From making an immediately contagious introduction at its start to ending up as one of the most enjoyably violating brutal romps to come along this year to date, Voices Of Obliteration the debut album from Hungarian death metallers Kill With Hate is an album all extreme metal fans should make an acquaintance with. From its mighty start the album is a constant treat with extra fires of quality emerging throughout and though it is questionable as to how much originality the Budapest quintet has forged into their release there is no denying it’s invigorating and thrilling impact.
Formed in December 2007, the band took no time in becoming a potent presence in the metal underground scene of their homeland. Sharing stages with bands such as Onslaught and Moonsorrow, Kill With Hate released their first EP in 2010. Evolution of the Beast was well received from fans and media and helped lead the band into playing with the likes of Job For A Cowboy, As I Lay Dying, and Belphegor. Some line-up changes followed as well as the chance to support The Black Dahlia Murder in 2011, followed by shows with Origin, Psycroptic, Leng Tch’e, and Cannibal Corpse over the next year. 2012 also saw the band record Voices of Obliteration and at the beginning of this, they signed with PRC Music for its CD release.
After the ok intro Revelation (It’s Just Murder), only really notable for its didgeridoo and male cloister union, the album kicks off its corrosive tempest with Submersion. The track falls upon the ear with riffs and intensive rhythms crowding and abusing their recipients. Taking a brief breath for the grooves and intensity to stake its claim the song explodes again into a tirade of bone snapping drums punches from Bence Turcsák and deliciously insistent riffs and grooved temptation from guitarists Ákos Olt and Márton Hartvig. All the while the bass of Patrik Pornói prowls with predatory malevolence to further intimidate whilst the guttural scowls of Krisztián Gyémánt reap caustic treachery with the lyrical intent to exhaust the emotions further. With a latter flame of sonic melodic teasing which is enjoyable if short on impact, the track is a very satisfying murderous confrontation with destruction on its mind.
The short roll of crisp drum raps aligned to a deep bass groan opens the way for another furnace of violence from The Beast Within. The track is an outstanding carnivorous fury with death and black metal styled vocals unleashing their dual malice upon a driving energy of riffs and vengeful rhythms. Unrelenting and merciless, the carnage of the torrential hellacious drumming and equally demanding and imposing riffs taking its toll on body and psyche, it simply leaves a wasted carcass grinning from ear to ear in its wake. At this point the album has made a strong persuasion and ignited greedy passions which the following Servant of God, Epistle of Fire, and Pray for War confidently and competently continue. Fair to say the trio of songs do not live up to their predecessors or others to follow but all leave a depth of pleasure and accomplished temptation which for many other releases would be their highlights.
A new heightened barrage of vindictive enterprise breaks free within Doubt to return the experience to the levels forged at the beginning and take them beyond. A ravenous sacking of the ear coursing with the now expected ferocity from the band and their imagination, the song wrongs foot by going against type with a scintillating twist of melodic guitar and similarly gaited bass lines which offer a rock voice within the cavernous aural vehemence around and above them. It is a surprising and exhilarating thrust of invention within ultimately a tsunami like blitzkrieg. Imprisoned then takes over to offer an individual and equalling marauding storm of invasive spite. Mixing up vocal styles again as well as rippling with sonic intrigue and mastery from the guitars, the riff and rhythm incursion chains and enslaves with blistering efficiency. It is a maelstrom of energy, sounds, and black hearted passion honed into a tumultuous and inescapable nasty pleasure.
Completed by Speeches of the Defendant and a decent cover of Internal, a song of old Hungarian death metal band Extreme Deformity, Voices Of Obliteration is an excellent album from which it is hard to find anything not to hungrily like. Originality is debatably scarce maybe but the great sounds and violently aggressive encounter given, more than makes up for it. With this album, Kill With Hate is poised to find awareness well beyond their home borders one suspects.
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