Sawthis – Youniverse

SAWTHIS (3)

Tagged as modern thrashers and sounding like the exhilarating offspring of Static X meets Bloodsimple, Italian band Sawthis unleash one of the year’s highlights in the corrosive riveting storm of Youniverse. An unrelenting and breath-taking tempest of sonic intensity and exhausting predation, the eleven track release simply leaves the senses and passions raging for its predation.  Not arguably ground-breaking but thoroughly refreshing and explosively incendiary, this is one album that all thrash fans should add to their personal playlists.

Formed in 2000, the Teramo hailing quintet bred their sound on the inspirations of the likes of Soilwork, Machine Head, Slipknot, Metallica, Testament, and Pantera. Debut album Fusion emerged in 2003 receiving very positive responses from media and fans. This was followed by an extensive time of shows which saw the band alongside the likes of Destruction, Anathema, Sybreed, Impaled Nazarene, Extrema, Sadist, Necrodeath, and Assassin. Their live performances consistently added to the stature of and acclaim upon the band; further appearances with Lacuna Coil, Entombed, Shaman, and Konkhr to name a few only cementing their reputation. Second album Egod appeared in 2009 via Scarlet Records, again to strong reception and followed by more intensive gigs and tours, this time with bands such as The Haunted, Primal Fear, Bulldozer, Cattle Decapitation, God Dethroned, and Sepultura last year. Released through Bakerteam Records, Youniverse is the next step to world awareness and domination, its aim you suspect destined to success.

A conceptual album focused on the theme of multiple personality disorder, Youniverse immediately tests thoughts and synapses with SAWTHIS_YOUNIVERSE_COPERTINA HDThe Logical Color. Rhythms splinter bone from the opening second with deep drilling riffs a muscular companion. It is an attention gripping entrance which only explodes to greater heights as the two protagonists extend their rabidity to further heights and the vocals of Alessandro Falà scorch the air with his vocal squalling, every syllable intense and malevolently sculpted but forcibly engaging like the sounds around him. Ensuring escape is futile the song relaxes into a tantalising embrace, the guitars of Adriano Quaranta and Janos Murri gnawing the senses whilst offering new mystique to the blistering encounter whilst the vocals also offer a more respectful and mellow if still an intimidating and commanding lilt. The track is a scintillating introduction, varied and adventurous but deliciously predatory from start to finish.

The following fury of The Waking Up is equally rapacious and magnetic, the beats of Michele Melchiorre building an irrepressible trap whilst his vocals slip perfectly and potently alongside those of Falà, their at times dual attack an exceptional driving force for the riveting inventive sounds. The bass of Gaetano Ettorre also creates a sinew clad prowl which menaces and tempts like a stalking beast within the torrent of intensity and energy surrounding its intent. It is another towering song continuing the immense start and soon matched by both The Voice Falls On Me and The Disturbed. The first has an insidious breath and air certainly around the vocals but tempers it with a melodic fire reminding of In Flames whilst its successor which features Rob Cavestany from Death Angel, simultaneously sears and smoulders within the ear whilst weaving melodic and vocal temptation that leaves the passions alight and guitar enterprise which spawns burning tendrils of sonic enterprise to seduce without mercy.

Through all the tracks the album deepens its hook within the emotions breeding a hunger which dares Youniverse to fail their need. No such realisation is forthcoming as the likes of The Indelible, a track which swings seamlessly from carnivorous intensity to seductive melodic flaming, The Impure Soul with its creeping twisting sonic vines of excellence within a ferocious yet carefully trained consumption, and The Spotlight only increase the dramatic strength and torrential imaginative lure of the release. The last of the three finds an extra growl and rawer presence to its caustic provocation, though melodic and harmonic exploration is only a deep breath away and soon merging into the turmoil with enchanting toxicity.

Before departing the album ensures the listener is left a wasted blissful wreck through the corrosively contagious tempest that is The Mad and the hellacious beauty of The Switch, both tracks stretching the passions and boundaries of the album further. Earlier we said that there was debatably nothing unique about Youniverse which was true except that as tracks like this and the closer, The Walking exploit the rapture seeded, it is hard to remember many others stalking the same routes as Sawthis. The final song is no slouch in whipping up the senses and satisfaction either, its rampaging stomp another blaze of sonic venom and melodic adventure wrapped in creative savagery.

Produced by Paolo Ojetti (Infernal Poetry) with the band, Youniverse is a massive war of pleasure and enthrallment, a release which takes Sawthis to the upper echelons of new metal, and without doubt another album to add to the growing pool of serious contenders for album of the year.

www.sawthis.it

9.5/10

RingMaster 30/09/2013

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Terrorway – Blackwaters

Terrorway2013

Bakerteam Records has really gone for the jugular this month with not only the impressive carnivorous release of the new Sawthis album but also the equally predacious and scintillating Terrorway debut full-length, Blackwaters. An antagonistic assault of extreme metal with thrash and groove temptation, the album is a riveting furnace of invention and imagination. It chews and gnaws on the senses often shielding some of its undoubted ingenuity but when in the clear or given close attention that enterprise leaves the passions aflame and breathless.

Hailing from Cagliari, Terrorway formed in 2009 and immediately drew keen attention and critically acclaim with the Absolute EP the following year. Taking inspiration from the likes of Strapping Young Lad, Dillinger Escape Plan, Meshuggah, and Pantera into their metal ‘experiment’, the band explore and stretch their intent and imagination with masterful success upon Blackwaters. The band equally earned a potent reputation for their live shows which has seen them alongside the likes of Mnemic and Paul Di Anno. Their track Her Last Breath was placed in the Kill City vol.17 compilation release and led to strong interest from numerous labels before the band signed with Bakerteam Records soon after. Recorded at Corpse Factory Studio in Cagliari across December of last year and this January, the Jacob Olsen (Hatesphere, Moonspell, Corpus Mortale, Born From Pain) mixed and mastered Blackwaters is the full blooded entrance into the wider metal world, one which you immediately feel will thrust the band into major recognition.

The album opens on a scenic peace to stand against the song title, Wretched. Whispers and movement grace the landscape with Terrorwaysuddenly quickening pace before riffs scythe through the air with repetitive sinew driven animosity and rhythms share their thunderous iron bred swipes. It is an immediate storm between the ears ridden by the caustic squalls of Valentino “Sidh” Casarotti. Twisting around and crushing the senses simultaneously it is a startling piece of ferocity if in hindsight only a taste of things to come. The guitar of Ivan Fois offers a carnivorous spread of riffing and sonic narrative which is prowled just as intimidatingly by the throaty bass stalking of Giovanni Serra. It is an imposing and gripping entrance to the album which is taken further by the following title track. More merciful in its initial cupping of the ear, the grooves and rhythms soon cage and terrorise whilst seducing with animalistic intensity. Again the vocals provide a scolding menace to help create a fearsome atmosphere punctuated by the threatening strikes of drummer Cosma Secchi. Sprawling through musical and lyrical depths soaked in shadows with Casarotti the demonic conjuror, the song suddenly submerges into an evocative melodic adventure, Fois carving an escape for the senses to bask in and feed upon before the sounds again shred their skin for a primal and savage investigation.

    In a Swamp and Keep Walking Silent continue the stretching of the passions and album going, the first a progressive serpentine toned hunt, vocals slowly entwining their animosity and venom over emotions whilst the bass of Serra stokes the ashes of terror alongside the tirade of raptorial riffing and invention. Its middle dip into another melodic breath is not as successful as on its predecessor but as one rigorous attack the song is another immense hook in the rise of the album. Its successor swarms over the senses with its waspishly tinted riffs, rhythms stabbing home their animosity with every swing of a stick and concussive percussive brawl. There is a Lamb Of God essence to the track, though taken to darker deeper depths of confrontation, whilst the melodic temper certainly at its conclusion is In Flames like and quite magnetic.

Through The Inescapable Plot, the track a devouring predation which is relentless when submerged in its intensive attack, and the suspense crafted annihilation that is Chained, the band continues to push their imagination and limits. Both of the songs are equally unafraid to delve into melodic and resourceful twists which explore their own inner narratives and the eager thoughts of the listener whilst the following Renewal pounces on the debris they leave to create an explosively enthralling expanse of psyche testing, pulse racing ingenuity. Easily the best track on the album, the slice of corrosive ruin and thrilling imagination shows how much more there is still for the band to discover within themselves.

A Cursed Race is just as potent in its exploration and unpredictable craft, the song a close runner for top honours on the album whilst the closing Ruins provides a vitriolic fascination with a pervading if at times somewhat overwhelmed ambience against the stolid rhythmic caging and tension twisting riffery. It is a staggering conclusion to the release, Blackwaters saving its most ruinous and creative blazes for the major finale. Terrorway stand on the brink of the fullest recognition with the album which from the immense closing stretch of Blackwaters you cannot help anticipating will only be cemented and elevated in the future.

http://www.terrorway.com/

9/10

RingMaster 30/09/2013

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This Early Autumn – Mood

MOOD

    This Early Autumn is an alternative rock band hailing from Columbia which is beginning to create a feisty wash of acclaim around itself. Driven by lead vocalist/producer Juan Valderama, the Bogotá band are set to release their new single Mood, a track which as our introduction to the band takes a firm and engaging grip on thoughts. It is too early on the evidence of one song to say that the band is or is not a potent force in the brewing stage but certainly it is an intriguing proposition with plenty of open promise.

From what we are led to believe This Early Autumn emerged from a graduation project which spawned two songs Hollow and Mood. The new single is the follow-up to debut release Nothing Compares which drew strong eager responses in Columbia and the UK as well as good MTV coverage. The trio of songs also made up the Primary Pursuit EP but it was the single which grabbed the attention outside of their homeland and which Mood you suspect will increase or at least cement. In 2011 Valderama moved over to London and has been making numerous live appearances around the city since, again to great responses which the single should find an enthusiastic home from.

As soon as Mood caresses the ear you are soaked in thoughts of Placebo, Radiohead, Japanese band Tokyo City Chaos, and fellow Columbian band Hidden Desires. This is not to say the song is unremarkable but the essences are strong within the fresh breath of the single. The vocals of Valderama take a little while to soak in but by the chorus spark nicely in the ear whilst the melodic grace and infectiousness of the keys and guitar only provide a compelling persuasion which like the vocals takes time to seduce but ultimately do with good strength. Of those references This Early Autumn remind most closely of the Japanese trio though the single has a lighter energetic poise in comparison but is less intensively evocative and passionate.

The song is a gentle flame of richly hued melodies and lyrical suasion which add to the colour of the temptation which is undoubtedly at large but against that there is a dimmed spark to prevent it being a lingering kiss upon the ear and memory. It is a pleasing and appetising encounter though and one ensured to make This Early Autumn a band to have strong hopes for.

www.thisearlyautumn.com

7/10

RingMaster 30/09/2013

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Through Colour – Somnium

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The first of a concept-based 2 EP release, Somnium is a potent and passionate release from a band who after many years of making good impressions, has seemingly come to that point where impressions have become strong recognition. The five track release from UK rock/pop band Through Colour is a striking and accomplished introduction, though also one which only fleetingly ignites real fire in the passions for its undoubted impressive songwriting and excellent delivery. There is very little to hold up against the release, if anything at all but there is just a lack of that extra spark to make a lingering heart erupting declaration.

Nevertheless Somnium is a formidable release from a band which formed in 2004 in North Wales. Initially called My Turn To Kill until 2009 when they felt a change was needed to suit their style and evolution of sound, Through Colour next released the well-received debut mini album, Dream In Black And White which was recorded with Romesh Dodangoda. Its success and shows alongside the likes of Enter Shikari, Fightstar, We Are The Ocean, and The Misfits only added to the stock of the band. Then in 2011 the Manchester based quintet took a break to work on new songs but now the line-up of vocalist Steve White, guitarists Lee Crimes and Jazzy Bones, bassist Kieran Joyce, and drummer Shaun Humphreys return with Somnium, a release sure to bring further stature and awareness to their potent sound and songwriting.

Opener Daydream immediately takes attention by the hand and carries it and emotions on a vibrant dance of heart bred adventure and20212_10151367174122185_1827981421_n melodic colour. Instantly pleasing with a fresh breath which is coated in the kind of anthemic lure which is impossible to ignore let alone resist, the song thrusts jangly riffs and strong vocals through the ear from its opening second. The temptation is elevated with the fiery chorus and subsequent almost teasing twist before the verse, the rhythmic juggling especially impressive within the strong wind of sonic expertise and lingering hooks. The track makes a stirring start and remains the major pinnacle of the release despite the valiant efforts of the other songs.  Lyrically it has a passion to match the vocals and music, all combining for an infectiously memorable and deeply satisfying entrance into the EP.

The following Lost takes a gentler caress to the ear to open its account, the excellent vocal style and tone of White again a compelling inducement. Into its stride the tugging on the emotions is brought on a more restrained gait compared to its predecessor but one with plenty of sinew sculpted energy and eagerness whilst the rhythms of Humphreys cast a muscular and pleasing frame to the guitar scythes and melodic persuasion. A slow burner of a song in many ways it is a good confirmation of the promise oozing from the opener if without finding the heights of the first song.

Both Ink and Broken hold a seemingly personal aspect, certainly taking the potency and strength of the emotive tone on White’s delivery, and feel linked, not as a two part offering but in tone and emotion. The first is an absorbing encounter, the keys and vocal harmonies delicious hues to the provocative canvas of the track though there are elements which sound too familiar for comfort but from an unrecognisable source to be fair. It makes for a song which ebbs and flows in the passions though like the previous track it is one which makes a stronger call and suasion the more you share its colourful flight. The second of the two tantalises with riveting rhythms and again the excellent harmonies the band bring to their songs so skilfully and effectively. Once more it is a song which at times is pure scintillating mesmerism and in other moments finding things to annoyingly feed expectations. Nevertheless it is an excellent track which like the rest shower the ear and thoughts with a wave of promise and adventure which makes the future of the band one to anticipate hungrily.

The closing Till The End is the weakest on the release but yet again has plenty to feed an awoken appetite for the band. The orchestral embrace of the song makes for a dramatic but thoughtful presence whilst the evocative wash of the song is a magnetic caress but ultimately the track in comparisons to the rest of the EP is lacking the trigger to bring the imagination and emotions to the boil.

Somnium is a fine collection of songs though and a companion which leaves a healthy intrigue and intent towards its forthcoming companion EP. Through Colour has the craft and sound to make big waves in UK rock pop, they just need that final fuse or trigger to make it a long term enthralling one.

http://www.through-colour.com/

https://www.facebook.com/ThroughColour

8/10

RingMaster 30/09/2013

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