauty. It does bring the senses time to settle and relish the upcoming closing storm Existence Denied. The track has a more restrained launch at the ears but is soon thundering through their doorways to gnaw upon the senses whilst employing and crafting constant twists and enriching flavours for what is possibly the strongest and most inventive song on the album, if not ultimately the favourite. It concludes in Vile Extinction, an album of aggressive deeply satisfying thrash metal. It is not rippling with originality or threatening new avenues for the genre but Merciless Terror instead make it a confrontation with a balance of passion and ruinous intent which is extraordinarily skilled and exciting.

www.facebook.com/MercilessTerror

8.5/10

RingMaster 10/10/2013

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard from

http://www.audioburger.com

Foetal Juice – Big Trouble In Little Vagina

Foetal juice band pic

Savage and ridiculously addictive, Big Trouble In Little Vagina the new EP from UK death metallers Foetal Juice is instant evidence of a brewing vibrant storm within British extreme metal, making the suggestion that it is coming up to a glorious period. The five track release is a full on predator, a fury of insidiously contagious mayhem with an old school heart and breath driven by a modern technical and ravenous craft which rivals and pales releases trying to sculpt wholly new ventures for the genre.

Formed in 2005, the Manchester quartet has already earned and built a strong stature through their previous releases and live performances which has found the band sharing stages with the likes of Kastrated, Ghoul, Cannabis Corpse, Neuroma, Wormrot, Exhumed, Severe Torture, Anaal Nathrakh, Desecration, Prostitute Disfigurement, The Rotted, Slit, Life Denied, Cerebal Bore and many more. Their self-titled EP of 2010 brought firmer attention upon the band but it was the split release A split worse than death via Grindscene Records which really awoke major recognition for the band and their contribution to the release alongside the bands Nailed, Basement Torture Killings, Zombified, and Decimation. Its success and their striking efforts led to the label immediately signing the band up for the creation and release of Big Trouble in Little Vagina, a wise move you realise as its impressive powerful presence consumes the body.

The title track smears the senses in sonic vehemence to start things off, it’s opening breath of barbarous rhythms from drummer Rob 62657062519Harris and the air scorching riffing and sculpting from guitarist Ryan an instant fuse to total attention and the stalking stride and heart of the song. Vocalist Sam Read growls and squalls with guttural irreverence, ensuring lyrical narratives are unavoidable if often unintelligible. It works perfectly and makes a bestial provocateur to the groove licking fire of the sound. With a danger of whiplash to its recipients, though its generally even predatory pace ensures recklessness is absent for the main, and torrential venom to its corrosive invention, the track is a tremendously addictive start to the EP, one soon backed up by its successor.

Brewkakke, a re-recording of their 2012 single, also takes no time to contemplate its actions, riffs striking with ravenous intent from the off and the rhythms whipping splinters of cartilage from the ear with their muscular animosity. Even more primal than its predecessor the track leaves full appreciation the only option before its truculent jaws, the bass of Ben Read even with its less expected reserved sound and savagery a stirring instigator whilst the guitars again make a compelling toxicity which seeps through every pore of senses and imagination to seal the deal. The track is not quite as breath-taking as the first but with greater intensity and cruel dark hearted persuasion it is its equal.

    Semen Evil Smear No Evil is also a re-recorded track, this time taken from their debut EP. Accomplished and ruthlessly efficient in securing the already greedy appetite, the track is a blaze of vitriolic vocals and a mutually venomous guitar ravishing of the senses. There is something missing to place it at the levels of the previous tracks and those to follow, but the song is nevertheless a rampant creative violator which gives satisfaction another healthy dose of pleasure.

The final two tracks Serpents Of The Northern Lights and Service Station Masturbation, do take a grip of greater plateaus, the first through its sheer quarrelsome presence and corrosively absorbing destructive carnality. For most of its annihilatory flight the track storms with plenty to keep expectations employed though it is brought with a craft and violent flair which makes them escape banality. It is the constant twists and flares of adventure which can often slip by such their lack of intrusive intent that bring the assault to greater life and intrigue though for a thrilling result. The closing track takes the top honours on the release, its magnetising grooves and again the excellent mixed vocal scowls a template for lustful thoughts whilst the crippling bombard of outstanding rhythms and the exhaustive invention within the ingenuity of the guitar molestation is a seduction with the guile and rabidity of a pack of wolves.

Foetal Juice on the evidence of the excellent Big Trouble In Little Vagina has all the skills and invention to help take UK extreme metal to the world. It maybe looks away from originality with a sound which reminds of bands such as Gorerotted, Cerebral Bore, and Deicide, but for technical craft and passionate energy not forgetting explosive enterprise, the EP is a majorly promising and thrilling proposition.

www.facebook/foetaljuice

8.5/10

RingMaster 10/10/2013

 

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard from

http://www.audioburger.com