MANUMIT goes ‘Digital & Hostile’, from 1st September‏

Manumit Online Promo Shot

Welsh solo artist Manumit is poised to unveil his explosive debut album, Digital & Hostile on 1st September, through Lost Generation Records, a release which be an anthem for anyone looking for originality.

In an increasingly over saturated market, every fan, record label, radio station, music channel and magazine are screaming for something new. Manumit is certainly that. Spawned in 2012 and coming at you from Bridgend, South Wales (home to the likes of Bullet For My Valentine and Funeral For A Friend), Manumit has strived to bond genres whilst sculpting  genuinely distinctive songs that pull you in from their first breath.  Taking from a plethora of influences, ranging from Alexisonfire and Paramore, to Nine Inch Nails, Pendulum and Nero, whilst drawing from the fundamentals of dubstep, drum n bass, and electro and fusing them with cutting edge rock, metal, and post-hardcore, Manumit has amassed a sound that packs pulsating rock riffs with thoughtful melodic vocal and synth vocal work, all broken up by brutal digital breakdowns. The end result is an original onslaught of contagious, anthemic tracks that are loaded throughout with intricate dynamics.

Mamumit hit the ground running with the release of both his debut EP ‘F**k Genres, Love Music’ and his first music video for the track ‘Walk Away’; people across the world couldn’t help but take note. Turning industry heads, ‘Walk Away’ made it to the Top 10 Fresh New Videos on Scuzz TV, coming in at No. 2 ahead of Bullet For My Valentine, Biffy Clyro and Limp Bizkit, among others. Following this, Manumit went on to release two other singles and videos for ‘Can You Hear Us?’ and ‘Afterglow’, all of which were extremely well-received and also featured on Scuzz TV.

On September 1st 2014, Manumit will nationally unveil his hugely anticipated debut album ‘Digital & Hostile’ through independent imprint ‘Lost Generation Records’. A DVD featuring all music videos, interviews and live performances is also available alongside the album, which consists of ten killer slabs stemming from past singles ‘Walk Away’, ‘Can You Hear Us?’ and Afterglow’, as well as seven new tracks. The album takes you on a breathtaking and formidable journey, and it’s destined to break Manumit into the national sphere.

- MANUMIT RELEASES ‘DIGITAL & HOSTILE’ OUT ON MONDAY 1st SEPTEMBER THROUGH ALL GOOD STORES -

Manumit Cover Artwork

https://www.facebook.com/manumitofficial    https://www.youtube.com/manumitofficial

Forever Can Wait – Beauty & Grace EP

FCW promo

Though their sound is not yet burning new grooves in the walls of melodic rock, UK band Forever Can Wait have something about them which suggests that there is a richly promising and even greater presence within the Southampton quintet which will only accelerate on from and build from their impressive debut EP. Beauty & Grace is an enthralling magnet of a release, six fascinating merges of melodic rock and post hardcore which seduces at every twist of its inventive encounter. It does not ignite raging fires in the passions it is fair to say but undoubtedly with a craft and melodic instinctiveness which only persuades strongly, the EP has emotions and satisfaction burning brightly and hungrily for the band and their future horizons.

Formed in 2009, Forever Can Wait has earned a strong reputation for their live performances which has seen them share stages with numerous higher profiled bands and over 2013 with the likes of Press To Meco, Out For Tomorrow, Bad Sign, and Villains. Equally the year has found the band drawing acclaim for their sets at the Butserfest, Takedown, and Download Festivals, the last coming about from the band winning this year’s Red Bull Studios Live At Download competition. With good airplay also following recent singles, it is not hard to imagine and suspect that the Beauty & Grace EP will register the band within a nationwide awareness and spark an even greater ascent for the creative band.

The title track sets things in riveting motion, guitars scoring the air with emotive tones over a firm rhythmic beckoning. It is not a Beauty&Grace Artworkdramatic entrance but one with a potency to light keen appetite for how things will evolve, which they do in fine style with the vocals of Tash Crump taking control. From within a reserved and teasing passage, the lady’s tones make a strong and pleasing caress which only impresses across the song as they more than hold their own as the guitars of Liam Baker and Will Wilson turn in a snarling enticement and heat to the song. As the EP, the track does not quite get the heart fluttering and gasping for breath but definitely awakens keen eager attention.

The following P&Q brings the intensity and contagion which is only simmering within its predecessor and takes little time in securing a rampant greed for its presence. The guitars initially churn up the air with expertise and temptation before stepping in restraint to allow the jabbing beats of drummer Toby Leonard to build a formidable frame which the rapacious growling basslines of Luke Gould deliciously prowl. With caustic hooks and clean grooves weaving within the scorched energy, the song is a feisty encounter if one which never fully ignites as it hints at or one hopes. As in the first, Crump makes for a richly appealing narrator and makes the perfect temper for when the track does unleash a sonic scourge which teases bedlam but pulls away before crossing the lip of tempting chaos.

Rest is a smouldering seduction from its first breath but one stalked wonderfully by the grouchy throat of the bass. With great backing vocals from the guitarists, something arguably there is not enough of on the release, and a brooding atmosphere to the reflection tackling track as well as the ever convincing expression of Crump, the song takes its time but emerges as one of the strongest highlights of the EP alongside its predecessor.

The brief and decent enough piano crafted instrumental Release makes an evocative interruption before leading into the equally emotive Excuses. With a female fronted band like Forever Can Wait, Paramore comparisons always seem second nature but over the length of Beauty & Grace, this track is the one which really only sparks that thought. The track does not match the heights of the previous songs but still holds the listener in a tender but firm grip which the closing Hopes & Dreams matches with an emotionally hued flame of melodic craft and intensive enterprise.

The first half of the EP is certainly the strongest but Forever Can Wait has a strength and potency which makes Beauty & Grace something to enjoy and hanker for from start to finish. There is massive potential within the five piece and using their debut as an impressive base you can only see them becoming a familiar and sought after name on the rock bred lips of the country.

https://www.facebook.com/forevercanwait

8/10

RingMaster 27/11/2013

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White Clouds And Gunfire – For All The Non Believers

White Clouds & Gunfire Online Promo Shot

For those looking for some fresh melodic rock with pop punk overtones heading over to For All The Non Believers, the debut album from UK band White Clouds And Gunfire, would be a definite recommendation. Comprised of eight extremely well crafted and impressively presented songs from musicians which undoubtedly knows how create flavoursome melodies, the release makes a richly promising wider introduction of a band which has already been making ripples ensuring that the album’s appearance September 2nd has for a great many been eagerly awaited.

Formed in 2009, the Peterborough band went through a time of line-up instability during its first eighteen months or so before finding a steady plateau to build upon late 2011. Subsequent support slots and the sharing of stages with bands such as We Are Fiction, Mallory Knox, Army Of Freshmen, Sonic Boom Six, OPM, MC Lars, and The Hype Theory have increased the stature and reputation of White Clouds & Gunfire whilst their first EP, Zero To Hero was home to acclaim from the underground through to the likes of Rocksound and Big Cheese. Now the quintet of vocalist Eveline Verdegaal, guitarists/vocalists Byron Marr and Alex Cox, bassist/vocalist Rob Woods, and drummer Lewis Fountain, stand poised to make a major impression and statement with For All The Non Believers.

From the first minute of opener Bruised Not Broken you have a full declaration of what you are getting from the band, impressively White Clouds & Gunfire Cover Artworkwritten and presented songs with a more than loud whisper of Paramore about them. There are many other names you could place before them but the American band is the loudest call for sure, though White Clouds And Gunfire does suggest that in their armoury the band has the means and invention to create something more unique ahead. Starting with evocative keys leading into a vibrant and energetic start, the song takes little time in bringing feet and senses alive, the outstanding vocals of Verdegaal backed well by other members of the band, instantly magnetic whilst the guitars of Marr and Cox paint a provocative narrative around the driving drums and roaming bass lines. Harmonies also soar throughout the track to open up strong hunger for the release and help make it a rather impressive start to the album.

Same Old Town and You Can’t Bring Me Down continue the strong beginning, the first of the pair offering a reminder of eighties band The Photos at times as it strolls melodically and energetically through the ear. Again the vocals stand out whilst the guitars flame and dance with imaginative poise to spark the appetite further whilst its successor brings a more anthemic breath to its persuasion with the rhythms of Fountain alongside the pressing intensity of Woods creating a commanding and potent cage for the rest of the band to flourish within.

The exciting riot of drums which opens up next track Poison immediately has lips licked though in some ways the full expansion of the song is underwhelming in comparison, though still another well-defined and warm romp which is as emotive and tender as it is frenetic and greedy for attention. As ever the vocals steer the ship magnificently and the drums crash through defences with skill and predaciousness but equally at this point on the album you realise there is a familiarity and similarity across the release which is louder than the individual traits of songs. It means a deep focus to truly pick out those singular attributes is often needed though in many ways not a major issue on this release  such the quality of the songs and their temptation but certainly it  might be an issue ahead. The promise bred by the album and the already open creativity and skill of the band suggests this uniqueness will organically evolve, though time as always will tell.

The best songs on the release step up side by side next starting with Pebbles. With an excellent effected start the track gains pace by the second until exploding into a full on punk pop tease with a simultaneous snarl and melodic elegance. Finding a gentler though still rowdy presence, thanks to the again crispy powerful drums, the guitars weave a sonic maze of enterprise around Verdegaal, their flames licking at the walls of the song with invention and riveting adventure. It is probably fair to say the track is again close to the songs before but it has that indefinable something which lifts it above the others and into the passions. Reflection too has that extra element setting it apart, Verdegaal simply enthralling and the guitars poetic in their melodic fire whilst the keys and the stronger and lengthier male vocal contribution are an inspired touch setting the track as the pinnacle of the album and debatably the first to truly stand out.

Dreams and Since You Were Gone complete the album with both in full control of attention and limbs. The first holds a thumping attitude and creative swagger with the bass of Woods finding a new and its finest voice on the release. The track in full stride offers an irresistible hungry stomp which leaves lungs breathless whilst its companion makes a fiery finish with gang shouts and melodic drizzles of entrancing colour which help add that ear catching element all great songs have.

For All The Non Believers is a thrilling and extremely satisfying album from a band which has a massive future awaiting them if they want to seize it. Admittedly it lacks that killer song which lingers and shapes your heart and as mentioned the band still has not that distinctive presence to ensure they stay in thoughts away from view, but White Clouds & Gunfire write and create songs which you cannot dismiss such their passion, imagination, and expertise, and that can take them a long way. Watch this space is our suggestion…

www.facebook.com/wcagf

8.5/10

RingMaster 31/08/2013

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Chasing Dragons: Take Flight For A Firefight

In already a year of immense debuts maybe the most impressive of all comes on August 13th with the release of Take Flight For A Firefight from melodic metal/rock band Chasing Dragons. It is a release which quite simply leaves the heart afire with unbridled passion and enthusiasm , the UK rockers flooring expectations and the senses with their introduction to the world.  If you had any doubt about the state and future of British rock music then Chasing Dragons easily lay it to rest.

Formed in 2011,the quintet from Leeds fuel passions with a riotous mix of metal and rock n roll. They bring the aggressive bite of The Distillers and snarling punk energy of Bikini Kill into a refreshing blend with classic metal flavours from say an Avenged Sevenfold and the melodic prowess of a Paramore. What emerges is something unique to Chasing Dragons laced with familiar spicery to make for an instantaneous pleasure and connection. The band has been picking up a very strong and rapidly growing following as through their stage performances which has seen them alongside the likes of Attack!Attack! (UK), The Headstart, Skarlett Riot, and Our Innocence Lost to name a few. Take Flight For A Firefight though will throw the band to much loftier plateaus once it rampages through the ears of metal and rock fans  nationwide, the EP that impressive.

As soon as the first electrified riffs of opener Spawn Of The Succubus light up the ear one is immediately and fully drawn into the moment as if nothing else exists and as soon as the outstanding vocals of Tank spread their stunning tones throughout the song, the world is a distant memory. There is something extra in the character of her delivery and voice which demands and receives willing attention, whilst her control of melodies and intensity sets her apart from most other female vocalists anywhere. The song itself is a fury of scything scorched melodic play and inciting muscle bound riffs from guitarists Mitch Sadler and Zebs alongside the thumping explosive rhythms of bassist Ant Varenne and Tom Wheelwright on drums. The track has a gnarly core within the open infectiousness of the golden melodies and contagious hooks to give it a depth and hungry presence. It throughout is lighting up the senses with majestically enticing craft and  imagination but all the time also chewing on them with an underlying greed.

The startling and captivating start is backed up by the following bristling harmonic glory of Mirror’s Edge. A softer yet no less riveting appeal to the ear, it is an evolving piece of invention fusing military rhythms to enchanting melodic caresses from music and vocals alike. It then turns the emerging brew in to a punchy storm of expressive and incendiary energy. Again as on every song the voice of Tank is something special, a wonderful piece in the arsenal of a band just as special itself. Even though it only two tracks in on their debut the promise of the band let alone what they lay before the ear is overwhelming.

Rivalling the opener for best song is the brilliant Seeds Of Tomorrow, a song which showers the listener with glittering melodies , golden harmonies, and sparking guitar play, like confetti. The song is full contagion brought with a potency of craft and songwriting which is staggering. It does not offer any restraint on their power either, the song a wondrous slice of metallic rock n roll.

The bulging release also offers up the excellence of the hypnotic City Of Steel to further have one licking their lips as well as a very impressive cover of the Alannah Myles track Black Velvet, which is no lie to say leaves the original in its wake. The EP is completed by remixed demo recordings of Into The Pit and Under The Earth which in their rawer form still show more promise and accomplishment from the band than can be found in other studio releases, plus two excellent live acoustic songs of again Into The Pit and Spawn Of The Succubus.

Take Flight For A Firefight is simply staggering and the cause of full excitement to what is sure to come in the future. Chasing Dragons is already on the verge of something special and we can only be the winners, so no point in waiting go and enjoy now.

http://www.chasingdragons.co.uk

RingMaster 08/08/2012

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SIVA Addiction: Bad Decisions

You can never say no to a dose of heart bred rock n roll and that is exactly what you get with Bad Decisions from US hard rock band SIVA Addiction. The album is a feisty and eager collection of very agreeable well groomed rock songs presented with great ability and even greater passion. Bad Decisions may not be the most original album but it is one of the more satisfying and undeniably contagious.

Led by the outstanding voice of Bridgette Oliver, SIVA Addiction is a band on a rise with this their second album already garnering strong acclaim and support. The follow up to their equally well received debut album Artifice of 2009, Oliver with guitarists Andy Hopkins and Vince Lindstrom, bassist Jesse Slone, and drummer Brandon Fields, have created a release which triggers all the right instincts in a rock album, passionate lyrics, heart driven sounds, and unbridled energy. Bad Decisions also has the similar effect on its recipients ensuring a great and satisfying time is felt by all.

Unavoidably in this genre and with striking clean female vocals the accurate comparisons to the likes of Evanescence, Halestorm, and to a lesser extent Paramore, are inevitable and as said they are for the main spot on but with hand on heart I know which band I would prefer to listen to, SIVA Addiction. It is not that they are particularly unique or stand far apart from the others but there is honesty with no disrespect to other bands, which coats their songs and an irrepressible connection which develops as the album plays.

With an almost reserved start the opening title track soon has the ear engaged with muscular riffs and incendiary guitar play before Oliver unveils her exceptional voice. With the bass pulsating just under the surface and rhythms making a fine framework for the band to explore, the song is an immediate keen companion. It does not offer anything particularly unexpected but when a song just scoops you up in a mutual friendship only enjoyment can break out.

The latest single comes next in the fine shape of One Night Rodeo. From the off the song hits the spot, the slightly grizzled guitars teasing before flexing and  evolving into a hard yet melodically driven ball of rock n roll. Anthemic in its pull the track like the opener is an instant infectious pleasure with robust riffs bursting through the ear for the vocals and grooves to follow with skill and energy.

The impassioned Hit Me, a song full of defiance and contempt steps forward next with the voice of Oliver bringing bigger balls than her target soon followed by the stirring Gone Away and excellent emotive ballad Take Me Home. All three gratify without lighting uncontrolled fires and keep attention and enjoyment at a high. What is impressive about the band is though the vocals of Oliver stand out they do not deflect from the excellent sounds and musicianship alongside her, SIVA Addiction finding the right balance throughout.

The consistency of the album is held tight across its whole length with songs like the pop rock When It’s Over and Get On Out with its great ill tempered riffs continuing to leave the ear and beyond treated to strong songs and full contentment. The album does hit a real peak with best track Night To 5, an insatiable rampage of riffs and adrenaline fuelled energy. The track is an infection unleashed and has feet and head in tandem within moments of its high octane explosive start to emerge as one of the most contagious rock songs let loose in recent months.

Bad Decisions is an album which ticks all the right boxes, it does not venture into particularly new pastures and at times calls out for a rawer edge to its polished surface but does quite simply deliver some very enjoyable rock n roll to spend a very satisfying time with, and the SIVA Addiction idea of rock music is very pleasing indeed.

http://www.siva-addiction.com

RingMaster 21/06/2012

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Skarlett Riot: Villain

If you have not come across UK rock band Skarlett Riot yet that will soon change with the release of their new EP Villain on March 19th. Bristling with formidable sounds, confrontational attitude, and a bearing of its fangs, the release is mighty; a deeply gratifying feast of heavy and explosive riffs fuelled by instinctive melodies and barely controlled energy. Villain stomps all over the senses and then goes back to give them another kicking after reviving them with its invigorating charm and infectious sounds.

Formed in 2010 Skarlett Riot has already garnered fine praise and acclaim for their live shows and debut EP. Their sharing of stages with the likes of Taking Dawn, Crashdiet, Glamour of the Kill, Black Spiders, Forever Never, Deaf Havana, and Francesqa and recent successful appearance at the Tramlines Festival set them as a band to watch something Villain strongly confirms. With a sound that takes the essences of the likes of Paramore and Halestorm and twists them into a stylish rod of melodic prowess to fuse with the bands aggressive and intense rock n roll, the band are about to make a powerful statement with the EP, an affirmation and declaration of intent and power from one of the best emerging UK bands.

The release goes for the jugular from the off, the opener doing exactly what its title says Party Hard. The song walks into rather than storms the ear, its nicely crafted and free flowing guitars from Danny and Skarlett stroking and badgering the senses eagerly. The vocals of Skarlett are impressive, her commanding and quarrelsome delivery perfectly riding the tremendous pummelling of Lukes drums and the belligerent bass lines of Tom. The song gains momentum as it progresses to set a strong start to the release.

Read My Lips soon takes things further though, with pulsating riffs that dazzle as the bass plunders the ear with menace. The song is an easy infection for the ear, an defiant anthemic muscular track that marks the band down for much greater things ahead. The songs hooks are irrepressible and its heart captivating, a great song that sets a high bench mark for the rest of the EP.

Luckily it is up to it with You’re The Enemy and Villain more than capable of keeping the wave of intensity and irresistible engagement going. The first is a guitar delight; a darker and more venomous track the riffs are challenging and the solo creates sparks from its wonderful scorching of the ear as it explodes. Villain rivals Read My Lips for best track on the release with the grumbling bass from Tom prowling around the striking drums and incisive guitars deliciously. As on every song Skarletts vocals rage with a passion and controlled attitude that takes the music into other complimentary avenues to its mighty intensity. If there was a dispute you would put your money on her, she steers the thunderous sound the band creates skilfully, the quartet as a whole masterful in merging the brawly sound to their melodic artistry.

Villain is a great release that all rock fans need to check out. Skarlett Riot are as mentioned emerging as one of the finest new rock ‘n’ roll bands in the UK, this EP suggests maybe the best.

www.facebook.com/skarlettriotuk

Ringmaster 13/03/2012

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