23 | July | 2011 | The RingMaster Review

Blood Of The Saints the new album from German metalers Powerwolf is not simply just another simple studio release, their fourth album on Metal Blade Records was a long and determined piece of creativity. Recorded across multiple studios and in a 13th Century church for choir segments it is a labour of love that completely shows through over the eleven striking and infectious tracks. Their work and intensive thought in making the album work at the height of its ability is as impressive as the big power metal sounds, harmonies and choruses themselves. Guitarist Matthew Greywolf of the band commented “We’re really excited about this album. It’s been a hard piece of work, but it was so goddamn worth it. I think on Blood Of The Saints we really delivered a striking balance of mighty melodic stuff and some serious wolfish metal madness, all dressed up in some highly catchy tunes. We can hardly wait until the album is finally out and we can celebrate these tunes together with all of you. Be prepared!”
Founded by Matthew and his brother and fellow guitarist in the band Charles, Powerwolf have continued and moved on from their acclaimed previous album Bible Of The Beast with the new release bringing their blasphemous/religious/occult content inside big powerful, enveloping songs. It has to be said this Review never expected to ever be won over or write positive things about a power metal band but the fact is this album is stunning.
The album starts with the intro of ‘Agnus Dei’ leading into a trio of glorious tracks and the best three on the album. ‘Sanctified With Dynamite’ immediately bursts into big vocals, Attila Dorn in impressive full flow over rapidly jabbing drums and majestic church organ sounds from Falk Maria Schlegel. The song is incessant pulling one into its heart to join in with the chorus and feel the power, though that can be claimed of most of the tracks on Blood Of The Saints to be fair.
‘We Drink Your Blood’ and ‘Murder At Midnight’ keep the quality coming, their vocal cord bursting choruses, flowing harmonic guitars and probing rhythms certain to get any warm blooded rocker fist pumping to the sky. The drumming duties after the departure of Tom Diener were taken by Roel van Helden on the album and to say he did a fine job is being unjust to his brilliant contribution to each track and especially on these two songs.
Every track of the album though is of such a high standard and it is a joyous surprise for those of us not even remotely having any affection for the genre but there is a variation and vibrancy of sounds and ideas that make it all work perfectly. After such a strong start one could expect a dip in levels after but songs like the Tyr/Dommin spiced ‘Dead Boys Don’t Cry’, the creative guitar flowing ‘Night Of The Werewolves’, and the powerful epic ‘Phantom Of The Funeral’ all show that Powerwolf know how to and do write and deliver songs that consume more than just the ear and all to a high standard.
One can see the band maybe not appeal to everyone but the creativity from the heavy rampant riffs to the symphonic glory within some tracks is undeniable and impressive. If one has a small part in their heart that can feel for big lung busting vocals, soul soaring sound, and primal gifted rhythms then Powerwolf and Blood Of The Saints is your next musical destination.

http://www.powerwolf.net/

RingMaster 23/07/2011

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It is fair to say that many hard rock bands and releases are generally predictable, not necessarily bad, just that you know what you are going to get before a note is played and there is often no distinction from one band to another who are effectively and sometimes satisfyingly reproducing the same set sound of the genre. Unless a real fan of hard rock it can be off putting from checking out bands and their music, but it is bands like DC4 who make sure nothing should be taken for granted and shows that there is some strong and intriguing blood pumping through the heart of the genre.
The L.A. rockers show with new album Electric Ministry on Metal Blade Records that the time between their previous release Explode and this has not been a barren time ideas wise, Electric Ministry being a breeze of hard rock sounds infused with strong and vibrant metal riffs and tones. Consisting of the brothers Duncan, vocalist/guitarist Jeff (Armored Saint, Odin), Matt on bass, and drummer Shawn (Odin) plus Rowan Robertson (ex-Dio) on guitar, DC4 have produced an album that shows at its best why rock fuels the day for so many.
Electric Ministry begins on the short instrumental burst of melodic energy ‘Wrecktory’ setting up an edge for the title track to ride in upon. With driving hard riffs and a deep throbbing bassline ‘Electric Ministry’ delivers strong effective rock ‘ n’ roll, Jeff’s vocals punctuating the track purposely and strongly with his classic rock vocals. This is a good blend that features throughout the whole album, the classic and hard rock styling from his vocals and band harmonies as well as some delicious rock guitar play all combining with some direct and dark aggressive riffs that would not seem out of place on a Spineshank or Sick Puppies album.
Two of the best three tracks on the release are the sexed up wonderful ‘filth’ of ‘XXX’, a riot of aggressive loin fire that is as infectious as the subject matter for any respectable rock star is itself, and ‘Rock God’ with the best combination of body throbbing induced bass and drum rhythms heard this year, pounding behind some guitar and melodies that point to a Alice in Chains/ Stone Temple Pilot feel and touch. Matt’s bass is imperial and alone would make the song something special but everyone is at their pinnacle making the track irresistible. The third glorious track comes later in the shape of the dark, venomous ‘Sociopath’, again rippling with wickedly devious riffs and intensity. Though many of the tracks are right there supporting with great sounds and quality such as ’25 To Life’ and ‘People’ another great bass driven track , both having a good John Bush era Anthrax flavour to them, ‘Sociopath’ and the other duo of tracks take Electric Ministry to a much higher level.
One of the strong positives about Electric Ministry is its strength in bringing the hard rock and metal elements together to appeal to both set of fans. Possibly tracks like ‘The Ballad Of Rock And Roll’ and ‘Glitter Girl’ might not work for those not into the hard rock sound particularly but with eight other great tracks that surely will it is not an issue and with the great rock flavourings, vocals and guitar sounds on the heavier riff laden songs pleasing traditional rock fans this is a all win album for all.
Electric Ministry has the quality hand of Bill Metoyer guiding it and it is hard to imagine anyone anywhere that could have made it sound any better or have the understanding of what the band wants as well as him. Production is crisp allowing each member to excel and be heard in perfect tandem with each other. DC4 have shown that hard rock does not have to be a replica of what came before and mirror everyone else currently and with Electric Ministry given essential listening for many other rock favouring ears.
http://www.dc4rocks.com