PREHUMANITY- Death Wave

Prehumanity 2

A crawling intensive examination of the senses and psyche is the best way to describe Death Wave, the second album from industrial/electronic/rock band PREHUMANITY, or as it is also tagged death wave. It is a striking and deeply pleasing encounter which is as impressive as it is abrasively uncomfortable, and thoroughly compelling.

The band is the project of Alexander K. Harris, an artist who before PREHUMANITY fronted numerous punk and metal bands, flavours which also add their harsh essences to the album. Starting up the project in 2008, Seattle based Alexander primarily took influences from electronic and death rock bands and released three EPs though they were only available at live shows and online which grabbed the attention of a great many. Continually assessing and writing material whilst performing live with additional musicians, the debut album Not So Becoming was released in 2011 to strong responses. Moving to LA the following year, Alexander wrote and recorded 70% of the follow up as well as recruiting percussionist Seage to the mix for live shows in the city. Completed after additional refining and re-recording of some vocals once he had moved again, this time to Raleigh in N Carolina, Death Wave had its release at the tail of the year. The album has a horror tainted heart and sound which is soaked in the new wave and gothic spices of the eighties and a modern harsh electro/industrial imagination. It is a feisty and bruising confrontation with constant rewards from its intensive violations.

Better Broken opens up the encounter with pulsating beats and a prowling intimidating synth pressuring the ear. Soon into its Prehumanitydefined step the track then brings in a melodic hook which immediately reminds of eighties band Visage and as the track spreads its sonic touch and melodic caresses it takes one back to those vibrant times three decades ago with one foot still firmly entrenched in the powerful wells of today’s sinewy sounds. The track is best described as Specimen and Alien Sex Fiend, a band the album often harkens to, caught in an uncompromising position with Landscape whilst Cease2xist is looking on adding its own intrusive thoughts. A compelling and infectious assault the track is an excellent start to the release soon matched by its successor.

As soon as the stomping strokes of Pills breaks the brief silence between tracks the senses are under an electronic barracking from within a thick cloud of energy. As with the opener the vocals of Alexander are a caustic lashing upon the ear. Expressive and impassioned they are an uncompromising grazing which opens the gateway to darker shadows to join those already lit by the again contagious sounds. Taking a more Skinny Puppy/Ministry gait with a hungry blackened intent the song alongside its predecessor makes one greedy for more and more from the release which of course the album happily and spitefully provides.

The doom encrusted Calling with its brew of Sex Gang Children and Nine Inch Nails like erosive melodic squalls and the thick predatory consumption provided by the metallic Bad Things ignite further intrigue and passion for their inventive contention sparking carriages but it is the track which splits them which almost all alone ensures PREHUMANITY and the album has a permanent stature in our personal playlist. Blood Soaked Suits disorientates with dazzling sonic expulsions before unleashing a rampage of insatiable intensity and invigorating energy, though it erodes as equally as it sparks the body and emotions into unreserved life. With towering rhythms, further caustic vocals, and a wonderful unsettling discord wash to the melodic imagination to the track, the song is a memorable and irresistible bruising with only its briefness a niggle for the hunger it incites.

The excellent Single File with its cavernous depths and ravenous breath not to mention viral sonic teasing is a weave of thunderous energies and heavyweight textures which leaves one exhausted and glowing under its blistering heat. It is only the appetizer though as the equally oppressive and intense Vote With Your Dollars brings further aggressive rage to the canvas of the album. The closing track though offers a warmer melodic coaxing to its rampant storm of stomping dynamics and destructive layers. Like early Young Gods if it also contained Marilyn Mansion, Gary Numan, and John Foxx is a way of describing the expansive sound of the track and it makes for a riotous and challenging end to an outstanding release.

PREHUMANITY wears its influences openly yet turns them into something new and refreshing. Death Wave is an album which all from electronic through industrial to metal fans will find plenty of pleasure from, it is just immense.

http://www.prehumanity.com/

http://facebook.com/Prehumanity

RingMaster 11/01/2013

Copyright RingMaster: MyFreeCopyright

The Physicists – Wayne Newton Hulabaloo

The Physicists

Finnish industrial science metal band The Physicists is a new treat for us and one which going by their new single Wayne Newton Hulabaloo points to its creators being another flame to add to the fires of passionate preferences already garnered over the years. The single is immense, an eclectic riot of rich imagination, insatiable energy, and potent inspirational enterprise. If like us the Helsinki trio is new to you then their new song is the perfect doorway into their seemingly eccentric and wonderfully inventive world.

Taking a look and listen at some of their earlier tracks before addressing the single, The Physicists seem a band which brings an essential breath of experimentation and intrigue to their creativity, the clutch of songs briefly investigated all with an unique presence and gait let alone diverse sound. The new song is no different and a track which is the band at their invitingly mischievous best.

Wayne Newton Hulabaloo is said to continue the scientific tracks which began on their debut album Observation in 2011. The band itself planted its seeds in 2004 becoming a fully functioning trio in 2006 consisting of MC Omega zero (guitar, vocals, loops), Eerosmith (drums), and Gravitinus XVI (guitar). After a series of explosive and unforgettable gigs their first EP Welcome To The Dark Room appeared a year later and was said to split opinions between rapture and confusion, something you feel all their songs and music will wonderfully do. 2008 saw the unleashing of The Old Religion EP as well as the departure of Gravitinus XVI who was replaced by bassist F.P. Meridian. A year later rhythm guitarist David joined and the band took the whole of 2010 recording their first album which included the leaving of the newest member. Produced by Hiili Hiilesmaa and released like the single on Inverse Records, the album drew strong acclaim and enthusiastic reactions. The current line-up was completed by 2012 with new guitarist M-Theory and drummer Bill Rubin replacing Eerosmith. The new single finds the band at first glance on an even greater plateau than before and looks set to make the band a wider known proposition.

Wayne Newton Hulabaloo opens with a deep velvety guitar caress before opening up into a stroll of thumping rhythms, throaty vocals, and hypnotic melodic teasing. It is an instant hypnotic dance for the senses with sonic dazzling and mixed voices, smooth, seductive, and growling. The brief explosive chorus with an additional female beauty is sensational within the rampant and persistent sinewy drive of the track. It is mere moments before voice and certainly feet are complying with the persuasive charms and enthralling energy at work. It is a techno metallic feast with melodic manna and sonic conjuring for which there is no resistance. Warm and aggressive the track is an irresistible brew of sound which plays like a mix of Kontrust, De Staat, and Bondo Do Role.

It is a sensational single which has recruited our passions and no doubt will grab many more recruits to the band given the chance. That is up to you but we can only recommend letting it make its persuasion.

http://www.facebook.com/pages/The-Physicists/125952537425441

http://www.thephysicists.net

RingMaster 11/01/2013

Copyright RingMaster: MyFreeCopyright

ToxicRose – Self Titled

Toxicrose_band_20

The self-titled debut EP from Swedish rockers ToxicRose may not hold many surprises but it does offer plenty of bruising fun and sleaze soaked enterprise. Combining an energetic blend of hard rock and melodic metal the band unleashes a sound which parties with the essences of Crashdiet, Alice Cooper, W.A.S.P., and Motley Crue to the fore.

Formed in 2010, the Stockholm quartet of vocalist Andy and drummer Michael (both ex- Lipstixx ‘n’ Bulletz), guitarist Tom (ex-Gemini Five), and bassist Goran (ex-Sexydeath), took no time in combining their ‘veteran’ experience to create sounds drenched in eighties hard and glam rock, bringing it all up to date for a full and vibrant encounter.  They have garnered quite a buzz around their presence since which their first release can only enhance and drive forward. Admittedly their chosen genre is not one which excites our hearts here but it is hard not to find enough to be enthused about with the EP and find richly pleasurable.

Released via City Of Lights Records, the EP opens with the powerful and magnetic A Song For The Weak. Big thumping rhythms ToxicRose_cover_12and striking riffs  soon capture attention whilst the whispers of keys brings a warm and gentler caress from within the muscular engagement. The vocals of Andy are aggressive yet welcoming to match the array of guitar skill from Tom, his sinewy riffs and melodic invention impressive and engaging. The band look the part for a glam/hard rock band and as this song proves they sound the part too. There is nothing openly adventurous to discover but it is an infectious riot of accomplished invention and invigorating sound which can only be enjoyed and applauded.

From the strong start the following Set Me Free takes a similar path to its predecessor whilst matching in appeal and quality. The striding rhythms and towering riffs command the ear whilst the melodic wash of the keys and sonic teasing of the guitars leave their contagious mark on the senses. The bass of Goran is a pulsating shadow to the song bringing extra flavoursome to its compelling presence. Arguably the track is too much like the first to reach the same heights but still makes for a satisfying companion which gets the job done.

Follow Me offers a slight symphonic breeze from the keys, the track allowing them a more noticeable place in the energetic storm. It is a pleasing difference and adds something extra to a song which brings diversity to the previous tracks. Again the musicianship and songwriting is spot on ensuring another song of epic melodic stature and heated craft. Whilst not igniting the same depth of pleasure as the first pair its open originality to those same songs makes it probably the more rewarding on the record.

The release is completed by Black Bile and Fear Lingers On, two songs which are less accessible and immediate but with deeper depths and surprisingly more anthemic appeal. It is unclear who provides them but again the keys make a great feature on the pair whilst the heavy and intense rhythmic and melodic aspects of the songs share front spot throughout, the track switching focus between the two attacks seamlessly. The second of the two is the heaviest most formidable song on the EP and for that is our favourite especially with its scorched sonic flaring and ear chewing riffing and hungry energy.

As mentioned glam/hard rock is not the genre to bring great pleasure here but we would be lying if we declared that ToxicRose made the time with their release not enjoyable or unworthy. It may not ever be used in the same sentence as best or favourite by us but the EP will certainly find a happy acceptance whenever it finds itself before our more brutal personal tastes.

For fans of the bands mentioned and the likes of Hardcore Superstar, Crazy Lixx, and Faster Pussycat for sure.

http://www.toxicrose.org

RingMaster 11/01/2013

Copyright RingMaster: MyFreeCopyright