Recently the audience to The Reputation Introduces Radio Show heard for the first time and with an eager reception a song from UK band The Modern called SamePeople. The track was an older song so as soon as the band completed their brand new EP Dream Nights we dived right in to its depths to check out the fresh slices of sound from the bands creative minds.
The quartet from Worcester formed in 2009 and soon found them with a loyal fan following from their exciting live shows. The following year saw the band release their debut album Where Did All The Good Times Go? to good acclaim. Recorded by Gavin Monaghan (Ocean Colour Scene/The Twang/Editors) at his Black Country-based Magic Garden Studios, the release showed off the band sound and energy to good effect. Their music carries a Madchester sound base, the songs emerging with a definite Stone Roses feel and elements of Happy Mondays, the band being a big fan of Shaun Ryder, and Inspiral Carpets.
Dream Nights starts with the title track, a song almost in two parts. It gently lifts off with a smooth soulful touch, the guitars twisting around the ear from Connor McMinn as vocalist Luke Morris delivers the lyrical content in a way that gently works its way into the thoughts though it comes with a hollow slight echo type production that takes a little time to get used to. Notable is the vibrant bass play from Will Lawrence who leads the track on with firm support from drummer Sam Ryan. The track exudes bursts of eager excitement at certain points but stays restrained until mid way when it thrusts forward with a delicious intense electrified guitar crescendo which dominates to great effect.
Previous download single Featherstone comes next, an initial gentle track which increases into a strong canter as it progresses. It has an 80s feel again but reminds more of bands like an electrified Farmers Boys or The Bluebells. The song swings gently across the senses and still with this slightly hollow production comes over as an impressive pop song. With two tracks down the production does become a notable thing about the EP, and though it may just be down to preference this echo like handling especially on the vocals is slightly distracting and becomes even more so as the EP proceeds, a shame as the songs despite this show good quality.
The EP’s best track is I Need You, a gem and crying out to be a single. The guitars play enthusiastically with a jangly scuzzy sound as Morris once more swarms over the track with good mellow but incisive vocals. The band do not try at all to hide their influences using these to great effect though maybe it is fair to say the band have yet to find a distinctive sound that makes people think of them before those artists the songs remind of.
Dream Nights is a fine release completed by more strong songs like Quick On The Draw with its easily digestible grace, the stoked energy of Start The Day, and the bluesy Stuck on Friday. Musically teach member of the band is accomplished bringing elements that grab attention whilst lyrically the band without becoming over complicated, avoid the obvious. It has to be said that the production does firmly hinders the overall effect of the EP especially regarding the vocals where they often feel unattached to the music, which is a shame as all elements are there to show The Modern is a fine band with good ideas destined to become even better. The EP without question though is definitely worth checking out for its satisfying sounds and a fusion of nostalgia and modern attitude.
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