Though new to us it is pretty clear going by their new album Revelry & Resilience, US rockers Gypsyhawk, is a band who just want to make the best rock n roll possible. They are not concerned with leaving one struggling for breath under a weight on extreme metal intensity or confronting the senses with a technical assault to leave them bewildered and disorientated. This quartet from Pasadena just want to party with your ears, body and hearts for a great time for all. The band find their inspiration in the rock sounds of the seventies when things were more uncomplicated and straight forward. Their music revisits and distils all the best flavours into their own inventive brew of rock music. Arguably it is not maybe the most original sound ever but it certainly makes for an eager and infectious friend once having made its company.
The band began in 2008 when bassist and vocalist Eric Harris (ex-Skeletonwitch, Sorcerer) linked up with guitarist Andrew Packer (Suns Beneath). With a full line-up the band gigged hard sharing their rock n roll sounds, music which was distinct from what their previous bands had made. 2010 not only saw the release of their decent debut Patience And Perseverance, but also later a change of members when guitarist Erik Kluiber (ex-White Wizzard and currently Overloaded) and drummer Ian Brown joined. This was too arguably the moment the band truly discovered their sound and became what Harris and Packer had envisaged.
Released via Metal Blade Records, Revelry & Resilience is a nonstop storm of great rock music from first note to last. As mentioned the album is borne of times when arguably rock was at its most honest and vibrant and it makes no pretence of its seeds. You can hear many flavours within the release which reflect obvious influences of the band but you always drift back to one, Thin Lizzy. There are moments their love of the band soaks their music but it proves not to be a bad thing just a powerful spice which adds a recognisable taste to the release.
Overloaded opens the gate to the energy and fun of the album, a track which instantly pulls one into a mesh of feisty riffs and punchy rhythms. For all the great things on the track including the striking and enthused guitar work around the gravelly absorbing vocals, it is the bass of Harris which captures the imagination most. He brings a growling discontented sound which adds a depth and thrilling presence to the otherwise user friendly sounds. It offers a balance and edge to it all exposing the metal traits of their sound.
The strong start is immediately improved upon by the contagious strides of The Fields. The song unleashes a teasing hook from the start to infect the senses before its mischievous groove runs amok. It is an unstoppable infection which bundles clean riffs and incisive melodies through the ear at every turn for unbridled satisfaction and pleasure. The track like the album as a whole is not threatening to break down existing rock boundaries but simply wants to improve upon and energise the existing ‘rules’.
Tracks like the powerful Hedgeking with its flaming guitar invention, the bruising Galaxy Rise, and the sharply grooved 1345, all give a varied and compulsive high octane feast to soak up eagerly. The second of the three lashes out with some thrash muscle whilst the last ignites against the ear with sparks of melodic intensity amidst blistering sonic showers.
Night Songs From The Desert is the one time on the album things are slowed and it is glorious, a track with a metal beauty and passion which shines through its reserved moments and energised crescendos. Again the bass and drums thrill with their grumbling and combative strengths respectively whilst vocally Harris lights the air with a fine and emotive delivery.
Revelry & Resilience is an outstanding album with songs which excite and please thoroughly. They have a familiarity to them like old friends but with the resourceful thought and fresh energies Gypsyhawk infuses them with, makes for something all rock fans should get a big buzz from.
Copyright RingMaster: MyFreeCopyright