Though only in August, our list of certain singles of the year has meant shoes and socks have had to be removed to keep a tally of our claims so far. Obviously it is too early to really make declarations though here we have a single which possibly leaves all in the shade. It comes from UK rock band Always The Quiet Ones and is formed of two tracks, Drought and Ghost In The Filament. Quite simply it is one of the most exciting and exhilarating things to come along in recent months and though we will keep a rein on claims it is hard to think to date of many singles which rival it.
Always The Quiet Ones first drew a wave of feverish attention with their debut EP Freakshow from not only us but from media and fans countrywide. It was a release which once it took hold led to a deep connection and near adoration of their sound though the new songs have ignited things to an even higher intensity. Formed in 2010, the Liverpool quintet of vocalist Blas Barragan Jr., guitarists Joe Danher and Adam Lucas, bassist Chris Nicholls, and drummer James Lorenzo, took no time in owning audiences through their live performances which saw them sharing stages with the likes of Deaf Havana, Mojo Fury, The Safety Fire Axis Of, Turbogeist and Fighting With Wire. As mentioned their EP drew strong responses upon its release earlier this year with the band seeing heavy play on Total Rock Radio, XFM and Kerrang! Radio, as well as extensive press coverage. Already the new single has been eagerly featured on The Reputation Radio Show and upon its release August 20th is sure to fire a real acceleration of acclaim upon the band.
The promo for the release opens with the line ‘Pounding on your front door like the bastard love child of Tool and early Biffy Clyro…’, and you can definitely apply that to the song Drought though the swapping of Biffy Clyro for The Manic Street Preachers would be more accurate. The track opens with slapping beats on the senses from Lorenzo brought with the eagerness of kids playing the old classic prank though there is no running away involved. Group shouts bring the hairs on the back of the neck to attention as they scorch ears with tribal intensity, before things erupt in to a storm of feisty riffs and melodic incision to further rile up the passions. Things take a breath as the band settle into an emotive vein, the bass of Nicholls throbbing with a deep resonance amidst the sharp enticing play of Danher and Lucas. The vocals of Barragan Jr. are immense continuing on from their strong showing on Peepshow but with even greater expansive expression and control. There is a definite James Dean Bradfield feel to his tone and delivery, the emotive feel and expressive power he brings to the songs immensely striking and impressive. The track expands with angular strides in sound and energy as it explores its limits, its muscles and invention sprawling over the senses. The track ends as it begins to leave one breathless and fully agitated in the very best way.
Ghost In The Filament makes its introduction in a less dramatic way but with just as much infectious force with the guitars twisting and immersing the ear in sonic imagination. Again it takes a step back in intensity to let the bass stomp with its hungry breath whilst the vocals hungrily prowl and growl over the senses. Distinctly different from its companion but equally as mighty the track is a fiery captivation, its flames of imagination and intelligence igniting the deepest satisfaction. There is great rock music and there is the place where Always The Quiet Ones goes where the word brilliance seems the only appropriate one. The song as does Drought , leaves one on the edge of exhaustion and urgently eager to hear more.
Both songs show a band improving at a gallop and set to explode UK rock music into places it has not graced in a long time. Always The Quiet Ones really are that good and getting better all the time.
Listen to Always The Quiet Ones on The Bone Orchard podcast from The Reputation Radio Show .
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