Ourfamous Dead: Claws at the Door

As the twilight weeks of last year closed their eyes there was one release which lit up those dark nights with a sound that roughed up the senses whilst mesmerising them at the same time. The EP in question was I Am Human from UK electro rockers Ourfamous Dead. Consisting of four tracks which stokes up limbs and emotions through infectious hook fuelled electronic punk sounds and eager explosive melodies, the release though not quite perfect installed the band as one to keep a close eye upon. Now the band returns with their new single Claws at the Door to not only repeat the irrepressible energy and intent found on the earlier release but to take it forward many huge steps to produce a song which is a feast for the ear.

Formed in 2009 the Leeds based band has made formidable strides in capturing attention and acclaim through their debut single Untitled Part 2 and the EP as well as their high energy live shows. The quintet found themselves under positive media scrutiny and as they continued to work hard sharing stages with the likes of The Blackout, Funeral For a Friend and Gallows. Now with the new single the anticipation that it will ignite 2012 for the band is more than a strong wish.

Claws at the Door is a track that demands and seizes attention from its opening dark electronic prowling around the ear right through to its punk punchy chorus to the siren bred climax. Showing a stronger maturity to their song writing the song is a well rounded and incessant beast which beats up the ear with the mix of punk, hardcore and electronica the band is becoming well known for. The vocals of AJ Reeves once more massage the ear with fine clean tones and a grouchy harsher delivery ably supported by the combined group shouts and chants of the rest of the band. This vocal blend is a perfect ally to the similarly enthused music, the guitars of Callum Knight and Rich Jennings, the pulsating bass of Simon Green, and the thumping rhythms of drummer Robin “Bobbyo” Speight, as one in pushing down defences with their aggressive punk urgency and revitalising them with a flowing melodic infection which permeates deeply. As the synths swirl and ignite emotions behind the forceful barracking, the song leaves one breathless for more and gives rise to an impatient anticipation for their forthcoming debut album.

In a mere few months the band has grown to reveal a sure hand on their creativity and a firmer definition to their sound. Ourfamous Dead have forged their own style which still lies between the likes of The Browning and Enter Shikari with flavouring of the likes of My Passion and Linkin Park but as the single indicates has evolved into music with its own breath and heart.

With a tour alongside another band to watch out for The Sun Explodes through April, a video for Claws at the Door due any day, and the previously mentioned album on the horizon, now is the right time to introduce yourselves to Ourfamous Dead, one of the most exciting UK bands around right now.

http://www.ourfamousdead.com/

https://www.facebook.com/ourfamousdead

RingMaster 03/03/2012

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Ourfamous Dead – I Am Human

Earlier in the year Leeds electronicore punk band Ourfamous Dead released their single Untitled Part 2 and it was clear from then on they were a band to closely watch and there was a definite keen anticipation for the next offering from the band. The I Am Human EP is the follow up to be released November  14th and brings more of their striking and eager mix of infectious hook fuelled electronic punk sounds, swimming in attitude and irrepressible melodies to excite and engage.

Since their formation in 2009 Ourfamous Dead have worked steadily and intently in defining their sound and laying down foundations with gigs around the UK. Earlier this year they started work on the songs that make up the rippling and exciting I Am Human EP, working to the point where their ever growing following and the rest of the country and beyond can fully immerse in the band’s contagious sound.

The four track EP though not flawless is an impressive and vibrant release showing a band confident in their sound and ability. There is also a good varied mix to the songs in style but also in attack which in some bands might suggest a confusion of direction but with this quintet it comes off as more evidence of their writing skills and assuredness in their music and ideas. 

Rate My Hate’ opens up the release bursting in with a hardcore attack over pulsating synths that wrap themselves around the ear. Defiant musically and from the shouts of AJ Reeves, the track bristles with attitude and aggression before midway switching to a mellower and softer attack, the vocals of Reeves and drummer Robin “Bobbyo” Speight uniting in a harmonious flow that changes the songs emphasis firmly though the drums and guitars still continue to strike hard. Though it does not detract from the song it feels like it is in two parts that though they work seamlessly are more effective in the angrier thrust of the start.

The opening slow notes of a piano bring ‘Untitled’ into view next but it only takes a few seconds before the track erupts into a great pop punk track showing a different and impressive side to the band. Though not as to the fore as on the opener the synths of Rich Jennings wonderfully play as a support to the driving bass pulse of Simon Green and the striking guitars of Callum “crabcore” Knight. Reminding of the likes of Drive A the song flooded with excited energy straight form their live shows, hits hard and fast. This is the EP’s strongest and most satisfying track.

The third track again changes the approach with a strong blend of expressive and coaxing synths alongside a direct and powerful attack from the rest of the band behind clean melodic vocals and gang chants. The song never takes off fully despite the eagerness of the band but nicely stays with a subdued and full sound.  ‘The Great And Inevitable (Change)‘ is in many ways the strongest song writing wise with its good amalgam of styles all laid in an enticing tapestry of melodic play.

Untitled Pt.2‘ completes the package, its swirling synths once more seeking every sense it can to play with. The song mixes in a heavier moment showing the band’s capability to work with aggression as well as sweetly flowing harmonies.

The flaws? Well to be fair flaws is the wrong word it is more down to personal taste. The band lay somewhere between Enter Shikari and My Passion in many ways but it is when they increase the intensity and aggression that they take a distinct step forward. They are far from the likes of The Browning in that way but a harder edge to their music does make the band even more impressive.

I Am Human is a great and thoroughly enjoyable release that is more than agreeable to the ear and shows the immense potential of  Ourfamous Dead for the future.

RingMaster 04/10/2011

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