Circle of Reason and 48 Hours unite for New Breed Of British Rock UK Tour 2014

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    Two of the UK’s finest emerging rock bands join forces this July. Hitting venues across the south of England, pop fused hard rockers 48 Hours unite with alt/rock act Circle Of Reason for a number of live dates. Bringing together two exciting bands, The New Breed Of British Rock Tour shall reach a climax on the 26th July, with two separate shows in one day.Forming in 2012, Kent based trio 48 Hours feature Adam Jerome and Matt Savini (ex Colt 44) and Gary Broughton (ex After The Ordeal). Previously building their reputations through appearances at festivals such as Sonisphere & Hevy and supporting successful artists including The Blackout, Madina Lake, Cancer Bats and We Are The Ocean, 48 Hours bring vast experience to the live stage & studio. Following extensive touring since their inception, 48 Hours have gone from strength to strength in 2014 following the release of their debut album ‘Recovery’ which has garnered early taste-maker support from XFM Rock Show and Kerrang! Radio.Taking in this venture as Part 3 of their own Trilogy Tour, Southampton’s prog tinged alternative rock outfit Circle Of Reason have gained attention and support from the likes of Kerrang!TV & Big Cheese Magazine on the strength of two self-released EP’s. As an endlessly touring band, Circle Of Reason have reached many corners of the UK, appeared at major festivals and opened stages for the likes of InMe, Neck Deep, Marmozets and Feed The Rhino. Taken from their ‘These Hands And This Mind’ EP, their most recent video single ‘Themes Amongst Thieves’ is currently airing on rock channel Scuzz TV.

    48 Hours & Circle Of Reason are represented by Tim Crane Artist Management.

    UK Tour Dates

    18th July – Hellfire Club-Redhill

    22nd July – Poco Loco – Chatham

    23rd July – Bar 42 – Worthing

    24th July – Sanctuary Bar – Basingstoke

    26th July – Leos – Gravesend

    https://www.facebook.com/48hoursrock?fref=ts

    https://twitter.com/48hoursrock

    https://www.youtube.com/watch?v=40XFwkLTmV8

    https://www.facebook.com/circleofreason?fref=ts

    https://twitter.com/Circleofreason

    https://www.youtube.com/watch?v=KX82tM24wDE (Currently on Scuzz TV)

Echoes – The Pursuit

 

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Whether the music or band name came first is something to ask in the future but certainly the sonic tempest of sound which progressive hardcore/post metal band Echoes casts over air, senses, and emotions is a resonating and lingering incitement which leaves little room for respite in its oppressively smothering presence. The Pursuit, the debut album from the UK quintet, thrusts the band into the imagination and mistrust though the latter is not a concern for the undoubted technical and imaginative craft of the band or of their emotively intrusive exploration, just a wariness of the damage the erosive might and intrusive rabidity of the release is treating senses and psyche to The ten track immersion is not an easy listen at times, not a merciful encounter which allows senses to breath and regain a foothold in its caustically acidic soundscape, but one which captivates with just a few reservations.

Taking inspirations from the likes of Devil Sold His Soul through to Hans Zimmer, Echoes emerged in 2010 with the intent ‘to create a sound that is entirely true to them’. Undertaking a gigging regime as intensive as their sound, the band has played around the UK and Europe numerous times, taking in over 150 shows and sharing stages with bands such as Devil Sold His Soul, Feed The Rhino, Heights, and Our People Vs Yours along the way. Intensively created across time and effort, The Pursuit lays down a potent marker and imprint as the band forges another potent step in their ascent. It is a sonically carnivorous encounter, one with a hunger which consumes with little consideration for emotional relief in its recipients but one which even in its suffocating dark depths infuses a melodic hope and positivity, just no respite.

Opener Empty Lungs has no care for a gentle coaxing into its maelstrom of enslaving textures and atmospheric voracity, the guitars of FRONT Packcover (hi-res)Angus Cadden and Karl Koch an immediate grazing courted by the intimidating throat of the bass of Steve Tolloczko and the predatory rhythmic challenge of Oliver Todd. The sonic submergence is like a free fall for the senses until they reach the passionate raw squalls of vocalist Joshua Thurbin where intensity engulfs before spreading out into more restrained but just as intrusively testing scenery. The slow immersive crawl of the track which takes over is as magnetic as the previous vitriolic incitement was violently bracing, their subsequent merging a stimulating canvas for imagination and emotions to place their own narrative before being dosed in that provided by Thurbin. It is an exacting experience but one, which as the album, over time unveils the richest persuasion and understanding upon the emotions.

As the first track drifts away the following Leaving None Behind flows in, a commanding but respectful acridity wrapping ears before the raising of an intensive temperature which itself flows into another melodic caress with sinister shadows. Again the track takes time to share all of its rewards but does so eventually as the guitars and rhythms sculpt a powerfully evocative landscape to ponder and explore. The following title track is similarly a long term investigation and journey but one which mentally ignites thoughts and feelings as rigorously as it does physically. Like the album, it is impossible not to fall into the immersive ambient depths of the song even as the sonic endeavour sears and scars.

Both Honour Lost and Rivers takes things up another level, or is that down, to darker intimidating corners; the first a bordering on anthemic engagement of group calls vocally aligned to an imaginative and harsh traverse of raw climates whilst its successor provides an initially muscular confrontation which evolves  impressively into an expanse of crystalline intrigue and shimmer mystique within a rhythmic sky which is always mere seconds from inviting a fury of vocal angst and voracious sonic design. The pair are the most potent and thrilling provocations stretching the already accomplished thought and passion of the band musically and emotionally.

As stated The Pursuit is not the most painless proposition, though there is never a second where adventure and unpredictability do not reign, but there are elements which prevent it scaling the heights of personal acclaim which it could have deserved. The lacking of truly memorable moments other than the just mentioned songs does leave it standing out against other contenders, as does the fact that it is easy to lose yourself within its familiarity s at times songs are hard to distinguish from others without purposeful attention.  Also the vocals of Thurbin make the release a struggle at times as in For What It’s Worth and the beginning of the following and thrilling Wooden Hearts as examples. Certainly his delivery and craft is impressive and potent to match the fire of the music and invention, but without a lack of diversity, only occasional additional group additives giving that, it does leave that part of songs a little one dimensional though certainly also passion drenched. It does not prevent the album from stirring up appetite and eager emotions for itself though.

Safe it Seems bursts in next to rage and snarl at the senses, anger and reflection soaking every syllable and note within another pleasing tempestuous range of piercing sonic peaks and lush melodic hues. Its drama clad presence is instantly tempered by the opening ambient caress and floating melancholia of Navigate, the piece a vision inspiring instrumental with scathing edges to its elegant beauty. It is the one time the album allows breathing to be engaged in without a savage incursion; that left to the closing See & Believe to explore within its emotively intense and creatively vibrant body. It is a powerful finale to a striking full debut. There are elements where the release could have truly stolen the passions and misses out but The Pursuit still leaves you eager to invest in its consumptive depths, even if nervously, and push Echoes into a band to fully recommend.

http://www.weareechoes.com/

7.5/10

RingMaster 24/03/2014

 

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UK rockers Circle Of Reason announce new UK tour

circle of reason

CIRCLE OF REASON – Announce ‘Whatever’s Clever’ March UK Tour

Having stormed into 2014 with the release of their video single Themes Amongst Thieves, Southampton’s alternative rock sculpters Circle Of Reason announce live dates for their forthcoming Whatever’s Clever Tour.

With further UK tours and festival appearances still to be announced for this summer, Circle Of Reason will be bringing their rock show to northern England and Scotland this March. Frequently compared to musical giants such as QOTSA, Biffy Clyro, The Smashing Pumpkins, Coheed and Cambria and Deftones, Circle Of Reason’s prog-tinged hard rock riffs, intricate song dynamics and melodic vocals are gaining the band loyal followers world-wide. Building upon their reputation as one of Britain’s most exciting emerging new rock acts, Circle Of Reason have garnered early support from the likes of Kerrang! TV, Scuzz TV, Power Play & Big Cheese Magazine. With numerous UK Festivals and tours already under their belt, the South West UK quartet have previously earned their place on stage supporting the likes of InMe, Feed The Rhino, Landscapes, Neck Deep and many more

Catch them live at … Mon March 17th – Mink Rocks, Middlesbrough Tues March 18th – South Sea Live, Sheffield Thurs 20th March – Grand Central, Manchester Fri 21st March – The Black Bull, Castleford Sat 22nd March – Vintage Rock Bar, Doncaster Sun 23rd March – The Towler, Bury Wed 26th March – Bannerman’s, Edinburgh Fri 28th March – Monty’s Bar, Dunfermline Sat 29th March – The Box, Glasgow

Taken from the 2013 EP release ‘These Hands & This Mind’- check out their video single for ‘Themes Amongst Thieves’ http://www.youtube.com/watch?v=KX82tM24wDE

Connect with Circle Of Reason at www.facebook.com/circleofreason and www.twitter.com/circleofreason

These Hands & This Mind EP available to buy at https://itunes.apple.com/gb/album/these-hands-and-this-mind-ep/id669577645

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Black Dogs – Grief

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Reeking of causticity and aggressive passion, Grief the debut album from UK metallers Black Dogs, is a barbaric full introduction to a band with the armoury to be a powerful future force within British metal. Rife with grooves which seduce the wounds caused by the violent riffing and rhythmic antagonism, the ten track brawl shows exactly why there is a powerful buzz about the Northern pack. Corrupting the senses with a brew of metalcore, hardcore, and groove metal, Black Dogs is a potent storm of creative spite poised to explode, Grief the possible trigger.

Since forming in 2011, Black Dogs has built a strong reputation through their raw and merciless live shows, performances which has seen the quartet share stages with the likes of Hatebreed, Stray from the Path, Bring Me The Horizon, Feed the Rhino, Heart of a Coward and most recently supporting  Heights on their debut UK tour. Their stature and the acclaim around them has been on a swift ascent with appearances at Hit the Deck Festivals and Download Festival only adding to their stock, something Grief will only powerfully accelerate you suspect. Released via Destroy Everything, the release is a stirring and magnetic confrontation, one which though not perfect declares a promise and already rich quality in the band which needs to be closely followed.

The release offloads battering rhythms and snarling riffs upon the senses from its opening seconds, first song Hellhole stomping Grief-Cover1DRAFTrigorously through the ear with combative intent and malicious intensity. With a just as immediate groove temptingly veining the track and squalling hardcore vocals grazing its surface, the song tells you all you need to know about album and band, and whether their ravaging is the quest you wish to be chewed up by.

From the impressive start 13 Bastards next takes its predacious share of the senses, sinew empowered riffs and a deliciously malevolent bass sound smothering and confronting ears and emotions. Once again an irresistible groove entwines its primal seduction around the imagination as the vocals unleash a cauldron of passion and venom. Continuing the intense stance of the album with equal strength and quality, the bass an especially vociferous presence, the track makes way for the savage Krokodil. It is of the same stock as its predecessors, and those to come, which brings up the only quibble with the album, a similarity to the structure and attack of songs which needs an attentive focus to distinguish and discover the undoubted individual twists and temptations of the tracks. It is not a massive issue when the album from start to finish is thrilling, but something lazier listeners may flounder with.

Both Savages and Shame enflame the passions, the first as you can imagine from its title is an unbridled fury but one which lurches and twists with incisive riffs and rhythmic adventure around its core groove and intensive riffery to keep things intriguing, whilst the second is a dramatically addictive encounter with a tantalising groove and djent bred dynamics enslaving ears and beyond. Black Dogs has a dirty merciless sound but one which is unafraid to turn in on itself with inventive explorations, this track the strongest example. It is not an experiment which is always stretched enough by the band in songs for personal thoughts, a missed opportunity shown up by Shame but something you can only anticipate will flourish ahead.

The excellent Traitors is another with incendiary grooves and melodic flames scorching the flanks of its straightforward bruising core, invention again raising the temperature and pleasure of the passions. One of many pinnacles on the album it is followed by the title track, a brief evocative instrumental which provides a ready canvas for the imagination to play with. It is a colourful interlude soon succeeded by another discontented vocal and sonic abrasion in the carnivorous shape of She Bites and then Bitterness. The pair adds extra fuel to the passions with their craft and fevered animosity, the first of the two a dark bordering on sadistic threat and the other a less impressive but still easy to greedily devour accomplished ruin.

Ending on the scorching intensity and air perishing fire of Leeches, the album is a stunning entrance and base for Black Dogs to strike on from. Grief simply leaves a deep satisfaction in its wake for its insolent sonic riot and a sizeable hunger for the band’s exploits ahead.

https://www.facebook.com/weareblackdogs

8.5/10

RingMaster 06/11/2013

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Circle Of Reason – These Hands And This Mind EP

circle of reason

If like us you were excited by the debut A Favour For A Stranger EP from UK alternative rock band Circle Of Reason, you are going to be grinning from ear to ear with their new release, the These Hands And This Mind EP. The five track EP realises all the promise of its predecessor and more. It is a release which aligns itself with thoughts and emotions with reflective and evocative potency whilst coaxing the passions further with sounds which caress, rumble through, and energise the ear with a maturer imagination capturing craft. Hopes of greater things from the band in the wake of their previous EP were inevitable and rich but the Southampton quartet now makes it feel like we short changed their potential with the outstanding release.

Since forming the foursome of vocalist/guitarist Simon Osman, guitarist Gary Slade, bassist Sam Cogher, and drummer Andy Milwain, have earned a strong reputation through their live performances alone which has seen them play with the likes of Feed The Rhino, Marmozets, Girlschool, Lafaro, Fighting With Wire, The Smoking Hearts, Landscapes, Inme, Zico Chain, Attention Thieves, and more. Their video singles and the A Favour For A Stranger EP equally built up their stance, garnering acclaim and widespread national coverage from the underground media to the likes of Big Cheese Magazine, Scuzz TV, Kerrang TV, and Lava. Already having earned comparisons to the likes of Coheed and Cambria, Soundgarden, and The Smashing Pumpkins, Circle of Reason are now ready to step onto higher levels and with These Hands And This Mind they have made an impressive first step.

Released Monday 29th July, the EP steps forward first with the single from the release Don’t Be Still. It is an instantly appealing cover_240mix of punchy rhythms and fiery guitar caresses around the ear, the air soon heated and thick from the sonic and passionate endeavour. As the again impressive tones of Osman stand astride the creative sounds with rich expression and emotive potency aided with the equally notable backing vocals of Cogher, the song wraps its sinewy intensity and melodic flames tightly around thoughts and passions. With only the disjointed break midway a minor niggle the song leaves a starting to stir ardour smouldering in its wash though it takes the following pair of songs to truly ignite its hunger.

Next up Home is a slowly burning triumph; its initial vocal and guitar welcome a glorious tender lure which only suggests you should share its company, though this persuasion is soon heightened as the bass of Cogher offers darker shadows and the beats of Milwain frame it all with rhythmic concentration.  It is when the track erupts and expels its fullest sinews of energy and passion though, subsequently merging both aspects into a scintillating progressive adventure, that the song rips full submission from the heart. It is a mountain of a piece which alone shows how far the band has come and evolved in sound and songwriting whilst still offering a promise of much more. As with the first EP, there is a strong feel of eighties band The Mighty Lemon Drops to Circle of Reason, vocally and emotionally which is most apparent in the equally stunning Themes Amongst Thieves. Riffs and rhythms carve out a terrific flight of metallic excellence which leaves lungs breathless whilst vocally once more Osman swoops across the rugged landscape with a grace hand in hand with the melodic elegance that permeates every breath the song takes. The two songs easily steal top honours on the EP and do not be surprised if they, and especially the second of the pair, turn up as the next single.

The following Novel also has a vigorous presence to its structure with guitars coarse flames across the cage of rhythmic demands but equally it explores its heart and emotive depths with a melodic and progressive adventure which is mesmeric and passion driven. Like all songs and the EP as a whole, the track just gets better and better with each dramatic engagement and leaves the appetite for the band verging on feverish.

The closing Sleep is a slow croon which captivates musically and vocally. It does not quite spark the passions as powerfully as other tracks but still leaves the richest flavour on the appetite and provides further evidence of the evolution of the band already and ahead.

These Hands And This Mind has marked Circle Of Reason as one of the most thrilling emerging bands in UK rock and with you feel so much more to come. Really it is hard not to be excited about this band.

www.facebook.com/circleofreason

9/10

RingMaster 21/07/2013

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Circle Of Reason – Don’t Be Still – Official HD Music Video

‘These Hands And This Mind’, from CIRCLE OF REASON out 29th July‏

Circle Of Reason Online Promo Shot

RISING ALTERNATIVE ROCKERS CIRCLE OF REASON RELEASE NEW EP & VIDEO!

Bursting out of the South West of England, Circle of Reason cunningly weave together their own brand of Prog-infused Alternative rock that is unmistakably unique and individual. Intensely merging considerate, visceral guitar parts, ear-shattering drums, and warm, alluring vocals, they create something sweepingly fast-paced and melodic that is at once compelling and supremely appealing. Their highly engaging sound is very much their own, though they have received affectionate comparisons to the likes of ‘Coheed and Cambria’, ‘Soundgarden’ and ‘The Smashing Pumpkins’.
   Circle of Reason have a genuine affinity for touring and performing live, and have already played alongside bands such as: Feed The Rhino,  Marmozets, Girlschool, Lafaro, Fighting With Wire, The Smoking Hearts, Landscapes, Inme, Attention Thieves and Steak Number Eight. Besides a hefty touring schedule, the four-piece are also amassing a solid release output. Last year, the rising quartet’s debut EP ‘A Favour For A Stranger’ racked up impressive underground acclaim and national magazine coverage, with Big Cheese Magazine praising the band: “This is truly hard hitting material for a debut EP”. The EP also spawned a series of music videos which all garnered TV coverage from the likes of Scuzz TV, Kerrang TV and Lava.
   The band stride forward once more with the release of their killer new EP ‘These Hands And This Mind’, out this July. The EP is loaded to the maximum with diverse guitar riffs and glowing vocal lines that truly soar, from the pounding riffery and stomping groove of their forthcoming single ‘Themes Amongst Thieves’, to the anthemic guile and craft of their current single ‘Don’t Be Still’. The foursome’s indisputable talent prominently shines throughout the whole of the EP, with each track dispatching its own unique feel, drive and vigour.

    Before then check out their brand new video for the track Don’t Be Still below.

- CIRCLE OF REASON RELEASE ‘THESE HANDS AND THIS MIND’ ON MONDAY 29th JULY THROUGH ALL DIGITAL OUTLETS -
Circle Of Reason Cover artwork
TRACKLISTING: 1. Don’t Be Still; 2. Home; 3. Themes Amongst Thieves; 4. Novel; 5. Sleep.
BAND MEMBERS: Gary – Guitar; Simon – Singer/Guitar; Sam – Bass/Backing vocals; Andy – Drums.
FOR FANS OF: Smashing Pumpkins, Coheed and Cambria, Soundgarden.

Lay Siege – Obolus

In what has been a constant stream of British metalcore and extreme metal releases so far this year Obolus the debut mini album from UK metalers Lay Siege, emerges as one of the most impressive. Though the release does not breakout with anything truly stunning, it powerfully indicates greater promise ahead and stands as a strongly enjoyable and commanding release which is heads above a great many of the similar veined releases to appear over the past few months.

Northampton based quartet Lay Siege since forming in 2010, have taken no time in becoming a force in the Midlands underground metal scene lighting up stages alongside bands like Devil Sold His Soul, Feed the Rhino, ACODA, Heart of a Coward, Carcer City, and While She Sleeps. This year will see them venturing further throughout the UK and into Europe which with the release of Obolus as their newest part of their armoury, makes it not beyond expectations to imagine them rising and growing higher in stature.

Obolus certainly marks them as a band with real strength in their sound and songwriting. As mentioned the release gives the suggestion of promise and greater things ahead but it is impossible not to recognise the musicianship and craft going on already. Starting with Explorer the album confronts the senses with towering riffs and titanic rhythms linked by intricate yet unexaggerated technical ability. The opener bundles through the ear with a greed and power to leave one gasping. The track is not rippling with originality but has a freshness and vibrancy which is open. Musically the song skirts through multiples avenues of ideas without lingering in any to make an unpredictable riot of sound.

The following storm The Ferryman worries and oppresses the bruises caused by its predecessor whilst treating the ear to further inventive melodic and imaginative creativity of the band. It attacks in a similar vein but with good variation under its surface to make for another excellent three minutes. Many have accused the release of having too much similarity across its length and one can understand that with the overall bruising encounter it offers but that just makes for an album which needs closer attention and focus than most to find its rewards and bubbling invention beneath the storm.

Snarling Teeth prowls and taunts the ear with more explosive rhythms from drummer Lewis Niven and hungry basslines from Dave Bartlett. The track has a Pantera/sludge groan to its weight which ignites a deeper infection, the vocals of Konrad Barrick splattering the ear with bile and tortured expression alongside the taunting mesmeric dark shadowed play of guitarist Jamie Steadman. All the songs loiter around the three minute mark and work well at that length, punchy and crisp in presence but this is the one time one groans as it lays down its last note, the pleasure it brings making one not only wanting but needing it to linger around much longer. The song confirms the thought that the delivery of Barrick maybe lacks enough diversity across the seven tracks, great though he is, but it is a minor issue here with the qualities of the songs but ahead might become a problem for some but we will see.

Glitches and Wastelands continue the bombardment and explosive engagement with equally impressive effect, the band showing further skill and spread of good ideas to their music. The dexterity and thought shown by the band in all aspects is striking and sets the band apart from other new extreme metal bands.

Obolus is a definite grower, a release which consumes and evolves within the affections at a slower rate than most but to a deeper effect. After a few plays the release drew full praise but as the album exposed its might more and more that positivity grew in to a full affection. Yes the album has limitations and hides its individualism a little too deeply but it also marks Lay Siege as a band with a mighty future if they progress and explore themselves even deeper.

Closing with the combative Solitary Confinement further crushing the senses, Obolus is a fine and impressive debut. Lay Siege is a band on the rise and we for one cannot wait for their next assault.

www.facebook.com/laysiege

RingMaster 01/08/2012

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