Greek extreme metallers Dark Vision has built a strong reputation in their homeland without truly finding a wider recognition worldwide since forming in 1996. Their new EP Ingrowth will not immediately put that right but with its impressive sounds could be the spark to start that deserved reward for the band. Released through Bluntface Records, it is a strong and compelling release built on a base of melodic death metal with blackened overtones which draws essences of classic metal and rock n roll into its stirring mix. It is not going to take you into a new unexplored venture musically but does easily satisfy any and every need required from a slab of devastation.
Starting off with a heavy/black metal sound the band released a series of demos in their first three years to strong reception. As their sound evolved their debut album came in 2000, though Full Moon Shines received its official release in 2002 through NMC Records. With line-up changes Dark Vision returned to full might in 2006 with the quartet’s self-financed Bestial Remedy EP unleashed two years later. With their live shows also drawing strong acclaim with the sharing of stages with the likes of Mayhem, Satyricon, Sodom, Rotting Christ, Septic Flesh and more coming across the years, the band has set themselves as a respected presence in the Greek underground metal scene. Ingrowth shows they are ready for wider acclaim and since its vinyl release last year has drawn a good response something the digital release now should one feels accelerate.
The atmospheric instrumental Thy Flesh Thy Bones opens up the encounter, its brief but dramatic presence and startling breath immediately leaving one on tenterhooks for what is to follow. King of Emptiness at first stops thoughts in their tracks as it is not of the same breath of its ‘introduction’, a different type of beast which is slightly unexpected with this release our first encounter with the band. The song soon has control of ear and senses with its stalking riffs, tight melodic weaves, and growling insidious vocals though. It prowls and stalks with a venomous heart and intense energy throughout whilst sending spikes of sonic craft and acidic melodic spears through the ear with appealing ease. It is a strong and compelling track which satisfies without lighting up the passions fully, something its successor soon remedies.
Pain Redirected fuses classic metal grooves with punk coated aggression whilst again the vocals squall with abrasive intent and pleasing malevolence. The drums cage the senses impressively so the guitars can score them with skilled violence and intrusive rewards whilst the bass though arguably not as openly obvious as one would wish, stomps over the ear with the hunger of a ravenous beast. It is a great and contagious track which confirms already that Dark Vision is a band to be known about.
The EP gets better the further you go into its muscular depths with Garden of Nuclear Mushrooms a pinnacle. The technical prowess of the band is an ever present throughout the release but here squeals and captivates within the brawling intensity magnificently, the discordant scything a delicious piercing within the ravenous consumption of the song. It is intelligently varied in sound and pace along is sinewy length to bring a thoroughly pleasing and compelling engagement.
The EP closes with firstly the thunderous assault of Amongst Dead Butterflies and lastly the title track. The first of the pair has a snarling hunger which transforms its destructive rhythms and merciless riffing into an overwhelming intensity speared by sharp melodic enterprise whilst the closer is a scarring tempest of incessant sonic niggling and corrupting black hearted energies. Both tracks are wholly infectious and an immense end to a great release.
Dark Visions is not a band to bring you something openly new but one which creates invigorating extreme music better than plenty of other artists. Ingrowth is a recommendation you should not ignore.
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