Krebs is a new electronic/ebm project to recently emerge and on the evidence of its debut EP Cellophane, will be one we will be hearing a lot more of across future horizons. Just signed to excellent independent label Bluntface Records, the Philadelphia, PA band mark their next step with a release which is potent and evocative, and though in some ways it manages to miss providing the sting which listening to its five tracks you sense is within its heart, there is nothing but unadulterated and exciting promise left in its wake.
Started in 2012, Krebs is the creation of Mike Haggerty, the vehicle for his merger of ebm synth sounds of the 80’s and 90’s with industrial and electro snarls. There is also a metal apocalyptic breath to the shadows which permeate the sounds for a resulting cross genre adventure. Influences come from the likes of Front Line Assembly and KMFDM with further whispers of others such as Skinny Puppy, Combichrist, and Virus Cycle all making suggestions within the imagination capturing invention. Honing the sound through a full range of industrial exploration Haggerty, since joined by Chris Mattioni on backing vocals for live shows, has sculpted and unleashed a debut which seduces and excites with a freshness and enterprise that suggests 2013 will see Krebs making an immediate impact.
The June 29th released Cellophane stares directly at the ear with opening track Humanity Drained, its sinister toned atmosphere and brewing rhythmic dust hazing the skies before a dark melodic hook prowls and intimidates with a compelling voice. It is a suggestive and provocative lure which mesmerises to leave senses open for the following industrial metal cast of energy to pervade and thrill. As the vocals of Haggerty enter with the shadowed narrative the track takes a step back, his tones given space and assistance to bring a rich expressive dark caress to bear upon the ear. At this point the track reminds only of Fad Gadget, the vocals with a Frank Tovey gait and the sound heavy in suggestive ambience but with an electro temptation which is never far from lighting passions. The coarser presence of the air surrounding the chorus presses into further adventure whilst the song itself twists and turns across varied industrial pastures for a captivating encounter.
The great start is followed by Chisel (Guitar Mix), a track which expels a venomous rabidity to its electro wash and intensive energy. It is an oppressive light smothering test but equally creates its own acidic radiance with addiction making melodic taunting and electro venture. Like the first, the track does not settle into a straight forward passage but shifts and turns in on itself to ensure intrigue and eager attention. It does not quite match the opener for contagion and strength but still leaves the strongest satisfaction in its wake and hunger for more.
The song also is one with fails to deliver the bite it suggests is waiting to break out, something which can be applied to the whole release. Across its excellent invention the wish it would go for the jugular especially with its more industrial metal escapades, is a strong feeling which is never quite satisfied, though as the only aspect lacking within Cellophane it does not defuse the enjoyment and quality skilfully played out.
The Corner opens with a Visage like beckoning, that eighties pull wonderfully potent again especially as once the vocals join the stance and the sound spreads its arms further thoughts of Fad Gadget again make their irresistible persuasion. The track is an emotive slow stroll across weaves of shadows and through a kaleidoscope of electro imagination, its enveloping tone and impacting textures hugging thoughts and emotions tightly with a hint of menace though without an element of danger. The track makes way for the first single from the release, Peace Injection. With bold and heightened rhythms and hot electro stomping, the track is a full contrast to its predecessor with a swagger and hungry enterprise which enflames the air. At times it looks like the song will unleash its predatory hounds but restraint wins the day and from start to finish the excellent temptation eagerly taunts and teases with impressive craft.
Closing song Rings is a pleasing riot from combined shafts of harsh ebm, rapacious ambiences, industrial malevolence, and rhythmic intensity. It is forceful and highly infectious, a song like the album which enrols varied flavours and spices into a gripping and fascinating confrontation. At its conclusion the proof that Cellophane is an excellent debut is open evidence, proof that only sparks a greedy appetite to hear more from Krebs. Accompanied by the first single Peace Injection, which itself comes in a full package containing remixes alongside the song from new label mates Virus Cycle, Otto Kinzel, and Varicella, and released as a free download, Cellophane is the arrival of one of the more inspiring and exciting bands within industrial. Are you ready for the shadowed temptation of Krebs is the only question left to be asked.
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