Tree Dwellers – Come Up and See

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    Tree Dwellers is a Manchester father and son partnership of whom we can reveal very little but what is openly apparent through the UK duo’s new single Come Up and See, is that they have a sound and presence which just feeds imagination and emotions with enthralling creativity. Brewing up an evocative and vivacious sound from a fusion of electronic spices with rock and funk juices, the band certainly on the evidence of their new release casts a festivity of sound and adventure which entices with organic bait.

Consisting of Mark and Jake Haslam, Tree Dwellers have the intent and vision to stretch and explore the boundaries between funk and electronica, enriching their exploration as shown on the single with exotic rhythms and highly vocal melodic ambiences. The result is a sound and release which takes thoughts on a sultry colourful adventure whilst providing a narration which sways and seduces like an erotic temptress within the captivating instrumental. As well as the single, the band appears on Melted ONE, a compilation featuring a range of artists who are uniting to raise money for Macmillan Cancer Support and The Teenage Cancer Trust; all the profits from its sale being donated to both charities.

Guitar and oriental words open up the emerging proposition, their instantly compelling lure soon reinforced by agitated scrubs of guitar and bass before everything falls into the arms of an elegance breeze of synths which with an almost glancing touch is itself infused with funk spawned enterprise from the guitars and bass. It is an intriguing picture with expanding hues but it is the joining of glorious mouthwatering strings with a shadowed almost growling tone to their beauty which ignites the imagination and passions without restraint. They make a gripping expressive attraction to the already enthralling scenery, steering the imagination into another thick evocative venture. With rhythms and a percussive dance which are chilled to their core and a smouldering glaze of melodic flames courting the flight of the colourful tango, the single is a delicious incitement and a piece of music which surely should find a place in the soundtrack of an upcoming World Cup presentation.

As said at the start, there is not much we can unveil about Tree Dwellers but plenty about their single to spark real eager anticipation of their future journeys and bewitchments.

The Melted ONE released Come Up and See is available digitally now on iTunes.

https://www.facebook.com/pages/Tree-Dwellers/1432174900357297

8.5/10

RingMaster 30/05/2014

Copyright RingMaster: MyFreeCopyright

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Tim Paris – Dancers

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Dancers is the ideal title for the debut album from London based Parisian Tim Paris, each of its tracks whether an open flirtation or a more chilled proposition, a vibrant adventurous waltz. Better known as one half of It’s a Fine Line with Ivan Smagghe, Paris has sculpted songs which pull the imagination into unpredictable and vivacious soundscapes. Each one is distinct and stands alone in the tapestry of the release but have a symbiotic union which provides one refreshingly inventive landscape for senses and emotions to bask in. Dancers ebbs and flows in success across its body it is fair to say but only to waiver within a constant magnetic seduction which never relinquishes its strength.

As renowned for his remix invention which has seen him reinterpreting invention from the likes of The XX, Femi Kuti, Battant, Au Revoire Simone, Ewan Pearson, and Tiga, the DJ, producer, and musician now unleashes his own electronic alchemy through the album, merging the purest essences of synth pop, new wave, post punk, electronica, disco, house, and much more for transfixing and evocative aural climates. Dancers provides insights into richly flavoursome cinematic scenes but also ones which have an intimacy which goes beyond voyeurism to draw the listener emotionally into the imaginative investigations. Featuring a wealth of guests, the album is also a collaborative affair embraced by the creative ingenuity of Paris.

Opening track Golden Ratio strides boldly in on punchy beats and an electro tinkling which reminds instantly of Love Cats by The Cure Tim Paris - Dancersthough it takes little time to show its own distinct tease to the coaxing. The song then infuses intriguing melodic lures which do not nestle easily within the established pulse of the song but only accentuates the awakening potency. Featuring Georg Levin of Wahoo, the song opens up warm arms of melody bred enticement and smooth vocal expression which are themselves veined by intriguing twists of enterprise and electronic investigation. The post punk strict rhythmic heartbeat steers the journey allowing thoughts to take in the radiant sights and absorbing atmosphere. It is an adventure which midway takes a breath to return with an even more masterful hold on the appetite, a case of absence making the heart grow fonder.

The enticing start is matched by Rain which sees the guest appearance of Coco Solid of the Parallel Dance Ensemble. The song drips slightly chilled riffs down upon the ear whilst a rhythmic shuffle hurries across the senses. It is another alluring start given extra drama by the skirting dark throated bass, the combination building a striking premise which is enriched further by the cyber kissed vocal narrative. The repetitive spine of the track bewitches constantly; the stark core holding Joy Division/Bauhaus like predation around which the elegant and mesmeric call of the song spreads and croons.

The metallic breath of Outback, Stones & Vinyl soaks the ears next, the initial caress of the song courting a John Foxx essence which never leaves the infectious persuasion. As the track explores its seductive canvas, building and colouring the imagination with inspiring textures, the instrumental toys with the senses further, stretching its provocative enveloping with an additional Bill Nelson like invention. Like standing on a heaven lit cliff top whilst warm winds and sights wrap rivetingly around the senses, the song puts the listener in a hypnotic almost meditative emotional trance.

The following Minireich which features Sex Judas and Rupert Cross and Disco Ellipse both create a transfixing dancefloor bred temptation, though the pair tantalise and shimmer in their enticement rather than leap upon the eagerness of feet. The first has a definite Yello feel to its mischievous invention, vocally and in the devilish temptation offered whilst its successor is a cybernetic tango, flashing sonics and dazzling electronics spraying their bait around before the emotive weave of distressed melodies and restrained bedlam make their play successfully for the passions. Those nor the next up Unsung Deaf Hero fire up the same intensity of hunger and thrills as the opening songs but all captivate and refuse to release the album’s hold, the third of the trio a smothering wash of thick ambiences and funk spawned vocals casting a dark dance of inciting suggestiveness and mystery.

Dancers is back to dominating senses and mind with the outstanding drama of The Grip. With Ben Shemie, Paris lays a noir bred sinister atmosphere within which guitar and rhythms stalk the imagination, the encounter a soundtrack which could easily grace any caped crusader or futuristic darkly shadowed enigma. All the tracks allow the mind to run riot with their aural paint but this more than most conjures up stories and emotions to intoxicatingly bask in.

You’ll Never Know also creates a tenebrous encounter to immerse within, it’s again noir crafted riddle an imposing and incendiary fuse for an adventurous mind to run with whilst ears welcome the varied vocal hues and electronic weaves. It is a blend which is just as alluring in the slightly lighter Extreme Nails, its celestial stroll within a heavy but slow rhythmic frame a beacon for the listener to explore in their own design. Shadows as across most tracks are never far away with their tempering relish though they have to take more of a backseat within the fruity exploits of Heaven Parking which again sees Sex Judas involved. There is a subdued but visible lunacy to the song which brings thoughts of the eighties Martin Atkins band Brian Brain. It is a thrilling revelry which steps aside for the equally delicious Backseat Reflexion to close the album. The song sees Forrest joining Paris in a last irresistible seduction, electronics and melodies aligning within a shadow built emotional seduction.

It is a masterful end to a similarly consummate release, Dancers offering a collection of emotive and provocative vignettes which absorb thoughts and passions like a sponge for exhilarating experiences and adventures. Apart from the length of a few tracks stretching their staying power to clutch at straws in an attempt to temper the enthusiasm, Tim Paris has provided his finest hour with his own solo release, the first of many we hope and suspect.

Dancers is available on 2 x 12″ vinyl, CD, and download right now via My Favorite Robot Records.

http://www.facebook.com/djtimparis

9/10

RingMaster 12/04/2014

Copyright RingMaster: MyFreeCopyright

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Pillar Point – Self Titled

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    Creating an immersive melancholic waltz for feet, thoughts, and emotions, the debut self-titled album from US electronica project Pillar Point is a fascinating captivation with a persistent almost niggling seduction which encloses the imagination in an evocative and reflective embrace whilst sparking the urge to shuffle and lift limbs. It is not a release to ignite a major fire in the belly but instead it simmers and smoulders earning a lingering respect and appetite towards its open invention.

    Pillar Point is the solo project of Seattle musician Scott Reitherman, an artist already known for his involvement with indie-pop outfit Throw Me the Statue. Exploring similar electronic textures and sounds to that band, Reitherman ventures into darker shadows and deeper emotive corners, tempering it with a melodic dance of imagination upon his solo release. Uniting with long-time collaborator and producer Charlie Smith for the Polyvinyl Record Company released album, Reitherman takes Pillar Point and the listener on a fascinating soar through crystalline atmospheres and sirenesque electro embraces, an adventure equally unafraid to step into personal reflective shadows.

     The album opens with the masterful Diamond Mine, the song a weave of electronic alchemy honed into an enthralling flame of melodic enticement. From its first caress of vintage sounding synthesizer the song is seducing the imagination, the mellow falsetto leaning vocals of Reitherman adding to the warm suasion. Dark bass tones politely groan from within the flames, beats adding potent jabs to cast a little further darkness to the sunspot of a song. It is an absorbing entrance and stroll but one which shows its true toxicity with the exceptional chorus. As it hits, discord invites itself to the mesmeric party and immediately cast a dark irresistible glaze to proceedings vocally and musically. It attaches its claws like a mix of very early Ultravox and Thomas Dolby filtered through the dark intimidation of Joy Division. It is a scintillating moment in a terrific start to the album, one it never manages to emulate again.

     The following infection soaked Eyeballs and the celestial Cherry give it a strong go though, the first an eager energetic bound of guitar teasing and mischievous rhythms within an electro cloud with as much tendency to haunt and shadow emotions as it has to seduce them. Its successor washes over ears with an ethereal breath and temptation which again mixes melancholy and warmth into an emotive sailing of the imagination. Like its predecessor the song is awash with an infectious bewitchment which lingers and inspires long after its departure.

     Black Hole steps up next with its rhythmic bait poised and ready to hypnotise from its first second, the ear clipping beats a constant provocation within a tantalising electronic entrapment. Smothering and inspiring thoughts into a personal adventure, the song is a vibrant tempting which has toes and heels itching to join the mix, something which Strangers In Paradise in its noir kissed romance also achieves with a slow steady saunter. As with the opener, there is an eighties synth pop essence to the song especially in its darkest climate, bands like Felt and Comsat Angels brought to mind by the sultry elegance and rhythmic intimidation respectively of the encounter. Its unpredictability and fusion of discord spawned ingenuity with warm melodic blushes is a compelling treat and across the whole album this type of union continually provides the strongest pinnacles of the landscape.

    Both Dreamin’ and Touch expressively glow in the passions, if at times with sluggish lures that stir rather than stoke the fires, whilst the delicious tease of Curious Of You with its electro devilry and contagious harmonies incites the coals to another feverish hunger. It is a track which holds the hands and whirls you around its hazy scenery in one fluid escapade for the duration of the refreshing dance. It is a magnetic incitement matched by the closing slice of mesmerism, Echoes. As its title the song resonates and pulsates relentlessly in the psyche and imagination, another weave of electronic and melodic beauty coaxed further by the impressive tones of Reitherman.

    The song concludes in fine style a magnetic release, an encounter from Pillar Point which maybe does not cause the passions to erupt but instead invites and persuades them to linger for vast swathes of time long past its farewell…a reward which arguably is the greater and very appealing.

http://pillarpointmusic.com/

8/10

RingMaster 04/03/2014

 Copyright RingMaster: MyFreeCopyright

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Strobegirl and D’Jaly – How Are You? EP

 

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    Having been seduced by The Strawberry Sessions EP a few years back, we have always had time and dreams over the melodic crafting and tones of its creator, UK singer/songwriter Strobegirl.  Weaving a mix of pop, indie, and folk spices in a host of sultry embraces, the Croydon girl is one of Britain’s musical secrets. With the release of new EP How Are You? may be that hiding place will be under threat through its magnetic temptation. The release sees Strobegirl, better known to her stalkers as Heather-Jane, team up with fellow Croydon based artist D’Jaly. It is a tantalising union as evidenced by the seven track release, a collaboration which sets the new EP alongside the acclaimed Strawberry Sessions in temptation and imagination.

     Strobegirl is no stranger to collaborations, having worked closely with producer Roger Fife (Cyndi Lauper, Anthony and The Johnsons, The Orphans) on her successful debut EP and subsequently the likes of UK Industrial band Illustrial as well as other artists on individual songs. Marked by dreamy shoegaze kissed textures to her music and vocals, Heather-Jane won indie artist of the year on Somojo radio in 2010 as well as being heavily played and promoted on various radio shows, especially the champions of independent music Audioburger. Her partner in invention upon the How Are You? EP and better known to his family as Jon Daly, has been emerging as an artist/producer through his infusions of electropop, house, and deep house. Originally called Unknown Tone with an electronic/dance flavouring to his creativity, Daly first released debut album the Fourth Dimension under his own name in 2008 before unleashing robotic dance machine 4000 in 2010 as Unknown Tone. Now the two artists have combined to craft a tantalising offering which joins both their styles in one electro pop persuasion, an encounter which leaves ears alive and passions feasted.

    You Can’t Stop Me Now starts things off and immediately cloaks the ear in a melodic coaxing aligned to sultry keys all aided by a brassy temptation. It is a smouldering mix of funk and jazz within an elegant pop embrace, piano and the appealing vocals of Strobegirl casting an emotive allure which only accentuates the beauty of the melodies which brew, merge, and erupt with evocative flames across the song. It is a magnetic persuasion which soon recruits thoughts and hunger towards its impressive invitation into the release.

     The following Nothing Else Counts Now unveils an electronic wash of grandeur and crystalline beckoning to make its entrance. Its initial coaxing is strong but arguably not as reassuring as to what will follow as the hinting found at the start of its predecessor. Those doubts are soon pushed aside though as the track twists its body to release a striking flame of Depeche Mode like melodic caressing littered with startling electro pulses and splurges of sound to shake up the song and expectations. Slight whispers of industrial and dubstep mischievously play their part in the bait of the song too and though the more general electronic course of the track is less inspiring than those elements, it is a refreshingly enterprising and imaginative eccentric dance within melodic witchery holding an almost spellbinding call.

    Next You and My Heart steps forward with its own distinctive fusion of electronic eccentricity and electro pop bewitchment, the song another which comes with a devilry to offset and taunt the raging melodies and ever appealing vocals. Production wise the track does want a little, the clashing electro scatterings and climatic orchestral bred melodies often suffocating and overpowering the vocals, though to be fair it does also help a haunting breath to wash the piece which does the song no harm. Overall though despite the smothering it is a lingering wash of melodic persuasion which adds extra to the release if less potently as elsewhere.

     The best two songs on the release come next, firstly Wake Up which admittedly we have a soft spot for having heard it in its early stages a while back. A summer wind of folk seeded pop placing the acoustic skills and vocal enchantment of Strobegirl in a rich electronic stimulus, the track is a warm stroll through evocative aural sorcery. Again the production is a touch claustrophobic but cannot derail a quite delicious croon of shoegaze revelry. With a chorus I dare you not to join in by its second tempting the song is one irresistible romance.

     The title track is equally infectious in its individual way and passion conjuring character. With almost sinister shadows flitting in and out of the song as the keys play with light and dark intermittently within a flame hued melodic narrative, vocals and lyrics adding another bloom of passionate colour and imagination to the picture. The best track on the release if not quite the favourite, it is a thoroughly captivating incantation of Siouxsie and the Banshees mystique filtered through a restrained Propaganda sculpted beauty.

   Completed by the Monster Electro Mix of You Can’t Stop Me Now and lastly the Deep House Mix of Nothing Else Counts, How Are You? is a delightful enveloping of the imagination and emotions, a release which might finally push Strobegirl and indeed D’Jaly in a new deserved spotlight.

The How Are You? EP is available as a buy now name your price download @ http://strobegirl-djaly.bandcamp.com/

https://www.facebook.com/StrobegirlUK

https://www.facebook.com/djaly0

8/10

RingMaster 22/01/2014

 Copyright RingMaster: MyFreeCopyright

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Monday 20th January‏ sees KATSUO unleash ‘Creators’.

Katsuo Online Promo Shot
 
EXPLOSIVE NEW EP UNLEASHED THIS JANUARY BY KATSUO!
 
Katsuo’s eagerly awaited new five-track EP ‘Creators’ is nationally unveiled on Monday 20th January, through Super Happy Records. Merging Electronica, Dubstep and Rock, Katsuo’s blend of ‘Rock-step’ is poised to explode this year!
Formed in 2012, Katsuo is the workings of multi-instrumentalist Alex Larkman, who after playing in bands during his teens, wanted to create something edgy, contemporary and innovative. Taking from a plethora of influences stemming from Fall Out Boy and 30 Seconds to Mars, through to Skrillex and Prince, Katsuo’s sound is quite diverse, fusing a heady mix of dark & punchy dubstep, underpinned by crunchy rock guitars and laced with fast and hard hitting electro. With unique but compelling vocal hooks, Katsuo is destined for great things.
Katsuo’s debut EP ‘Silver Tongue’ hit stores in April 2012 along with the single ‘Warrior’ (released through Tuned-1n Records) which dropped towards the end of that year. Katsuo then also released the video ‘Stereo Jesus’ in April 2013, which featured internationally infamous Suicide Girl & FRONT Magazine cover girl Rebecca Crow (Katherine Suicide).  All releases helped to significantly propel Katsuo’s reach, and now with the release of Katsuo’s latest offering ‘Creators’, which compacts five killer cuts of inventive and cutting edge song-writing that sway from hard industrial and drumstep, to piano pop and alt-rock, ‘Creators’ promises to elevate Katsuo even further.
STOP PRESS! (4/10/13): KATSUO HAS JUST HIT 40k VIEWS AND HAVE BEEN FEATURED ON
YOUTUBE’S HOME PAGE – http://www.youtube.com/watch?v=MS-RUUoXwi8 ….
 Katsuo Cover Artwork
 

Senser – To The Capsules

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It is always hard not to have an extra buzz to the anticipation of a new Senser release and the unleashing of their fifth studio album To The Capsules is no exception. Following the Biting Rhymes EP, an interim covers release between albums, the new ten track tempest from UK’s crossover legends shows the band at its most eclectic yet. Experience and maturity has certainly not diluted their want and intent to stretch their boundaries and on the evidence of the new release Senser have openly taken their consistently adventurous confrontational enterprise and inventive provocation to new levels. The debate is still going on in thoughts as to whether the album is their finest moment to date but certainly with a compelling expanse of imagination within a sumptuous storm of metal, hip hop, and electronica to simplify it all alongside the as expected political and social lyrical confrontation from the sextet, To The Capsules is a bright blaze in a fiery musical year.

Fan -funded through a highly successful Pledgemusic campaign and released via Imprint Music, the self-produced album takes the strong base established on the band’s comeback record How To Do Battle of 2009, and expands it into an intensive, incendiary, and satisfaction filling encounter. With a live presence which has accelerated into one of most exciting and inspiring over the past couple of years, Senser stir things up to another tempestuous height with To The Capsules, a record returning the band to the fore of genre merging invention and antagonistic ingenuity.

Big bulging magnetic rhythms open up the release, the initial pulsating lure of Devoid an immediate seizure of ears and thoughts. Senser-To-The-Capsules-cover-hi-resSoon after the guitar of Nick Michaelson is sending scars of searing sonic temptation across the rhythmic slavery, the merger only accelerating the hunger already brewing from the album’s entrance. Taking a stand of classic metal seeded enterprise alongside the still compelling rhythms, vocalist Heitham Al-Sayed unleashes his distinctive and passionate narrative delivery. It is prime Senser at this point but with a growl and predation which is as fresh a bait as ever laid down by the band. The album features guest vocalist iMMa across its length, the excellent vocalist having toured with the band since founding member Kerstin Haigh stepped down last year, and even as support on the song through the chorus raises the temptation and sultriness wrapping the metal bred intensity. As the predatory bass stalking of James Barrett and the outstanding drum exploits of Johnny Morgan, as well as the desk twisting skills of Andrew Clinton (aka DJ Awe) conjure greater shadows and traps for the listener to be enthralled by, the track is an immense and memorable lure into To The Capsules.

The following Time Travel Scratch drips intrigue and simmering seduction from its opening sample and coaxing, the DJ craft of Clinton stalked by the bestial bass sound conjured by Barrett immersed in a psychedelic funk kissed weave of imaginative persuasion. The track at times reminds of nineties UK rap group Honky, its grooves and senses mesmerising rhythms a similar toxicity wrapped in a soul and jazz funk fusion. The invigorating dance makes way for another lofty peak for the release. Witch Village with more than a whispered element of the weight and might of debut album Stacked Up to it, courts groove metal vengefulness and classic rock melodic enterprise for a result which is an aggressive and fearsome blaze of aural exploration and lyrical incitement.

The brilliant Wounded Spectre continues the torrent of diversity already rampaging across the album, its hardcore/punk rabidity linked to an alternative metal invention. Riffs are a carnivorous instigator of the passions whilst the sonic noise rock like stabs from Michaelson fall like shards of aural manna around the vocal vociferousness provided by Al-Sayed and iMMa. It keeps the album at its highest plateau, and is soon backed by the scintillating Break The Order, the track two and a half minutes of thrash ‘n’ punk fury. Take a pinch of Motorhead, The Grumpynators, Fuckshovel, and maybe a little Five Finger Death Punch and you have another piece of Senser alchemy to bask within.

The sultry sirenesque beckoning of iMMa within Alpha Omega and its sweet Eastern bred toxicity only increases as the track unveils intensive sinews and spite and melodies as virulently tempting as any release this year, whilst its successor Liquidity is a beguiling fluid heat of rap vocals, scratching squeals, and a psychedelic wash with a flavour of Dizraeli and the Small Gods to it. Neither track triggers the intensity of passion as their predecessors but both leave appetite greedy and satisfaction full to continue the raging pleasure.

Echelon features Kerstin Haigh on vocals alongside Al-Sayed and is another which just fails to reach earlier heights but for unpredictable and exhausting adventure is on the frontline, the track a bruising and uncompromising scorching fire of metal and hard rock rapaciousness. In its distinct character Chemtrails which has UK hip hop artists Junior Disprol and Manage guesting on its offering, also has a hunger which toys with rabidity within its electronic swamp and brass irresistibility. It is a challenging swarm of aural fascination, a glorious investigation which adds another startling aspect to the album whilst setting up the closing seven minute epic, Let There Be War. Despite the track epitomising all the strengths and invention of Senser it is a little disappointing, lacking that essential spark though like the other songs which slip below the album’s fullest heights, it is more down to the quality surrounding them on the album than any major shortcomings within its skilled and provocative walls.

      Nevertheless To The Capsules is a thrilling and richly exciting release and Senser back as one of the most innovative and boundary worrying bands in British rock, metal, rap….well within any genre they wish to employ.

http://www.senser.co.uk/

9/10

RingMaster 25/11/2013

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard from

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http://www.youtube.com/watch?v=Ix9QEZ4lUjI

The Karma Party: Dark Matters EP

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Standing eye to eye with and snarling viciously at governments, corruption, and the sea of injustices in society and then lyrically ripping their throats out, UK punk-steppers The Karma Party is an emerging force to call foul on the world whilst igniting passions with a fire of irrepressible sounds and electric energy. With debut EP Dark Matters the quartet from Blackpool has set the first aural landmark in their rise towards becoming one of the best incendiary creative confrontations in the country.

Consisting of vocalist Merc, guitarist Scummins, bassist Punkins, and drummer Luke, The Karma Party brews a heady tempest of hardcore, punk and dub-step with flames of electronica burning within the combative storm. It is a distinct sound but take pinches of Sonic Boom Six, King Prawn, Lazy Habits, and the Janice Graham Band with extra spice from Pendulum and you scratch the surface of their invigorating volatile antagonism.

The release takes its first bite with This Is Britain, an attack on the broken country brought with contagion and aggressively 1616807321-1sculpted conciseness. An instant scrub of heavy rhythms and scarring riffs led by the excellent vocals of Merc attach to the ear with a Dead Kennedys like hook entwined around the sinewy core of the track. The song questions and provokes in sound whilst simultaneously challenging with razor sharp lyrics delivered with a bite and accuracy which grips tightly. Melodic keys flame and caress in the skies of the song to add a melodic weave to the muscular senses barracking triumph beneath. As anthemic as you can wish and virulently infectious the song is a dramatic and impressive start.

An opening height easily matched by the following Collapse, the track another insatiably energetic and forceful welcome intrusion on thoughts and passions. From its first breath the song is stomping with purpose through the ear with sonic shots exploding within the brawling energy, openly furthering the already impressive diversity to the imagination of the band. Like all the tracks on the EP, the song is direct and uncompromising but the band ensures that there is a full capture of the listener through heated invention and a delicious maelstrom of ideas and sounds.

Push Forward continues the outstanding conflict whilst expanding the depth and diversity to the songwriting and creativity. Oriental blooms of sounds wrap the ear first to fix attention and intrigue steadfastly before Merc begins the descriptive voice of the track, again a potent statement with unreserved sounds to match. Another punk riot ensues with that oriental seduction continuing to set passions aflame, the song twisting and barging through its purpose with provocative skill and a chorus which resonates with electro pulses. It has an impossibly viral vocal call for which there is no remedy and is proudly another sensational instigator for mind and heart which with its eastern ethnic winds and verbal strength reminds of Asian Dub Foundation at their best.

Completed by They Tell Me, a mesmeric song with drama inspiring keys and sonic mists which stretch across the sound to further the evolving soundscape of the release, and the punk driven defiant riot The Opposition, the EP leaves the listener a churned up and riled force of thought, emotion, and pleasure. Dark Matters is a towering triumph ready to soundtrack and advocate change, something you feel The Karma Party will find an even stronger depth and potency to in the future. A must have release of 2013 which will apply to every year and decade thereafter.

Grab the Dark Matters EP for free @ http://thekarmaparty.co.uk

9/10

RingMaster 05/03/2013

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard from

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Borg 64: Anywhere But Here EP

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    It has to be said few bands manage to ignite that primal passion and excitement which borders on lust but to the list of those who have for us here, we can eagerly add Swedish noise twisters Borg 64. The band and their Anywhere But Here EP are just sensational, a tour de force which captures, chains up, and smashes the senses and heart with furious rampant psychotic ingenuity.

From Luleå, the trio of Sven Engdahl Hamilton, Fredrik Johansson, and Markus Wanler conjure antagonistic confrontations which devour the listener with rabid hunger whilst searing them with delicious addictive sonic invention and startling imagination. Originally a political drum n bass act which began in the late 90s, Borg 64 evolved into their own unique furnace of hardcore punk and electronic whipping. The band had two critically acclaimed releases on the now defunct Codebreaker Records but now return after a seven year hiatus stronger, more violent, and irresistibly virulent than ever before.

Released on Discouraged Records, Anywhere But Here snarls and chews on the senses and world through a quartet of borg_64_10_inch_outer_sleeve_4uncompromising annihilatory blistering furies. From the initial electro fizz of opener Death To False Power Chords soon accompanied by a hellacious attack of crippling beats, the track is an immediate hook which has thoughts and emotions secured upon its vicious barbs. Into its stride the song is an unbridled abrasion of squalling vocals, deeply rummaging riffs, and intrusive incendiary electronics as contagious as they are wantonly seductive. The track, as the whole release, is a schizophrenic riot of vision and passion, its course twisting and winding tighter around the ear with delicious predatory basslines, caustic electro spite, and ruinous vocal fervour.

Late Nights At Quarks takes over from the stunning start to trash out greater heights and compulsive insidiousness, its vindictive rhythms and bass savagery complimented by sinister venomous sonic lashes and malevolence. The song is an exquisite but ferocious spear of inciting and intrusive invention which leaves greedy rapture in its aggressive wash. The following Judge Jury Executioner Talkshow Host is an equally intensive continuation of intent and sonic mastery with just as rich rewards and results for the listener. Once more the electro and viciousness of the band combine for a tsunami of rampaging invention and corrosive magnificence.

The staggering EP is completed by Luleå, a track surging with mischievous addiction forming hooks and synapse burning melodic poison which leaves one basking in its irrepressible heart and magnetic invention. The track is merciless as it erodes and enflames the passions whilst chewing with raptorial fervidness on the senses from first nasty and wonderful note to last.

Imagine a crazed mix of Converge, Enter Shikari, Kabul Golf Club, and Coilguns and you come near to the excellence of Borg 64 and their Anywhere But Here EP, though all suggestions are still off from their quite triumphant skilled and distinct discordance.

http://www.borg64.com/

https://www.facebook.com/Borg64

10/10

RingMaster 20/02/2013

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard from

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Zagar: Space Medusa

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   From Budapest, Zagar is a five piece band which has been making great waves with their experimental electronica. There is great anticipation for their forthcoming album Light Leaks, but before then the band is releasing a taster with their first single from the album, Space Medusa via Mole Listening Pearls, a track sure to confirm the thoughts and appetite of fans and media.

The band which creates a sound based on wave rock, electronica and psychedelic soundscapes, began as three-fifths of the Yonderboi Quintet, a unit which found some acclaim and critical success. Moving on to make their own unique sounds keyboardist Balázs Zságer and scratcher Dj Bootsie began exploring and experimenting with their ideas. Recruiting drummer Tibor Lázár, guitarist George Ligeti, and bassist Ákos Zságer-Varga, Zagar stepped forward to evolve into a provocative and significant force on the Eastern European music scene. Their previous album Cannot Walk, Fly Instead won two nominations at the MTV Europe Music Awards as well as winning numerous awards elsewhere. The band is also earning keen attention worldwide through their releases and performances across Europe, including an acclaimed show alongside Depeche Mode on their Budapest leg of their Tour of the Universe. This just adds to the expectations upon their new album but first is the loud whisper from it in the mesmeric shape of Space Medusa.

From its first breath the song is a wash of pulsating deeply driven rhythms and warm expressive keys tiled with electro pokes and seductive persuasion first musically and then expanding into the teasing impassioned and smouldering vocals. It is an immediate soft and engaging temptation which sparkles and soothes across its tantalising expanse.  Musically the sound is as cosmically alluring as the lyrical journey into a dreamy magnetic realm far beyond the real world, its charms enabling thoughts and imagination to drift off into similarly flavoured places and visions. It is an entrancing swirl upon the ear and a release to raise the temperature of the wait for Light Leaks.

Released as a free download @ http://soundcloud.com/zagarmusic, Space Medusa is a treat all fans of artists such as Errol Alkan, Aeroplane, and Kitsune will be fully enamoured by.

www.zagarmusic.com

7/10

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RingMaster 20/02/2013

 

The Title Sequence: Straight To Video EP

Fresh yet borne of vintage techniques and feel, the Straight To Video EP from UK electronica band The Title Sequence is an enterprising and mesmeric treat. Available right now as a free download, the release is a slice of lo-fi magnetism which lays its breezy caresses upon the ear with craft and tenderness.

The North London band is the project of songwriter David Bailey and producer Nick Crofts. Formerly known as The Sound of Bailey, the duo are childhood friends who as The Title Sequence have already drawn interest from the likes of Steve Lamacq, Huw Stephens and Chris Coco with their music, including previous single Dinosaurs in February of this year. Taking influences from the likes of Camera Obscura, Boards Of Canada and Solar Bears, the pair open up more of their musical heart and passion with the five track Straight To Video EP.

Ahead of new single Pay Day and presented as a companion to their forthcoming album Stills, the release opens up with the bubbly and hypnotic Out Of This. Nostalgia brewed electronic pulses, bontempi whispers, and excellent guitar teases lead one by the hand within the warm and reflective walls of the song, its core a delight of gentle vocals caresses and golden melodic rays. Offering an elegance of eighties bands like Felt and China Crisis with a Thomas Dolby like electronic attraction and Owl City pop beckoning, the EP is a soft creamy aural dessert from which there is not quite enough to satisfy the appetite but delicious enough to make one keep coming back for more. That applies to the whole release, its individual tracks varied flavours never less than a full enticement if again they do not all always quench the thirst. Nevertheless the opener is an enchanting piece of indie electro pop, its mazy melodies and imaginative sonic drizzling quite impossible to pull away from.

The following My Light Was On is a reflective and emotive tale of lost romance, its slowly dawning strength wonderfully crafted within the haze of a fine guitar painting and passionate mists which place their brief but perpetual kisses upon thoughts and senses. Next up, Hide And Seek is a similar song in intent and effect but brought through a different warm wind of dual vocals and evocative sounds. The guitar again paints the picture whilst the male and wonderful female vocals provide the colour and emotive texture. It is simple but quite lovely and easy to immerse within.

Before the excellent final track, VHSEX is a very brief instrumental which blends steel drums with the white noise of the vintage tape deck reel the band used to record the release. It is ok, just an interlude but does suggest the band in the future have some ambient ideas they could well be ready to explore. The closing Desert Song is a homage to Ennio Morricone, the Mexican mariachi suggesting opening playing in visions of swirling whispers of dust and heat. Into its stride the track is a magnificent weave of cinematic and textures brought through dramatic trumpet and strings alongside soaring female vocal washes and the expressive tones of Bailey. There is a touch of The Monochrome Set to the track, the same imaginative and unique take on sound and story within.

It is an outstanding end to what is a very pleasing and exciting release. It also suggests the horizon will offer more and greater pleasures from The Title Sequence which ensures eyes and ears will be closely paying attention in their direction.

Get the your free download of The Straight To Video EP @

http://thetitlesequence.bandcamp.com/album/straight-to-video-ep

RingMaster 06/11/2012

Copyright RingMaster: MyFreeCopyright