If you have an appetite for some old school rock n roll with vibrant resonance musically and passionately dripping from every note and element then Atlanta rockers The Howling Tongues is the band for you. Taking rich influences from the likes of Led Zeppelin, The Who, The Raconteurs, Band of Skulls, and Black Keys into their own distinctive ideas and adventure, the quintet leave thoughts and emotions aflame with their ‘Southern Rock & Roll Revivalist Movement’. This is a band on a rapid rise since forming two years ago and their EP Keep The Dust Down giving all the evidence as to why.
Ignited into action as a band in 2011 by guitarist Nick Magliochetti, vocalist Taylor Harlow, and drummer Tylor James, they soon recruited bassist Zach Smith and keyboardist Thomas Wainwright as the project instantly took off. An early EP and their live performances garnered a hungry and rapidly growing fanbase for their sound as they filled and lit up notable venues such as The Vinyl and The Hard Rock, their sound, self-termed as “no regret rock-n-roll”, igniting a greedy appetite in fans for more. Keep The Dust Down is their response, a six track burst of insatiable rock with loud guitars, thumping drums, and fiery melodics primed to ignite the passions. Recorded with top producer Tom Tapley, the release easily backs up the claim of a great many that the band is destined to be a household name in the very near future, as well as sparking the mightiest anticipation for their debut album currently being recorded and mixed for a release later this year.
The EP opens with a song whose title says it all, Party. Swaggering into view with stick beats and a lone beckoning guitar, the track explodes into a muscular stroll of scuzz lined riffs and throaty bass calls within a cage of rhythmic sinews and acid warm keys. Taking a breath for the vocals of Harlow to start their lyrical declaration with an effect coating to his expressive delivery, the song stomps its rhythmic feet and waves a welcoming sonic finger at the emotions which is irresistible. There is wantonness to the stirring and sturdy spine of the song whilst the keys and melodic caresses within the riotous breath bring virulently infectious sultry temptation. The track dances like a combination of The Black Keys, Kings Of Leon, and Eighteen Nightmares At The Lux, leaving no passion and primal urge untouched.
The single from the release Makes You Tick walks up to the ear with bulging beats from James offering a hypnotic lure to trigger instant intrigue before the guitar flashes its singular persuasion. Once the outstanding vocals of Harlow and the keys of Wainwright bring their flames to the surface of the song the seduction is in full swing and reinforced by the outstanding bass invention of Smith, his dark grizzly notes prowling and enticing the senses with imagination and devilment. Like its predecessor the song has a confidence which recruits full captivation of ear and thoughts whilst the inventive textures and shifting gait of the track are incendiary temptations to fall hungrily before.
Both Nagasaki and One-Eye’d Barber induce further glee with their thrilling enterprise and imaginative blues enriched escapades, the first a track bringing stronger ripples of vintage breath, its engrossing melodic theatrics and again inciting swagger offering thoughts of the likes of Led Zeppelin and The Black Keys as well as in lesser strength other such as The Doors and Kyuss, whilst the second of the two is a slower emotive heat of intent and passion. It is as all the songs, locked in a mesh of formidable and enslaving rhythmic strength which entraps the listener so the potently expressive outpouring of the vocal and melodic narrative from the heart of the offering can seize the fullest focus and welcome.
The bass of Smith leaves more gravelly paws on the ear as next up Alibi sizes up the listener before strutting straight on through to the emotions with the guitar of Magliochetti scoring with impressive riffs and inventive teasing hand in hand with the continually outstanding bass taunting. Once the great vocal harmonies slip into play with scintillating variation to court the equally magnetic keys, the track stands to its full height with compelling and contagious grandeur consequently inducing a large sigh of bliss between its departure and final song José No Sé, yet another to induce predator strong greed for much more.
Keep The Dust Down is an exceptional release which makes the wait for the album impatient and probably irritable for you can never get enough of a good thing and that is certainly what The Howling Tongues bring. That idea of the band being a household name has certainly got impressive legs to its charge after this.
Get the album Keep the Dust Down for FREE @ www.noisetrade.com/thehowlingtongues/keep-the-dust-down
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