Ever wondered what the dirtiest grunge mixed with old school punk, filth clad rock, and scuzz littered post punk sounds like than UK garage rockers That Massive Bereavement have the answer for you with their debut EP Eat The Rich. Six tracks of noise your mother warned you about and your father wished he could play, the release snarls and works on the senses like a punch bag whilst delivering uncompromising rock ‘n’ roll which gives raw satisfaction as potent as the future promise also on offer.
From the Medway part of the UK, the quartet of guitarist/vocalist Aidan, bassist Elliott, guitarist Quintus, and drummer The C, erupted as That Massive Bereavement at the rise of 2012, taking inspirations from the likes of The Fall, Therapy?, The Replacements, Wire, The Pixies, Sonic Youth, Pavement, Joy Division and more. One of the other influences is Swell Maps, and as the release plays that band often calls out the most if not always in sound but in attitude and unpolished invention. Recorded and mastered at Sunlight Studios by Greg Webster of fellow Medway band Houdini, Eat The Rich equally grates on and lights up the ear from its first second before going on to work the same devilry on the senses, thoughts, and passions.
The title track kicks things off, a singular guitar brewing up the air with reserved sonic heat for the gravel littered vocals of Aidan to start the striking narrative. A stalking gait drives the song on as rhythms make their firm slaps on the ear with energetic expulsions around the chorus singing the hairs around the senses. The breath of the song is Spizz Oil like whilst the belligerent provocation recalls seventies punk Crisis, and from start to finish it drags down apathy into a bruising dirt clad confrontation.
From the strong start the EP hits its biggest highlights with firstly Benetton Models to be followed by the excellent Waste it Now. The first track sabre chops the ear with caustic riffs soon joined by thumping rhythmic incitement from The C and Elliott. Like Nirvana meeting The Lurkers at a fire-pit held by Mark E. Smith, the song is a delicious discord fired slice of noise punk which ignites the passions with garage rock enterprise and post punk sonic obstinacy. Its successor also holds many flavours within its core grasp, the track a garage rock crawl with the snarling undiluted essences of The Stooges and Richard Hell raising their contagious claws. Both tracks stand out as pinnacles whilst still pushing the suggestion that the creative envelope of the band has only just been opened.
Sity comes next with a blues flame to the guitar and punk intensity to the energy of the track, drums and bass an intimidating yet fair intrusion through the distinctive almost Tom Waits like scowls of Aidan and those sonic fires expelled by his and the guitar of Quintus. Direct and uncluttered by complexities it is a raucous storm of prime punk merging its different flavours into one scorching encounter and though it does not make the same deep impact as the previous trio of songs it easily recruits the appetite to know more about the band. The same applies to the final two songs on the release. Both live in the shade of certainly the previous triumphs on Eat The Rich, but stand tall and appealing in their mischievous stances starting with the primate romance Gorilla. With lyrics you can interpret either literally for fun or for man’s version of the great ape, the track stomps with teasing riffs which chop like a chef on a carrot alongside the growling presence of the other guitar and bass. Drums and vocals also accost with enterprise and irresistible mischief and though the song as mentioned does not quite live up to the heights set before it does grip tighter the more you take its company and lingers longer than most in the head.
The closing Snatch, yawns with great whale like sonic calls before barracking with another unbridled slab of impossible to resist punk. Eat The Rich is a great debut from a band you sense has so much more still to discover and offer; that thought as exciting as listening to their EP. That Massive Bereavement will not be for everyone but if punk of any shape and aggressiveness has your juices rising than check out this great emerging protagonist.
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