Any real rock fan knows that the legendary Melvins never shy away from invention, exploration, and mischief within their continually impressive creativity and releases. Three decades have seen the Washington band ignite the senses and imagination as well as music itself with their one of a kind ingenuity, and the release of Everybody Loves Sausages presented yet another album to lift the emotions and provoke the senses. Consisting of cover songs from bands which the members of Melvins have a passion for themselves and featuring an array of guest vocalists the album is one of the biggest sparks to strike 2013. Intriguing to find out more about the album and its creation we had the pleasure of asking drummer Dale Crover about the release, particular songs, and some of those additional friends helping bring the album to life.
Hi Dale and many thanks for sharing your time to talk with us.
You have just released your excellent album Everybody Loves Sausages, a collection of cover tracks. Did the fact that the songs were not yours originally bring a different emotion and feeling compared to your previous releases as it’s unveiling to the world loomed?
We started recording cover song with the idea of releasing them as singles. It wasn’t until we had a bunch of songs done that we realized we had a decent albums worth of material. We didn’t treat this record any differently than any other release.
Did its recording also offer up a different type of fun just because they were songs which you had no involvement in the writing of?
We’ve always done cover songs since day one and we’ve always liked playing covers. Almost every record we’ve ever done has a cover song on it. If we’re going to do a cover, we try to own it like we wrote it. We either try to improve it or at least do it justice.
The time and attention given to each track and your interpretation suggests the songs and bands were ones which had a strong impact upon yourselves, is that the case and the reason for their choosing?
Well yeah, these are all songs by bands that we really dig!
Was there an extended debate within the band over chooses or the songs were relatively unanimously agreed on from the start?
No! We’re all in agreement here. We have pretty much the same musical tastes. I don’t know if Coady and Jared knew much about The Fugs, but they seemed like they were into it. That’s a band that has a pretty big influence on us. Listen to that song, and then our song Black Bock and maybe you’ll hear it.
In the choice of tracks was there any element of mischief, making choices to catch people off guard maybe?
We thought going from Venom’s War Head into Queen’s Best Friend would throw people for a loop. From totally aggro to I love you! It works perfectly! We weren’t trying to be ironic doing either of those songs though. We really do love the Queen song! It’s a great tune!
You are no strangers to doing cover songs as you said but how big a step did it feel making a full length album of them and did it offer experience or problems which your own compositions do not inspire?
In case you haven’t noticed by now, there’s nothing we’re afraid of doing. I’ve read reviewers say that we did a covers record because we have nothing left to say. Obviously these people haven’t been paying attention to what we’ve been doing. In a space of a year we put three releases by three different versions of the band, toured across Canada, did a record setting tour of the US, released a series of split 12″, toured Europe twice and now put this record out. I’m sure I’m probably forgetting about something as well.
The album also sees a wealth of your friends vocally adding their individual touch to many of the tracks, was it a concentrated decision before the start who you would bring in for what or did the tracks almost invite obvious choices for you?
Some of them we’re well planned. Mark Arm from Mudhoney doing Scientists for example, or Jello Biafra doing Roxy Music. I think we had a few different ideas for Jim Thirwell. He chose Bowie.
Did you give them precise directions to approach the songs especially vocally or let them run with the idea and ball? I ask as our favourite track on the album In Every Dream Home A Heartache, which sees Jello Biafra transforming the Bryan Ferry bred shadows in an organic almost improv like evolution before the ear.
We worked with these different people because we like what they do. We wouldn’t dare tell anyone what to do, or how to sing. I did however tell Clem Burke from Blondie that he was going to do a drum solo. He asked what type of solo to play. My only instructions were to “freak out”!
How long did the album take to make and was it all recorded in one studio or across varied stages with all the guests involved?
We did most of the tracking the winter before last, mostly at Sound Of Sirens studio. A few things were recorded elsewhere.
Is there any particular song or moment which lit your personal fires a little more intensely on the album than most?
Hmm, that’s hard to say. I like hearing the songs when they start to gel. Usually that happens in the overdub process, after I’m done with the basic structure of a song. That’s when I start to get ideas or hear parts in my head. That’s the moment for me where I feel the most creative and exited.
I have to ask about The Jam track Art School which features Tom Hazelmeyer on vocals with a great tongue in cheek cockney accent to song and the following skit end. Was it coincidental that his closing fun felt like a mischievous pop at the middle class background of the great band riding the supposed anarchy of the punk movement in their early days?
Less coincidental and more whiskey fuelled. The English are an easy to target to poke fun of.
Is the album something you would look at doing again, have already ideas of songs to cover prompted thoughts in that direction?
We recorded way more than what’s on the record. For the vinyl we’re going to release each song as a single with unreleased B sides.
Melvins is an iconic band who has inspired so many bands across your influential years, what inspires your creativity most potently?
Everything that surrounds us.
Will you be taking the album or tracks on tour and if so will your friends on Everybody Loves Sausages be lured to make their part too?
I doubt it, but I would like to play some of those songs live.
What is next on your horizons as a band and individually?
We’re doing our 30 year anniversary tour of the US this summer. After that I’m not sure. Probably more of the same. Hopefully I’ll get to produce more records. Our engineer Toshi Kasai and myself produce bands under the name Deaf Nephews. We recently worked with the bands Qui and Federation X. Toshi has a studio now and we’re for hire to produce and perform on projects.
Once more a big thank you for sparing time for us, any last thoughts or temptations for the readers?
Yes, I know what the real meaning of life is, and its…
Read the review of Everybody Loves Sausages @ https://ringmasterreviewintroduces.wordpress.com/2013/04/29/melvins-everybody-loves-sausages/
The RingMaster Review 16/05/2013
Copyright RingMaster: MyFreeCopyright
Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard from
Categories: Interviews, Music
The RingMaster Review 
Leave a Reply