Following on from their seemingly universally acclaimed debut album, Canadian progressive metallers Unbeing have released the exceptional Raptus EP, a rich and compelling journey for the imagination and emotions. As technically captivating and enthralling as it is evocatively absorbing and invigorating, the four track release whisks the listener across an expansive landscape of sound and adventure but one also soaked with an intimacy which provocatively caresses thoughts and feelings. It is a compelling and exhilarating proposition, easily one of the most pungently inspiring instrumental releases in quite a while.
Formed in 2006, Unbeing began as a three piece. Line-up changes ensued whilst two demos in 2008 and the following year respectively, drew strong and enthused reactions. The Montreal band then won Metal Académie 2, a two month competition judged by the likes of Kataklysm. The next step in the evolution of the band, seemingly inspired by the judges’ comments of that competition, saw the band dispense with vocals and concentrate on their already striking instrumental explorations. Over the past eight or so years the band has continued to evolve and impress live, sharing stages with bands such as Neuraxis, The Red Chord, Walls Of Jericho, Martyr, Katatonia, Incision, Anonymus, Beyond Creation, and Scale The Summit along the way. 2011 was the year of their self-titled debut album, with the band at this point grown to a quintet. It received acclaim from fans and media alike, its re-release two years later as a re-mixed and re-mastered vinyl edition equally devoured by the metal community. Now it is the time of the Raptus EP to spark the passions, something its twenty minute flight across a Montreal Metro themed incitement is sure to repeat time and time again as it draws minds and hearts into its imaginative aural poetry.
Unbeing opens up EP and imagination with Rapture which from the first wind of metal on rail coaxes with an evocative melodic enticement which wraps elegantly and creatively around ears and thoughts. Rhythms shuffle erratically but purposefully over the senses as guitars and keys cast a fine web of intrigue and awakening urgency. It is a dawning, an inventively expressive entrance into a busy and continually but gently escalating fever of activity and emotionally rich dramatic hues. The outstanding track flows into the next carriage of the evolving adventure, the following Batterie Faible bringing a more settled and sultry air to the emerging scenery. There is a jazzy breeze and breath to the caress of the song, again the guitar of Sherif El-Maghraby and the seducing keys of Martin Labelle washing over ears with a contagiously picturesque and melodically fuelled sonic design. Entwining peaceful climes and tenacious rapacity, the song intermittently seduces and agitates the emerged vision in thoughts, bursts of aggressive intent swarming across less intensive moments. It is all irresistibly framed and veined by the shadowed emotional hunger of Jean-Philippe Bédard’s drums and the increasingly provocative swing and flirtatious grooves of bass from Alexandre D’Amour, their drama alone potent fuel for the quite exceptional and embracing, physically and mentally, piece of adventure.
Over the two songs thoughts of the likes of Tesseract and Pelican come forward but also in different ways others like The Ocean and indie instrumental band Human Pyramids, particular elements, textures, and melodic paintings pulling loose but definite comparisons. The next up Tetris Rufus sparks similar thoughts but again another fluid shift in the journey sees the listener taken into darker more metallic structuring within a melodically incendiary climate. There is a volatile edge to the piece too, guitars striking at ears with jagged riffs whilst rhythms pounce upon and bustle their way across the senses. That rugged swirl of intent and intensity though is tempered and held in the thick emotive heated hug of resourceful keys, their touch and suasion a constantly changing mesh of warm feelings and anger defusing vivacity.
Final track 2nd Cup flows elegantly out of another underground sourced sample between songs. It swirl and dances with seductive melodies for an immersive mesmeric embrace to which more mercurial flames of heavier incitement and energy smoulder with urgent intensity across the incoming sunset of sound around another ebbing of adventure. El-Maghraby exploits the frenetic climax of the experience deliciously, his fingers manipulating the final throes of the journey and crescendo of emotion before the eventual peace of the destinations end clangs and leaves its disappearing mark. As all tracks it is a sublime piece of composing and realisation to which the band add their individual and united insatiably scintillating descriptions.
Raptus is the perfect instrumental adventure, one which never gets fussy or over-elaborate, but also never misses the opportunity to aurally and emotionally explore every nook and cranny of its ideation and premise as well as the imagination of the listener. The Raptus EP is an essential investigation which if you are quick Unbeing has made available for free download until the end of July at their own website. What still here?
The Raptus EP is available now via BLK COQ Music and at http://www.unbeingmusic.com/
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