A very agreeable merger of classic and power metal with melodic flames licking the imagination from within, Necromancer the new album from Tasmanian metallers Taberah makes for one rather tasty and satisfying encounter. Fusing a mix of essences which reap the seeds of Iron Maiden like heavy metal, AC/DC spawned classic rock ‘n’ roll, and the over blown revelry of Powerwolf, the album is a richly enjoyable ride which arguably is low on originality but high on accomplished perfectly sculpted pleasure.
With seeds blossoming from 2004 through guitarist/vocalist Jonathon Barwick and drummer Tom Brockman, Taberah has built a mighty reputation and following through firstly the Tasmanian live music scene on to the Australian shores and beyond. Handpicked by Lemmy for the Sydney leg of Motorhead’s 2011 Australian tour the band earned equally potent reactions from their own shows and the sharing of stages with artists such as Paul Di’anno, Tim ‘Ripper’ Owens, LORD, Psycroptic, Black Majesty and many more. 2011 also saw the release of the band’s debut album The Light Of Which I Dream, recorded with producer Joe Haley of Psycroptic, the record drawing strong acclaim around the world. Its successor Necromancer looks set to cement their stature and take it up a few more levels and though arguably it offers little truly new, the Dust On The Tracks Records released album leaves nothing less than eager satisfaction from its creative revelry.
With guitarist Myles Flood and bassist Dave Walsh alongside Barwick and Brockman, the album opens up with the mighty 2012. Instantlythe great throaty bass growl conjured from Walsh seduces the ear whilst crisp beats stand by its side with anticipation for the melodic flames of guitar. Next group harmonies light the air before the delivery of Barwick impressively delivers the lyrical narrative within a mesh of sonic imagination and striking craft. As energetically inviting as it is infectiously compelling, the song makes a great start to the album offering expectations what they wish for and intrigue plenty to find thrills within especially the excellent solo mid-way.
Dying Wish continues the riveting introduction with its colourful sinew clad riot of power/glam metal. There is a Cooperesque breath to the track especially early in its presence which catches the ear and with a contagious gallop of a chorus the track like the first provides all the aural manna needed to brawl with a wide smile on the passions.
From here on in the album ebbs and flows in its contents and originality thus also in success though plenty of that is down to personal preferences as much as the songs. The melodically weaved encounter Burning In The Moonlight, the dramatic Warlord, and the acoustically shaped Don’t Say You’ll Love Me are prime examples, all hard to dismiss and mark down such their craft and open imagination but still they are unable to generate a spark for the passions to grip on to. Amongst this trio there is the excellent title track to keep the release hanging on to its earlier heights though, the track a climactic march of air flailing riffs and flesh stripping rhythms creating a web for vocals and harmonies to paint their provocative and descriptive tale. As across the whole of Necromancer, from drums to bass, guitars to vocals everything is irrepressibly potent and skilled, all coming together in this instance for a ferocious yet merciful rampage.
Further highlights are unveiled in the shapes of the explosive and sonically absorbing For King And Country and the outstanding beast of a track The Hammer Of Hades where the band finds a carnivorous predation to accost the ear not seen previously on the album. It is a thunderous treat which leaves the closing harmonic sunset of My Dear Lord quite pale in comparison though the bonus track Burn ensures the album ends on a final storm of incendiary rock ‘n’ roll.
Necromancer is a very decent and satisfying album which declares Taberah as one of the bands within melodic/heavy metal able to really fuse old school and modern metal into a voracious if debatably slightly unadventurous pleasure.
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