Imagine the attitude of Hed (PE) merged with the funk devilry of Infectious Grooves and the rap metal aggression of Motown Rage fused into the swagger of The Union Underground, then those essences instilled into a vat of punk rage. What emerges from the toxic fumes of that volatile alchemy is an unpredictable and riotously contagious force, or to give it a name, Final Trigger. Formed in 2006 and hailing from Toronto, the band maybe is not a name yet instantly recognisable but with the release of the excellent Skrap Metal Vol II you can only suspect wider recognition is just around the corner.
The new release follows Skrap Metal of 2009, both coming through Boonsdale Records. The debut received strong acclaim with its single Start A Moshpit gaining particular attention across Canada and the US. Following years has seen the band play alongside the likes of Suicidal Tendencies, Marilyn Manson, Dillinger Escape Plan, Protest The Hero, Baptized In Blood, Hail The Villain, Threat Signal, Slaves On Dope, Agent Orange, Blaze Ya Dead Homie, Boondox and many more, as well as them supporting Mushroomhead on a tour across the States. Now with the release of the David Bottrill (Tool/Mudvayne/Stone Sour/Godsmack) mixed Skrap Metal Volume II, the quartet of J-Roc (vocals/guitar), Fazio (bass/vocals), JJ Tartaglia (drums), and Profit G (DJ/vocals/keys) may just be looking at a new world hunger for their distinct and insatiable musical devilry.
The seven track release attaches itself to the senses firstly through the single Face It. Guitars entwine their fiery sonic tendrils around the ear initially, tempting the passions to take a look before the tumbling heavy muscled rhythms make their play for the affections. In reality as the sounds rubs eagerly over the senses and the vocals begin their tempting squalls it is the whole combination which provides the irresistible hook, the barbs of which become impossible to refuse once the grooves twist and writhe insidiously and the vocals and sound take on a Suicidal Tendencies like punk beckoning. With a deep bark to the chorus and Five Finger Death Punch like rabidity to the riffs adding to the persistently shifting stance, the song is a dynamic and explosive introduction and platform for the album to spring from, which it does in varying degrees.
Through The Darkness and Knock Somebody Out follow up with their own distinct personalities, the first a metal forged encounter which sonically claws at the ear whilst the range of vocals, growling and rapping take their bite at the senses with equal belligerence. It is a relatively straightforward track which without the continual and wealthy mix of flavours employed in its predecessor pales in comparison if still a song which energises the appetite. Its successor similarly sticks to the muscular metallic intent of the band but digs deeper to expel some tight flavoursome grooves and find an intensive confrontation which would feel at home in any American Head Charge or Static X fury.
Things leap back to the opening heights with next up Just A Freak, a track which stomps through the ear with the delicious salacious devilment of Hed (PE) and the charged schizophrenic energy of early Mudvayne. Prowling and leaping around with a thrilling mix of hip hop, metal, and tantalising anthemic urgency, the song is a virulently contagious call to primal needs and energy expelling participation, which like the first track leaves the listener breathless and hungry for much more, especially for the dramatic and potent drums and scurrying weave of incendiary riffs.
Time I’ve Wasted opens with an evocative melodic persuasion which is almost Breed 77 like before fusing in samples and dub lilted invention before the brewing storm. Into its stride the tempest is again unpredictable, an undulating intensity and energy in league with a constantly evolving vocal display. Eventually though the senses flattening might of the track wins through even though the rampant and fluid mix is still allowed to shape the direction of the excellent track. It is a song which dangerously veers towards the edge of chaos and disaster but the band managed to ride the rougher less impressive moments to create another convincing treat.
The Kottonmouth Kings sounding Everyday with its mesmeric mystique and the predatory T.H.C. impressively complete the release, both outstanding and diverse offerings with the second especially throwing the senses and passions around with the rapaciousness of a hurricane. Skrap Metal Vol II is a great release which installs Final Trigger as one of our regular playlist newcomers, something the band will achieve with a great many we suspect.
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