Released on February 22nd via Alfa Matrix, Come Out And Play the debut album from Swedish band Cynical Existence has been a highly anticipated proposition amongst fans of harsh EBM/industrial/dark electro fans. Last year saw two EPs from the band which lit up the genre and ventured to the darkest corners of the human condition through a melodic abrasion which was as refreshing and enthralling as it was imaginative and emotive. The solo project of Fredrik Croona, founder and one half of the excellent aggrotech/industrial act Project Rotten and former vocalist of dark electro/industrial band Menschdefekt, Cynical Existence has delved deeper in to its heart to create its darkest engagement yet, a compelling caustic encounter which provokes and evokes the sharpest reactions alongside the fullest pleasure.
A Familiar Kind of Pain, the first EP from Croona, rampaged and stomped over the senses with a near viral infectiousness to a presence drawn on the personal heart and shadows of the artist. It was an impressive introduction to the project which was then equalled by second EP Ruined Portrait, a collection of tracks which breathed with a darker shadow than its predecessor without losing the contagion rife on the first record. It also suggested what is realised on Come Out And Play, a further depth of reflective inspirations which have evolved into a more intense and malevolent creativity. The album is challenging and arguably less infectious than previous releases but with a maturer energy and craft is just as contagious and impressive. It is an intriguing release which asks for more attention than maybe one initially expected but offers even greater rewards.
As the dawning opening atmosphere on A Scar On My Mind envelops the ear there is an immediate sense of darker energies emerging The vocals of Croona are less caustic than expected initially before his usual pleasing squalls of emotion are unleashed. It is an instant variation which grabs the attention and adds depth to the presence of the track. Melodic beckoning caresses weave their way through the chilled ambience of the song brewing a rich mix of light and dark aurally and emotionally. The sonic manipulation through addictive hooks and melodic teases are more of a loud whisper than an open invitation and makes for a fluid and thrilling veining to the track.
The following Deception is a lighter chord of inner investigation, its airy melodics and sun fuelled glow a warm expanse over the waiting shadows. It is with the glorious and unexpected ‘nintendo dance’ which breaks out that the track just soars further in the heart. It is an imaginative and again intriguing pleasure, an open sensation marking the evolution in the composing and invention of Croona. Without the denseness of the first song the track also declares a diversity to Come Out And Play which was possibly missing on the previous EPs and leaves one greedy for more.
The variety is continued through songs like I’m Broken which fuses the crystalline flavours found in New Order to an angst driven dancefloor expulsion of emotion, GDI, and the serpent spawn Face Of God. The middle song of the three licks the senses with its sonic tongue to intimidate and ignite the deepest rapture whilst offering an insidious and compelling melodic wash which command feet and passion. It is the perfect companion to Face Of God, a track which leads one on a dance of sinister intent and vibrant violation. Again light and dark is the invading emotion and once more the track is an angelic evil which leaves one drooling in hunger and desire.
The further in the release the greater the heights of ardour sparked. Pick Your Poison is another where Croona mixes his vocal delivery wonderfully and unleashes a raptorial elegance which is as corrosive and dangerous as you could wish but equally warm and reassuring. The outstanding Reign Supreme and The Sexual Game both leave their tortured touches on the senses with magnetic charm and disturbed emotion, the pair leaving one enlightened and shadowed in personal emotive thoughts, with the latter song inciting within a pair of familiar tracks. We make no apologies for drooling over Paradox and Insecure, two songs which first made their appearance on A Familiar Kind of Pain and stand as our favourite conjurations from the man, though they are seriously challenged elsewhere on this album. The duo return to unleash their hypnotic mordant dazzling and captivating anthemic riots adding a familiar but again open variation to the release.
Ending with a final tempestuous molestation of delicious sonic foment in Seeping Through, the album leaves one on a high and with an irresistible itch to dive back into the cathartic encounter once again. Cynical Existence just gets better and better and one wonders if it will eventually be a bigger beast than the ‘day job’ for Croona. Released as a single album or limited carton box with a second full album of remixes, Come Out And Play is an essential investigation for all electro/EBM/industrial fans and especially those of bands such as Suicide Commando, SITD, Grendel, and Virtual Embrace.
Copyright RingMaster: MyFreeCopyright