All Pigs Must Die – Nothing Violates This Nature

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All you need to know about Nothing Violates This Nature, the second album from Massachusetts-based All Pigs Must Die Nasty to warrant full investigation is that it is simply NASTY!! Corrosively nasty in intent, sonically nasty in sound, and undiluted nasty in passion, and a towering tempest of spiteful destructive hardcore. Building from their impressive and violent debut God is War of 2011, the band featuring members of The Hope Conspiracy, Converge, and Bloodhorse have come back together to create one of the most formidable and standards heightening furies of anger sculpted antagonism. It is a potently crippling beast of senses igniting noise which stands shoulder to shoulder to anything their day jobs and other recognised genre bands have created.

The Southern Lord release sees All Pigs Must Die joining up again with Kurt Ballou (Converge) at Godcity to record their follow-up album, a union which completes a stronger and more complete, dare one say confident, step on from its impressive predecessor. An album which does not give you room to breathe let alone escape its toxic glory, Nothing Violates This Nature confirms the stature and blistering force that is All Pigs Must Die, a band which admittedly as good as had written that in fire with their live performances alongside the likes of Integrity, Enabler, Ringworm, Black Breath, Eyehategod, Repulsion, Down, Sleep, Exodus, Church Of Misery and more.

As opener Chaos Arise stomps and storms through the ear with riffs and rhythms a combined ferocity there is an immediate sense of anCover_RGB_CD_300dpi-copy-e1369761381912 elevated and accelerated spite to sound and band, the vocals of Kevin Baker spoiling for a fight over the deliciously tight contagious grooves and abrasive riffs of guitarist Adam Wentworth and the air juggling disruptive might of the drums of Ben Koller. With the bass of Matt Woods snarling and crawling through it all with venom as thick as its bestial notes, the metallic punk castigator is a staggering start which immediately places the band on another level easily backed up by the following brilliant Silencer. Like being caught in an avalanche with sirenesque grooves diverting fear into full on obsessive rapture, the track in less than two minutes turns thoughts and emotions in on themselves trying to escape the savagery cast. At its departure the overriding thought from both songs is just how pissed off Baker and the band itself is.

Both Primitive Fear and Bloodlines chew and rip asunder the psyche, the first a torrential sonic squall of vocal vitriol and magnetic sound, the music a riveting mix of contagious grooves and hooks veining acid bred noise whilst its successor is a predacious and brooding stalking which exposes the senses and emotions to a magnetic alluring sonic spiralling alongside acrid intent. Both songs are magnificent, imaginative and intrusive with especially the second unveiling a weave of seductive melodic mystique which takes the release into new adventure. Hardcore has never sounded so good.

Of Suffering brings another twist in the intensive ride, its lumbering scourge a sonic acidity brewing within the doom laden sludge thick oppression. Baker barracks the barricades with merciless intent and animosity whilst musically the track wears and erodes defences with its enthralling and heavy weighted intensity.

The returning carnage laying brutality which opened up the album sends Holy Plague and Aqim Siege straight for the throat, their jaws obdurate instigators. Riffs and rhythms dominate but allow a space where Wentworth expels some sizzling melodic blazes in the first of the pair whilst the following barbarous confrontation of the other song is one minute of vicious beauty.

    Sacred Nothing is nothing less than glorious punishment whilst Faith Eater surveys the damage before adding its own creative ruthlessness. It is hard to imagine anything topping what has already been unleashed but the closing Articles Of Human Weakness masterfully attempts to correct assumptions with a multi-flavoured furnace of punk murderousness taken through a rancorous expanse of rhythmic rabidity and sonic vehemence. It is a staggering conclusion to a stunning release, one that gives a fresh hellacious breath to the hardcore scene.

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9/10

RingMaster 29/07/2013

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