We suspect that like us Fuzzy Logic Baby is an undiscovered thrill for a great many but with the release of their simply brilliant new EP Glow In The Dark, that surely will change and very soon. The five track thought and passion provoking dance of invention and imagination is with ease one of the most vibrant and exciting releases this year, one that challenges and deviously ignites mind and soul whilst leaving the body exhausted from an impossible to resist temptation to participate in its mighty call.
Combining more flavours than a Michelin starred chef, the London quartet conjure sounds that work on every level leaving an intense temptation which seduces and does naughty things to primal urges. Formed in 2007 from according to their bio, a chance meeting, Fuzzy Logic Baby have developed and honed an innovative brew which is best described as hip hop and grime meets ska and reggae before flirting with punk and rock, or an easier way to imagine is they are like the insatiable hybrid of The Specials and Misty In Roots meeting Dizraeli & The Small Gods and Lazy Habits with The Karma Party whispering in their ears. It is a unique and compelling union of ideas and sounds that sets the band as one of the best emerging talents in the UK, if not anywhere.
Consisting of vocalist Darwood Grace (former member of Poetry collective 3+1 and film maker with the movie It’s A Lot released in cinemas in July), guitarist Jack Hearne, bassist Nicodemus Leo, and drummer James Thackery, the Hackney hailing Fuzzy Logic Baby have left a trail of fired up loyalty through their live performances which has seen them ignite venues around the capital and across the UK as well as sharing stages with the likes of Tinie Tempah, Katy B, Random Impulse, Mikill Pane, Wretch 32, and Professor Green. 2011 saw their impressive debut release, the GoodTimesDotCometh EP an acclaimed and well devoured by the media introduction. Glow In The Dark is another animal, taking all their promise to new levels of hungry imagination and intrigue and presented with a fluency and skill that makes it all look so very easy.
The release opens with its biggest triumph, though every song and minute of the release walks the heights vertigo sufferers would sweat over. Howling Wolves is pure lyrical and musical alchemy, rhythms, notes, and syllables cast into a spellbinding romp that persuades feet, voice, and emotions to rush to its call with rabid lust, just like a fourteen year old boy to an abandoned copy of Knave (I think that is the name of one of those types of books…). From its first second tempting rhythms are coaxing out total attention as the vocals with a narrative that is impossibly absorbing feed their awakening. The vocals of Grace are outstanding in all forms of delivery and just as impressively backed up by others in the band, though no clarity to whom is found in info accompanying the release. A mischievous stroll that switches gait with every energetic swaggering step, the song is as delicious and richly flavoursome as Cornish ice cream, the mix of funk pressed ska and indie sculpted rock just one glorious aspect.
The following Gangsta In Da AM sidles in with a blaze of trumpet from Gary Annells and guitar teasing before expelling a flame of melodic energy to spark another canter of rhythmic suasion and seductive vitality. There is a Bang Data like sultriness to the reggae tinted amble whilst the vocals again unveil a lyrical tale that captures the imagination as unerringly as the colour soaked sounds. It is like its predecessor a track which has little trouble in leaving thoughts and emotions ablaze but when it kicks out with a punk bred confrontation evolving into a smouldering melodic hue of vocals and stinging guitar play nearing its end, the track is a beacon of excellence and invention. It is a stunning song that with its previous companion alone makes the release an impossibly important addition to the musical year.
There is no let-up though as firstly the current single March On brings another distinct and absorbing landscape to traverse closely followed by the outstanding title track. The first of the pair almost floats across the senses with a moody bass and shimmering melodic haze holding hands with the fine vocals of Grace. There is a firm and commanding lure to the track brought by rhythms and led by voice and bass, its dark charm wrapping a provocative almost intimidating caress around the ear. With the blaze of guitar and the subsequent carnivalesque swing adding extra sustenance to the climax, it all combines to create another unforgettable and thrilling moment in time. Its successor is a stirring mix of gentle melodies and punchy rhythms kissed by vocal harmonies and dazzling imagination that like all tracks on the EP teases and tempts further with a perpetual twist of changing ingenuity and imagination. A slow burning furnace of majesty, the song is arguably the most creative slice of scintillating composing and realisation on the release, standing high amongst nothing but startling invention and craft.
The closing No Problems is a dull and uninspiring track…oh do not be stupid there is no chance of that with Fuzzy Logic Baby on this release, the band once more sculpting a riveting course of musical and vocal juggling that spawns from numerous nefarious mischievous spices and unbridled devilry. It concludes a quite dazzling piece of aural imagining that steps up to challenge any release anywhere as one of the finest in 2013. With a UK tour on the near horizon, Fuzzy Logic Baby is about to take country and continent by storm; watch out world after that.
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